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ARTHUR MACHEN: 30+ Horror Classics, Supernatural & Fantasy Books (Including Translations, Essays & Memoirs). Arthur MachenЧитать онлайн книгу.

ARTHUR MACHEN: 30+ Horror Classics, Supernatural & Fantasy Books  (Including Translations, Essays  & Memoirs) - Arthur Machen


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has been out a month." The parson, forgetting the sacerdotal office, and his good habit of grinning, swore at Messrs Beit and Mr. Ritson, calling them damned thieves, and then began to read the manuscript, and to compare it with the printed book.

      "Why, it's splendid work. My poor fellow," he said after a while, "I had no notion you could write so well. I used to think of such things in the old days at Oxford; 'old Bill,' the tutor, used to praise my essays, but I never wrote anything like this. And this infernal ruffian of a Ritson has taken all your best things and mixed them up with his own rot to make it go down. Of course you'll expose the gang?"

      Lucian was mildly amused; he couldn't enter into his father's feelings at all. He sat smoking in one of the old easy chairs, taking the rare relish of a hot grog with his pipe, and gazing out of his dreamy eyes at the violent old parson. He was pleased that his father liked his book, because he knew him to be a deep and sober scholar and a cool judge of good letters; but he laughed to himself when he saw the magic of print. The parson had expressed no wish to read the manuscript when it came back in disgrace; he had merely grinned, said something about boomerangs, and quoted Horace with relish. Whereas now, before the book in its neat case, lettered with another man's name, his approbation of the writing and his disapproval of the "scoundrels," as he called them, were loudly expressed, and, though a good smoker, he blew and puffed vehemently at his pipe.

      "You'll expose the rascals, of course, won't you?" he said again.

      "Oh no, I think not. It really doesn't matter much, does it? After all, there are some very weak things in the book; doesn't it strike you as 'young?' I have been thinking of another plan, but I haven't done much with it lately. But I believe I've got hold of a really good idea this time, and if I can manage to see the heart of it I hope to turn out a manuscript worth stealing. But it's so hard to get at the core of an idea—the heart, as I call it," he went on after a pause. "It's like having a box you can't open, though you know there's something wonderful inside. But I do believe I've a fine thing in my hands, and I mean to try my best to work it."

      Lucian talked with enthusiasm now, but his father, on his side, could not share these ardors. It was his part to be astonished at excitement over a book that was not even begun, the mere ghost of a book flitting elusive in the world of unborn masterpieces and failures. He had loved good letters, but he shared unconsciously in the general belief that literary attempt is always pitiful, though he did not subscribe to the other half of the popular faith—that literary success is a matter of very little importance. He thought well of books, but only of printed books; in manuscripts he put no faith, and the paulo-post-futurum tense he could not in any manner conjugate. He returned once more to the topic of palpable interest.

      "But about this dirty trick these fellows have played on you. You won't sit quietly and bear it, surely? It's only a question of writing to the papers."

      "They wouldn't put the letter in. And if they did, I should only get laughed at. Some time ago a man wrote to the Reader, complaining of his play being stolen. He said that he had sent a little one-act comedy to Burleigh, the great dramatist, asking for his advice. Burleigh gave his advice and took the idea for his own very successful play. So the man said, and I daresay it was true enough. But the victim got nothing by his complaint. 'A pretty state of things,' everybody said. 'Here's a Mr. Tomson, that no one has ever heard of, bothers Burleigh with his rubbish, and then accuses him of petty larceny. Is it likely that a man of Burleigh's position, a playwright who can make his five thousand a year easily, would borrow from an unknown Tomson?' I should think it very likely, indeed," Lucian went on, chuckling, "but that was their verdict. No; I don't think I'll write to the papers."

      "Well, well, my boy, I suppose you know your own business best. I think you are mistaken, but you must do as you like."

      "It's all so unimportant," said Lucian, and he really thought so. He had sweeter things to dream of, and desired no communion of feeling with that madman who had left Caermaen some few hours before. He felt he had made a fool of himself, he was ashamed to think of the fatuity of which he had been guilty, such boiling hatred was not only wicked, but absurd. A man could do no good who put himself into a position of such violent antagonism against his fellow-creatures; so Lucian rebuked his heart, saying that he was old enough to know better. But he remembered that he had sweeter things to dream of; there was a secret ecstasy that he treasured and locked tight away, as a joy too exquisite even for thought till he was quite alone; and then there was that scheme for a new book that he had laid down hopelessly some time ago; it seemed to have arisen into life again within the last hour; he understood that he had started on a false tack, he had taken the wrong aspect of his idea. Of course the thing couldn't be written in that way; it was like trying to read a page turned upside down; and he saw those characters he had vainly sought suddenly disambushed, and a splendid inevitable sequence of events unrolled before him.

      It was a true resurrection; the dry plot he had constructed revealed itself as a living thing, stirring and mysterious, and warm as life itself. The parson was smoking stolidly to all appearance, but in reality he was full of amazement at his own son, and now and again he slipped sly furtive glances towards the tranquil young man in the arm-chair by the empty hearth. In the first place, Mr. Taylor was genuinely impressed by what he had read of Lucian's work; he had so long been accustomed to look upon all effort as futile that success amazed him. In the abstract, of course, he was prepared to admit that some people did write well and got published and made money, just as other persons successfully backed an outsider at heavy odds; but it had seemed as improbable that Lucian should show even the beginnings of achievement in one direction as in the other. Then the boy evidently cared so little about it; he did not appear to be proud of being worth robbing, nor was he angry with the robbers.

      He sat back luxuriously in the disreputable old chair, drawing long slow wreaths of smoke, tasting his whisky from time to time, evidently well at ease with himself. The father saw him smile, and it suddenly dawned upon him that his son was very handsome; he had such kind gentle eyes and a kind mouth, and his pale cheeks were flushed like a girl's. Mr. Taylor felt moved. What a harmless young fellow Lucian had been; no doubt a little queer and different from others, but wholly inoffensive and patient under disappointment. And Miss Deacon, her contribution to the evening's discussion had been characteristic; she had remarked, firstly, that writing was a very unsettling occupation, and secondly, that it was extremely foolish to entrust one's property to people of whom one knew nothing. Father and son had smiled together at these observations, which were probably true enough. Mr. Taylor at last left Lucian along; he shook hands with a good deal of respect, and said, almost deferentially:

      "You mustn't work too hard, old fellow. I wouldn't stay up too late, if I were you, after that long walk. You must have gone miles out of your way."

      "I'm not tired now, though. I feel as if I could write my new book on the spot"; and the young man laughed a gay sweet laugh that struck the father as a new note in his son's life.

      He sat still a moment after his father had left the room. He cherished his chief treasure of thought in its secret place; he would not enjoy it yet. He drew up a chair to the table at which he wrote or tried to write, and began taking pens and paper from the drawer. There was a great pile of ruled paper there; all of it used, on one side, and signifying many hours of desperate scribbling, of heart-searching and rack of his brain; an array of poor, eager lines written by a waning fire with waning hope; all useless and abandoned. He took up the sheets cheerfully, and began in delicious idleness to look over these fruitless efforts. A page caught his attention; he remembered how he wrote it while a November storm was dashing against the panes; and there was another, with a queer blot in one corner; he had got up from his chair and looked out, and all the earth was white fairyland, and the snowflakes whirled round and round in the wind. Then he saw the chapter begun of a night in March: a great gale blew that night and rooted up one of the ancient yews in the churchyard. He had heard the trees shrieking in the woods, and the long wail of the wind, and across the heaven a white moon fled awfully before the streaming clouds. And all these poor abandoned pages now seemed sweet, and past unhappiness was transmuted into happiness, and the nights of toil were holy. He turned over half a dozen leaves and began to sketch out the outlines of the new book on the unused pages; running out a skeleton plan on one page, and dotting fancies, suggestions, hints on others. He wrote rapidly, overjoyed


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