The Greatest Murder Mysteries of Mary Elizabeth Braddon. Mary Elizabeth BraddonЧитать онлайн книгу.
We have hated each other and licked each other and had it out, as the common phrase goes; and we can afford now to fall into each others’ arms and vow eternal friendship and everlasting brotherhood. Let us hope that when Northern Yankeedom has decimated and been decimated, blustering Jonathan may fling himself upon his Southern brother’s breast, forgiving and forgiven.
Alicia Audley and her father’s pretty wife had plenty of room for the comfortable indulgence of their dislike in the spacious old mansion. My lady had her own apartments, as we know — luxurious chambers, in which all conceivable elegancies had been gathered for the comfort of their occupant. Alicia had her own rooms in another part of the large house. She had her favorite mare, her Newfoundland dog, and her drawing materials, and she made herself tolerably happy. She was not very happy, this frank, generous-hearted girl, for it was scarcely possible that she could be altogether at ease in the constrained atmosphere of the Court. Her father was changed; that dear father over whom she had once reigned supreme with the boundless authority of a spoiled child, had accepted another ruler and submitted to a new dynasty. Little by little my lady’s petty power made itself felt in that narrow household; and Alicia saw her father gradually lured across the gulf that divided Lady Audley from her step-daughter, until he stood at last quite upon the other side of the abyss, and looked coldly upon his only child across that widening chasm.
Alicia felt that he was lost to her. My lady’s beaming smiles, my lady’s winning words, my lady’s radiant glances and bewitching graces had done their work of enchantment, and Sir Michael had grown to look upon his daughter as a somewhat wilful and capricious young person who had behaved with determined unkindness to the wife he loved.
Poor Alicia saw all this, and bore her burden as well as she could. It seemed very hard to be a handsome, gray-eyed heiress, with dogs and horses and servants at her command, and yet to be so much alone in the world as to know of not one friendly ear into which she might pour her sorrows.
“If Bob was good for anything I could have told him how unhappy I am,” thought Miss Audley; “but I may just as well tell Caesar my troubles for any consolation I should get from Cousin Robert.”
Sir Michael Audley obeyed his pretty nurse, and went to bed a little after nine o’clock upon this bleak March evening. Perhaps the baronet’s bedroom was about the pleasantest retreat that an invalid could have chosen in such cold and cheerless weather. The dark-green velvet curtains were drawn before the windows and about the ponderous bed. The wood fire burned redly upon the broad hearth. The reading lamp was lighted upon a delicious little table close to Sir Michael’s pillow, and a heap of magazines and newspapers had been arranged by my lady’s own fair hands for the pleasure of the invalid.
Lady Audley sat by the bedside for about ten minutes, talking to her husband, talking very seriously, about this strange and awful question — Robert Audley’s lunacy; but at the end of that time she rose and bade her husband good-night.
She lowered the green silk shade before the reading lamp, adjusting it carefully for the repose of the baronet’s eyes.
“I shall leave you, dear,” she said. “If you can sleep, so much the better. If you wish to read, the books and papers are close to you. I will leave the doors between the rooms open, and I shall hear your voice if you call me.”
Lady Audley went through her dressing-room into the boudoir, where she had sat with her husband since dinner.
Every evidence of womanly refinement was visible in the elegant chamber. My lady’s piano was open, covered with scattered sheets of music and exquisitely-bound collections of scenas and fantasias which no master need have disdained to study. My lady’s easel stood near the window, bearing witness to my lady’s artistic talent, in the shape of a water-colored sketch of the Court and gardens. My lady’s fairy-like embroideries of lace and muslin, rainbow-hued silks, and delicately-tinted wools littered the luxurious apartment; while the looking-glasses, cunningly placed at angles and opposite corners by an artistic upholsterer, multiplied my lady’s image, and in that image reflected the most beautiful object in the enchanted chamber.
Amid all this lamplight, gilding, color, wealth, and beauty, Lucy Audley sat down on a low seat by the fire to think.
If Mr. Holman Hunt could have peeped into the pretty boudoir, I think the picture would have been photographed upon his brain to be reproduced by-and-by upon a bishop’s half-length for the glorification of the pre-Raphaelite brotherhood. My lady in that half-recumbent attitude, with her elbow resting on one knee, and her perfect chin supported by her hand, the rich folds of drapery falling away in long undulating lines from the exquisite outline of her figure, and the luminous, rose-colored firelight enveloping her in a soft haze, only broken by the golden glitter of her yellow hair — beautiful in herself, but made bewilderingly beautiful by the gorgeous surroundings which adorn the shrine of her loveliness. Drinking-cups of gold and ivory, chiseled by Benvenuto Cellini; cabinets of buhl and porcelain, bearing the cipher of Austrain Marie–Antoinette, amid devices of rosebuds and true-lovers’ knots, birds and butterflies, cupidons and shepherdesses, goddesses, courtiers, cottagers, and milkmaids; statuettes of Parian marble and biscuit china; gilded baskets of hothouse flowers; fantastical caskets of Indian filigree-work; fragile tea-cups of turquoise china, adorned by medallion miniatures of Louis the Great and Louis the Well-beloved, Louise de la Valliere, Athenais de Montespan, and Marie Jeanne Gomard de Vaubernier: cabinet pictures and gilded mirrors, shimmering satin and diaphanous lace; all that gold can buy or art devise had been gathered together for the beautification of this quiet chamber in which my lady sat listening to the mourning of the shrill March wind, and the flapping of the ivy leaves against the casements, and looking into the red chasms in the burning coals.
I should be preaching a very stale sermon, and harping upon a very familiar moral, if I were to seize this opportunity of declaiming against art and beauty, because my lady was more wretched in this elegant apartment than many a half-starved seamstress in her dreary garret. She was wretched by reason of a wound which lay too deep for the possibility of any solace from such plasters as wealth and luxury; but her wretchedness was of an abnormal nature, and I can see no occasion for seizing upon the fact of her misery as an argument in favor of poverty and discomfort as opposed to opulence. The Benvenuto Cellini carvings and the Sevres porcelain could not give her happiness, because she had passed out of their region. She was no longer innocent; and the pleasure we take in art and loveliness being an innocent pleasure, had passed beyond her reach. Six or seven years before, she would have been happy in the possession of this little Aladdin’s palace; but she had wandered out of the circle of careless, pleasure seeking creatures, she had strayed far away into a desolate labyrinth of guilt and treachery, terror and crime, and all the treasures that had been collected for her could have given her no pleasure but one, the pleasure of flinging them into a heap beneath her feet and trampling upon them and destroying them in her cruel despair.
There were some things that would have inspired her with an awful joy, a horrible rejoicing. If Robert Audley, her pitiless enemy, her unrelenting pursuer, had lain dead in the adjoining chamber, she would have exulted over his bier.
What pleasures could have remained for Lucretia Borgia and Catharine de Medici, when the dreadful boundary line between innocence and guilt was passed, and the lost creatures stood upon the lonely outer side? Only horrible, vengeful joys, and treacherous delights were left for these miserable women. With what disdainful bitterness they must have watched the frivolous vanities, the petty deceptions, the paltry sins of ordinary offenders. Perhaps they took a horrible pride in the enormity of their wickedness; in this “Divinity of Hell,” which made them greatest among sinful creatures.
My lady, brooding by the fire in her lonely chamber, with her large, clear blue eyes fixed upon the yawning gulfs of lurid crimson in the burning coals, may have thought of many things very far away from the terribly silent struggle in which she was engaged. She may have thought of long-ago years of childish innocence, childish follies and selfishness, of frivolous, feminine sins that had weighed very lightly upon her conscience. Perhaps in that retrospective revery she recalled that early time in which she had first looked in the glass and discovered that she was beautiful; that fatal early time in which she had first begun to look upon her loveliness as a right divine, a boundless possession which was to be a