The Complete Travel Books, Anecdotes & Memoirs of Mark Twain (Illustrated). Марк ТвенЧитать онлайн книгу.
Calvary that awful night of the Crucifixion. A street in Constantinople is a picture which one ought to see once—not oftener.
And then there was the goose-rancher—a fellow who drove a hundred geese before him about the city, and tried to sell them. He had a pole ten feet long, with a crook in the end of it, and occasionally a goose would branch out from the flock and make a lively break around the corner, with wings half lifted and neck stretched to its utmost. Did the goose-merchant get excited? No. He took his pole and reached after that goose with unspeakable sang froid—took a hitch round his neck, and "yanked" him back to his place in the flock without an effort. He steered his geese with that stick as easily as another man would steer a yawl. A few hours afterward we saw him sitting on a stone at a corner, in the midst of the turmoil, sound asleep in the sun, with his geese squatting around him, or dodging out of the way of asses and men. We came by again, within the hour, and he was taking account of stock, to see whether any of his flock had strayed or been stolen. The way he did it was unique. He put the end of his stick within six or eight inches of a stone wall, and made the geese march in single file between it and the wall. He counted them as they went by. There was no dodging that arrangement.
If you want dwarfs—I mean just a few dwarfs for a curiosity—go to Genoa. If you wish to buy them by the gross, for retail, go to Milan. There are plenty of dwarfs all over Italy, but it did seem to me that in Milan the crop was luxuriant. If you would see a fair average style of assorted cripples, go to Naples, or travel through the Roman States. But if you would see the very heart and home of cripples and human monsters, both, go straight to Constantinople. A beggar in Naples who can show a foot which has all run into one horrible toe, with one shapeless nail on it, has a fortune—but such an exhibition as that would not provoke any notice in Constantinople. The man would starve. Who would pay any attention to attractions like his among the rare monsters that throng the bridges of the Golden Horn and display their deformities in the gutters of Stamboul? O, wretched impostor! How could he stand against the three-legged woman, and the man with his eye in his cheek? How would he blush in presence of the man with fingers on his elbow? Where would he hide himself when the dwarf with seven fingers on each hand, no upper lip, and his under-jaw gone, came down in his majesty? Bismillah! The cripples of Europe are a delusion and a fraud. The truly gifted flourish only in the by-ways of Pera and Stamboul.
That three-legged woman lay on the bridge, with her stock in trade so disposed as to command the most striking effect—one natural leg, and two long, slender, twisted ones with feet on them like somebody else's fore-arm. Then there was a man further along who had no eyes, and whose face was the color of a fly-blown beefsteak, and wrinkled and twisted like a lava-flow—and verily so tumbled and distorted were his features that no man could tell the wart that served him for a nose from his cheek-bones. In Stamboul was a man with a prodigious head, an uncommonly long body, legs eight inches long and feet like snow-shoes. He traveled on those feet and his hands, and was as sway-backed as if the Colossus of Rhodes had been riding him. Ah, a beggar has to have exceedingly good points to make a living in Constantinople. A blue-faced man, who had nothing to offer except that he had been blown up in a mine, would be regarded as a rank impostor, and a mere damaged soldier on crutches would never make a cent. It would pay him to get apiece of his head taken off, and cultivate a wen like a carpet sack.
The Mosque of St. Sophia is the chief lion of Constantinople. You must get a firman and hurry there the first thing. We did that. We did not get a firman, but we took along four or five francs apiece, which is much the same thing.
I do not think much of the Mosque of St. Sophia. I suppose I lack appreciation. We will let it go at that. It is the rustiest old barn in heathendom. I believe all the interest that attaches to it comes from the fact that it was built for a Christian church and then turned into a mosque, without much alteration, by the Mohammedan conquerors of the land. They made me take off my boots and walk into the place in my stocking-feet. I caught cold, and got myself so stuck up with a complication of gums, slime and general corruption, that I wore out more than two thousand pair of boot-jacks getting my boots off that night, and even then some Christian hide peeled off with them. I abate not a single boot-jack.
St. Sophia is a colossal church, thirteen or fourteen hundred years old, and unsightly enough to be very, very much older. Its immense dome is said to be more wonderful than St. Peter's, but its dirt is much more wonderful than its dome, though they never mention it. The church has a hundred and seventy pillars in it, each a single piece, and all of costly marbles of various kinds, but they came from ancient temples at Baalbec, Heliopolis, Athens and Ephesus, and are battered, ugly and repulsive. They were a thousand years old when this church was new, and then the contrast must have been ghastly—if Justinian's architects did not trim them any. The inside of the dome is figured all over with a monstrous inscription in Turkish characters, wrought in gold mosaic, that looks as glaring as a circus bill; the pavements and the marble balustrades are all battered and dirty; the perspective is marred every where by a web of ropes that depend from the dizzy height of the dome, and suspend countless dingy, coarse oil lamps, and ostrich-eggs, six or seven feet above the floor. Squatting and sitting in groups, here and there and far and near, were ragged Turks reading books, hearing sermons, or receiving lessons like children. And in fifty places were more of the same sort bowing and straightening up, bowing again and getting down to kiss the earth, muttering prayers the while, and keeping up their gymnastics till they ought to have been tired, if they were not.
Every where was dirt, and dust, and dinginess, and gloom; every where were signs of a hoary antiquity, but with nothing touching or beautiful about it; every where were those groups of fantastic pagans; overhead the gaudy mosaics and the web of lamp-ropes—nowhere was there any thing to win one's love or challenge his admiration.
The people who go into ecstasies over St. Sophia must surely get them out of the guide-book (where every church is spoken of as being "considered by good judges to be the most marvelous structure, in many respects, that the world has ever seen.") Or else they are those old connoisseurs from the wilds of New Jersey who laboriously learn the difference between a fresco and a fire-plug and from that day forward feel privileged to void their critical bathos on painting, sculpture and architecture forever more.
We visited the Dancing Dervishes. There were twenty-one of them. They wore a long, light-colored loose robe that hung to their heels. Each in his turn went up to the priest (they were all within a large circular railing) and bowed profoundly and then went spinning away deliriously and took his appointed place in the circle, and continued to spin. When all had spun themselves to their places, they were about five or six feet apart—and so situated, the entire circle of spinning pagans spun itself three separate times around the room. It took twenty-five minutes to do it. They spun on the left foot, and kept themselves going by passing the right rapidly before it and digging it against the waxed floor. Some of them made incredible "time." Most of them spun around forty times in a minute, and one artist averaged about sixty-one times a minute, and kept it up during the whole twenty-five. His robe filled with air and stood out all around him like a balloon.
They made no noise of any kind, and most of them tilted their heads back and closed their eyes, entranced with a sort of devotional ecstacy. There was a rude kind of music, part of the time, but the musicians were not visible. None but spinners were allowed within the circle. A man had to either spin or stay outside. It was about as barbarous an exhibition as we have witnessed yet. Then sick persons came and lay down, and beside them women laid their sick children (one a babe at the breast,) and the patriarch of the Dervishes walked upon their bodies. He was supposed to cure their diseases by trampling upon their breasts or backs or standing on the back of their necks. This is well enough for a people who think all their affairs are made or marred by viewless spirits of the air—by giants, gnomes, and genii—and who still believe, to this day, all the wild tales in the Arabian Nights. Even so an intelligent missionary tells me.
We visited the Thousand and One Columns. I do not know what it was originally intended for, but they said it was built for a reservoir. It is situated in the centre of Constantinople. You go down a flight of