THE VENICE MYSTERIES: The Woman in White, The Haunted Hotel & The Moonstone (3 Books in One Edition). Wilkie Collins CollinsЧитать онлайн книгу.
anxiety and agitation, that Miss Halcombe had promised to use her influence, if necessary, to obtain it, and there, at Miss Fairlie’s earnest entreaty, all further discussion of the marriage question had ended.
The purely temporary arrangement thus proposed might have been convenient enough to the young lady, but it proved somewhat embarrassing to the writer of these lines. That morning’s post had brought a letter from my partner, which obliged me to return to town the next day by the afternoon train. It was extremely probable that I should find no second opportunity of presenting myself at Limmeridge House during the remainder of the year. In that case, supposing Miss Fairlie ultimately decided on holding to her engagement, my necessary personal communication with her, before I drew her settlement, would become something like a downright impossibility, and we should be obliged to commit to writing questions which ought always to be discussed on both sides by word of mouth. I said nothing about this difficulty until Sir Percival had been consulted on the subject of the desired delay. He was too gallant a gentleman not to grant the request immediately. When Miss Halcombe informed me of this I told her that I must absolutely speak to her sister before I left Limmeridge, and it was, therefore, arranged that I should see Miss Fairlie in her own sitting-room the next morning. She did not come down to dinner, or join us in the evening. Indisposition was the excuse, and I thought Sir Percival looked, as well he might, a little annoyed when he heard of it.
The next morning, as soon as breakfast was over, I went up to Miss Fairlie’s sitting-room. The poor girl looked so pale and sad, and came forward to welcome me so readily and prettily, that the resolution to lecture her on her caprice and indecision, which I had been forming all the way upstairs, failed me on the spot. I led her back to the chair from which she had risen, and placed myself opposite to her. Her cross-grained pet greyhound was in the room, and I fully expected a barking and snapping reception. Strange to say, the whimsical little brute falsified my expectations by jumping into my lap and poking its sharp muzzle familiarly into my hand the moment I sat down.
“You used often to sit on my knee when you were a child. my dear,” I said, “and now your little dog seems determined to succeed you in the vacant throne. Is that pretty drawing your doing?”
I pointed to a little album which lay on the table by her side and which she had evidently been looking over when I came in. The page that lay open had a small water-colour landscape very neatly mounted on it. This was the drawing which had suggested my question — an idle question enough — but how could I begin to talk of business to her the moment I opened my lips?
“No,” she said, looking away from the drawing rather confusedly, “it is not my doing.”
Her fingers had a restless habit, which I remembered in her as a child, of always playing with the first thing that came to hand whenever any one was talking to her. On this occasion they wandered to the album, and toyed absently about the margin of the little water-colour drawing. The expression of melancholy deepened on her face. She did not look at the drawing, or look at me. Her eyes moved uneasily from object to object in the room, betraying plainly that she suspected what my purpose was in coming to speak to her. Seeing that, I thought it best to get to the purpose with as little delay as possible.
“One of the errands, my dear, which brings me here is to bid you good-bye,” I began. “I must get back to London to-day: and, before I leave, I want to have a word with you on the subject of your own affairs.”
“I am very sorry you are going, Mr. Gilmore,” she said, looking at me kindly. “It is like the happy old times to have you here.
“I hope I may be able to come back and recall those pleasant memories once more,” I continued; “but as there is some uncertainty about the future, I must take my opportunity when I can get it, and speak to you now. I am your old lawyer and your old friend, and I may remind you, I am sure, without offence, of the possibility of your marrying Sir Percival Glyde.”
She took her hand off the little album as suddenly as if it had turned hot and burnt her. Her fingers twined together nervously in her lap, her eyes looked down again at the floor, and an expression of constraint settled on her face which looked almost like an expression of pain.
“Is it absolutely necessary to speak of my marriage engagement?” she asked in low tones.
“It is necessary to refer to it,” I answered, “but not to dwell on it. Let us merely say that you may marry, or that you may not marry. In the first case, I must be prepared, beforehand, to draw your settlement, and I ought not to do that without, as a matter of politeness, first consulting you. This may be my only chance of hearing what your wishes are. Let us, therefore, suppose the case of your marrying, and let me inform you, in as few words as possible, what your position is now, and what you may make it, if you please, in the future.”
I explained to her the object of a marriage-settlement, and then told her exactly what her prospects were — in the first place, on her coming of age, and in the second place, on the decease of her uncle — marking the distinction between the property in which she had a life-interest only, and the property which was left at her own control. She listened attentively, with the constrained expression still on her face, and her hands still nervously clasped together in her lap.
“And now,” I said in conclusion, “tell me if you can think of any condition which, in the case we have supposed, you would wish me to make for you — subject, of course, to your guardian’s approval, as you are not yet of age.”
She moved uneasily in her chair, then looked in my face on a sudden very earnestly.
“If it does happen,” she began faintly, “if I am ——”
“If you are married,” I added, helping her out.
“Don’t let him part me from Marian,” she cried, with a sudden outbreak of energy. “Oh, Mr. Gilmore, pray make it law that Marian is to live with me!”
Under other circumstances I might, perhaps, have been amused at this essentially feminine interpretation of my question, and of the long explanation which had preceded it. But her looks and tones, when she spoke, were of a kind to make me more than serious — they distressed me. Her words, few as they were, betrayed a desperate clinging to the past which boded ill for the future.
“Your having Marian Halcombe to live with you can easily be settled by private arrangement,” I said. “You hardly understood my question, I think. It referred to your own property — to the disposal of your money. Supposing you were to make a will when you come of age, who would you like the money to go to?”
“Marian has been mother and sister both to me,” said the good, affectionate girl, her pretty blue eyes glistening while she spoke. “May I leave it to Marian, Mr. Gilmore?”
“Certainly, my love,” I answered. “But remember what a large sum it is. Would you like it all to go to Miss Halcombe?”
She hesitated; her colour came and went, and her hand stole back again to the little album.
“Not all of it,” she said. “There is some one else besides Marian ——”
She stopped; her colour heightened, and the fingers of the hand that rested upon the album beat gently on the margin of the drawing, as if her memory had set them going mechanically with the remembrance of a favourite tune.
“You mean some other member of the family besides Miss Halcombe?” I suggested, seeing her at a loss to proceed.
The heightening colour spread to her forehead and her neck, and the nervous fingers suddenly clasped themselves fast round the edge of the book.
“There is some one else,” she said, not noticing my last words, though she had evidently heard them; “there is some one else who might like a little keepsake if — if I might leave it. There would be no harm if I should die first ——”
She paused again. The colour that had spread over her cheeks suddenly, as suddenly left them. The hand on the album resigned its hold, trembled a little, and moved the book away from her. She looked at me for an instant — then turned her head aside in the chair. Her handkerchief fell