Short Studies on Great Subjects. James Anthony FroudeЧитать онлайн книгу.
have been fallen in with by Shakespeare himself at the Mermaid, than to have been comrades of the true Prince Henry. It was enough for Shakespeare to draw real men, and the situation, whatever it might be, would sit easy on them. In this sense only it is that Poetry is truer than History, that it can make a picture more complete. It may take liberties with time and space, and give the action distinctness by throwing it into more manageable compass.
But it may not alter the real conditions of things, or represent life as other than it is. The greatness of the poet depends on his being true to nature, without insisting that nature shall theorise with him, without making her more just, more philosophical, more moral than reality; and, in difficult matters, leaving much to reflection which cannot be explained.
And if this be true of Poetry—if Homer and Shakespeare are what they are, from the absence of everything didactic about them—may we not thus learn something of what History should be, and in what sense it should aspire to teach?
If Poetry must not theorise, much less should the historian theorise, whose obligations to be true to fact are even greater than the poet's. If the drama is grandest when the action is least explicable by laws, because then it best resembles life, then history will be grandest also under the same conditions. 'Macbeth,' were it literally true, would be perfect history; and so far as the historian can approach to that kind of model, so far as he can let his story tell itself in the deeds and words of those who act it out, so far is he most successful. His work is no longer the vapour of his own brain, which a breath will scatter; it is the thing itself, which will have interest for all time. A thousand theories may be formed about it—spiritual theories, Pantheistic theories, cause and effect theories; but each age will have its own philosophy of history, and all these in turn will fail and die. Hegel falls out of date, Schlegel falls out of date, and Comte in good time will fall out of date; the thought about the thing must change as we change; but the thing itself can never change; and a history is durable or perishable as it contains more or least of the writer's own speculations. The splendid intellect of Gibbon for the most part kept him true to the right course in this; yet the philosophical chapters for which he has been most admired or censured may hereafter be thought the least interesting in his work. The time has been when they would not have been comprehended: the time may come when they will seem commonplace.
It may be said, that in requiring history to be written like a drama, we require an impossibility.
For history to be written with the complete form of a drama, doubtless is impossible; but there are periods, and these the periods, for the most part, of greatest interest to mankind, the history of which may be so written that the actors shall reveal their characters in their own words; where mind can be seen matched against mind, and the great passions of the epoch not simply be described as existing, but be exhibited at their white heat in the souls and hearts possessed by them. There are all the elements of drama—drama of the highest order—where the huge forces of the times are as the Grecian destiny, and the power of the man is seen either stemming the stream till it overwhelms him, or ruling while he seems to yield to it.
It is Nature's drama—not Shakespeare's—but a drama none the less.
So at least it seems to me. Wherever possible, let us not be told about this man or that. Let us hear the man himself speak; let us see him act, and let us be left to form our own opinions about him. The historian, we are told, must not leave his readers to themselves. He must not only lay the facts before them—he must tell them what he himself thinks about those facts. In my opinion, this is precisely what he ought not to do. Bishop Butler says somewhere, that the best book which could be written would be a book consisting only of premises, from which the readers should draw conclusions for themselves. The highest poetry is the very thing which Butler requires, and the highest history ought to be. We should no more ask for a theory of this or that period of history, than we should ask for a theory of 'Macbeth' or 'Hamlet.' Philosophies of history, sciences of history—all these, there will continue to be; the fashions of them will change, as our habits of thought will change; each new philosopher will find his chief employment in showing that before him no one understood anything; but the drama of history is imperishable, and, the lessons of it will be like what we learn from Homer or Shakespeare—lessons for which we have no words.
The address of history is less to the understanding than to the higher emotions. We learn in it to sympathise with what is great and good; we learn to hate what is base. In the anomalies of fortune we feel the mystery of our mortal existence, and in the companionship of the illustrious natures who have shaped the fortunes of the world, we escape from the littlenesses which cling to the round of common life, and our minds are tuned in a higher and nobler key.
For the rest, and for those large questions which I touched in connection with Mr. Buckle, we live in times of disintegration, and none can tell what will be after us. What opinions—what convictions—the infant of to-day will find prevailing on the earth, if he and it live out together to the middle of another century, only a very bold man would undertake to conjecture! 'The time will come,' said Lichtenberg, in scorn at the materialising tendencies of modern thought; 'the time will come when the belief in God will be as the tales with which old women frighten children; when the world will be a machine, the ether a gas, and God will be a force.' Mankind, if they last long enough on the earth, may develope strange things out of themselves; and the growth of what is called the Positive Philosophy is a curious commentary on Lichtenberg's prophecy. But whether the end be seventy years hence, or seven hundred—be the close of the mortal history of humanity as far distant in the future as its shadowy beginnings seem now to lie behind us—this only we may foretell with confidence—that the riddle of man's nature will remain unsolved. There will be that in him yet which physical laws will fail to explain—that something, whatever it be, in himself and in the world, which science cannot fathom, and which suggests the unknown possibilities of his origin and his destiny. There will remain yet
Those obstinate questionings
Of sense and outward things;
Falling from us, vanishings—
Blank misgivings of a creature
Moving about in worlds not realised—
High instincts, before which our mortal nature
Doth tremble like a guilty thing surprised.
There will remain
Those first affections—
Those shadowy recollections—
Which, be they what they may,
Are yet the fountain-light of all our day—
Are yet the master-light of all our seeing—
Uphold us, cherish, and have power to make
Our noisy years seem moments in the being
Of the Eternal Silence.
FOOTNOTES:
[A] It is objected that Geology is a science: yet that Geology cannot foretell the future changes of the earth's surface. Geology is not a century old, and its periods are measured by millions of years. Yet, if Geology cannot foretell future facts, it enabled Sir Roderick Murchison to foretell the discovery of Australian gold.
[B] February 1864.
TIMES OF ERASMUS AND LUTHER:
THREE LECTURES