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ARTHUR MACHEN: 30+ Horror Classics, Supernatural & Fantasy Books (Including Translations, Essays & Memoirs). Arthur MachenЧитать онлайн книгу.

ARTHUR MACHEN: 30+ Horror Classics, Supernatural & Fantasy Books  (Including Translations, Essays  & Memoirs) - Arthur Machen


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great theatre of the sunset, where a red cloud like a charging knight shone and conquered a purple dragon shape, and golden lances glittered in a field of faerie green.

      Or sometimes, when the unending prospect of trim, monotonous, modern streets had wearied him, he had found an immense refreshment in the discovery of a forgotten hamlet, left in a hollow, while all new London pressed and surged on every side, threatening the rest of the red roofs with its vulgar growth. These little peaceful houses, huddled together beneath the shelter of trees, with their bulging leaded windows and uneven roofs, somehow brought back to him the sense of the country, and soothed him with the thought of the old farm-houses, white or grey, the homes of quiet lives, harbors where, perhaps, no tormenting thoughts ever broke in.

      For he had instinctively determined that there was neither rest nor health in all the arid waste of streets about him. It seemed as if in those dull rows of dwellings, in the prim new villas, red and white and staring, there must be a leaven working which transformed all to base vulgarity. Beneath the dull sad slates, behind the blistered doors, love turned to squalid intrigue, mirth to drunken clamor, and the mystery of life became a common thing; religion was sought for in the greasy piety and flatulent oratory of the Independent chapel, the stuccoed nightmare of the Doric columns. Nothing fine, nothing rare, nothing exquisite, it seemed, could exist in the weltering suburban sea, in the habitations which had risen from the stench and slime of the brickfields. It was as if the sickening fumes that steamed from the burning bricks had been sublimed into the shape of houses, and those who lived in these grey places could also claim kinship with the putrid mud.

      Hence he had delighted in the few remains of the past that he could find still surviving on the suburb's edge, in the grave old houses that stood apart from the road, in the moldering taverns of the eighteenth century, in the huddled hamlets that had preserved only the glow and the sunlight of all the years that had passed over them. It appeared to him that vulgarity and greasiness and squalor had come with a flood, that not only the good but also the evil in man's heart had been made common and ugly, that a sordid scum was mingled with all the springs, of death as of life. It would be alike futile to search amongst these mean two-storied houses for a splendid sinner as for a splendid saint; the very vices of these people smelt of cabbage water and a pothouse vomit.

      And so he had often fled away from the serried maze that encircled him, seeking for the old and worn and significant as an antiquary looks for the fragments of the Roman temple amidst the modern shops. In some way the gusts of wind and the beating rain of the night reminded him of an old house that had often attracted him with a strange indefinable curiosity. He had found it on a grim grey day in March, when he had gone out under a leaden-molded sky, cowering from a dry freezing wind that brought with it the gloom and the doom of far unhappy Siberian plains. More than ever that day the suburb had oppressed him; insignificant, detestable, repulsive to body and mind, it was the only hell that a vulgar age could conceive or make, an inferno created not by Dante but by the jerry-builder. He had gone out to the north, and when he lifted up his eyes again he found that he had chanced to turn up by one of the little lanes that still strayed across the broken fields. He had never chosen this path before because the lane at its outlet was so wholly degraded and offensive, littered with rusty tins and broken crockery, and hedged in with a paling fashioned out of scraps of wire, rotting timber, and bending worn-out rails. But on this day, by happy chance, he had fled from the high road by the first opening that offered, and he no longer groped his way amongst obscene refuse, sickened by the bloated bodies of dead dogs, and fetid odors from unclean decay, but the malpassage had become a peaceful winding lane, with warm shelter beneath its banks from the dismal wind. For a mile he had walked quietly, and then a turn in the road showed him a little glen or hollow, watered by such a tiny rushing brooklet as his own woods knew, and beyond, alas, the glaring foreguard of a "new neighborhood"; raw red villas, semi-detached, and then a row of lamentable shops.

      But as he was about to turn back, in the hope of finding some other outlet, his attention was charmed by a small house that stood back a little from the road on his right hand. There had been a white gate, but the paint had long faded to grey and black, and the wood crumbled under the touch, and only moss marked out the lines of the drive. The iron railing round the lawn had fallen, and the poor flower-beds were choked with grass and a faded growth of weeds. But here and there a rosebush lingered amidst suckers that had sprung grossly from the root, and on each side of the hall door were box trees, untrimmed, ragged, but still green. The slate roof was all stained and livid, blotched with the drippings of a great elm that stood at one corner of the neglected lawn, and marks of damp and decay were thick on the uneven walls, which had been washed yellow many years before. There was a porch of trellis work before the door, and Lucian had seen it rock in the wind, swaying as if every gust must drive it down. There were two windows on the ground floor, one on each side of the door, and two above, with a blind space where a central window had been blocked up.

      This poor and desolate house had fascinated him. Ancient and poor and fallen, disfigured by the slate roof and the yellow wash that had replaced the old mellow dipping tiles and the warm red walls, and disfigured again by spots and patches of decay; it seemed as if its happy days were for ever ended. To Lucian it appealed with a sense of doom and horror; the black streaks that crept upon the walls, and the green drift upon the roof, appeared not so much the work of foul weather and dripping boughs, as the outward signs of evil working and creeping in the lives of those within.

      The stage seemed to him decked for doom, painted with the symbols of tragedy; and he wondered as he looked whether any one were so unhappy as to live there still. There were torn blinds in the windows, but he had asked himself who could be so brave as to sit in that room, darkened by the dreary box, and listen of winter nights to the rain upon the window, and the moaning of wind amongst the tossing boughs that beat against the roof.

      He could not imagine that any chamber in such a house was habitable. Here the dead had lain, through the white blind the thin light had filtered on the rigid mouth, and still the floor must be wet with tears and still that great rocking elm echoed the groaning and the sobs of those who watched. No doubt, the damp was rising, and the odor of the earth filled the house, and made such as entered draw back, foreseeing the hour of death.

      Often the thought of this strange old house had haunted him; he had imagined the empty rooms where a heavy paper peeled from the walls and hung in dark strips; and he could not believe that a light ever shone from those windows that stared black and glittering on the neglected lawn. But tonight the wet and the storm seemed curiously to bring the image of the place before him, and as the wind sounded he thought how unhappy those must be, if any there were, who sat in the musty chambers by a flickering light, and listened to the elm-tree moaning and beating and weeping on the walls.

      And tonight was Saturday night; and there was about that phrase something that muttered of the condemned cell, of the agony of a doomed man. Ghastly to his eyes was the conception of any one sitting in that room to the right of the door behind the larger box tree, where the wall was cracked above the window and smeared with a black stain in an ugly shape.

      He knew how foolish it had been in the first place to trouble his mind with such conceits of a dreary cottage on the outskirts of London. And it was more foolish now to meditate these things, fantasies, feigned forms, the issue of a sad mood and a bleak day of spring. For soon, in a few moments, he was to rise to a new life. He was but reckoning up the account of his past, and when the light came he was to think no more of sorrow and heaviness, of real or imagined terrors. He had stayed too long in London, and he would once more taste the breath of the hills, and see the river winding in the long lovely valley; ah! he would go home.

      Something like a thrill, the thrill of fear, passed over him as he remembered that there was no home. It was in the winter, a year and a half after his arrival in town, that he had suffered the loss of his father. He lay for many days prostrate, overwhelmed with sorrow and with the thought that now indeed he was utterly alone in the world. Miss Deacon was to live with another cousin in Yorkshire; the old home was at last ended and done. He felt sorry that he had not written more frequently to his father: there were things in his cousin's letters that had made his heart sore. "Your poor father was always looking for your letters," she wrote, "they used to cheer him so much. He nearly broke down when you sent him that money last Christmas; he got it into his head that


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