THE COMPLETE WORKS OF LOUISA MAY ALCOTT: Novels, Short Stories, Plays & Poems (Illustrated Edition). Louisa May AlcottЧитать онлайн книгу.
hoping Beth slept.
"Not asleep, but so happy, dear. See, I found this and read it; I knew you wouldn't care. Have I been all that to you, Jo?" she asked, with wistful, humble earnestness.
"O Beth, so much, so much!" and Jo's head went down upon the pillow, beside her sister's.
"Then I don't feel as if I'd wasted my life. I'm not so good as you make me, but I have tried to do right; and now, when it's toolate to begin even to do better, it's such a comfort to know that some one loves me so much, and feels as if I'd helped them."
"More than any one in the world, Beth. I used to think I couldn't let you go; but I'm learning to feel that I don't lose you; that you'll be more to me than ever, and death can't part us, though it seems to."
"I know it cannot, and I don't fear it any longer, for I'm sure I shall be your Beth still, to love and help you more than ever. You must take my place, Jo, and be everything to father and mother when I'm gone. They will turn to you, don't fail them; and if it's hard to work alone, remember that I don't forget you, and that you'll be happier in doing that than writing splendid books or seeing all the world; for love is the only thing that we can carry with us when we go, and it makes the end so easy."
"I'll try, Beth;" and then and there Jo renounced her old ambition, pledged herself to a new and better one, acknowledging the poverty of other desires, and feeling the blessed solace of a belief in the immortality of love.
So the spring days came and went, the sky grew clearer, the earth greener, the flowers were up fair and early, and the birds came back in time to say good-by to Beth, who, like a tired but trustful child, clung to the hands that had led her all her life, as father and mother guided her tenderly through the Valley of the Shadow, and gave her up to God.
Seldom, except in books, do the dying utter memorable words, see visions, or depart with beatified countenances; and those who have sped many parting souls know that to most the end comes as naturally and simply as sleep. As Beth had hoped, the "tide went out easily;" and in the dark hour before the dawn, on the bosom where she had drawn her first breath, she quietly drew her last, with no farewell but one loving look, one little sigh.
With tears and prayers and tender hands, mother and sisters made her ready for the long sleep that pain would never mar again, seeing with grateful eyes the beautiful serenity that soon replaced the pathetic patience that had wrung their hearts so long, and feeling, with reverent joy, that to their darling death was a benignant angel, not a phantom full of dread.
When morning came, for the first time in many months the fire was out, Jo's place was empty, and the room was very still. But a bird sang blithely on a budding bough, close by, the snow-drops blossomed freshly at the window, and the spring sunshine streamed in like a benediction over the placid face upon the pillow,—a face so full of painless peace that those who loved it best smiled through their tears, and thanked God that Beth was well at last.
CHAPTER XLI.
LEARNING TO FORGET.
Amy's lecture did Laurie good, though, of course, he did not own it till long afterward; men seldom do, for when women are the advisers, the lords of creation don't take the advice till they have persuaded themselves that it is just what they intended to do; then they act upon it, and, if it succeeds, they give the weaker vessel half the credit of it; if it fails, they generously give her the whole. Laurie went back to his grandfather, and was so dutifully devoted for several weeks that the old gentleman declared the climate of Nice had improved him wonderfully, and he had better try it again. There was nothing the young gentleman would have liked better, but elephants could not have dragged him back after the scolding he had received; pride forbid, and whenever the longing grew very strong, he fortified his resolution by repeating the words that had made the deepest impression, "I despise you;" "Go and do something splendid that willmake her love you."
Laurie turned the matter over in his mind so often that he soon brought himself to confess that he had been selfish and lazy; but then when a man has a great sorrow, he should be indulged in all sorts of vagaries till he has lived it down. He felt that his blighted affections were quite dead now; and, though he should never cease to be a faithful mourner, there was no occasion to wear his weeds ostentatiously. Jo wouldn't love him, but he might make her respect and admire him by doing something which should prove that a girl's "No" had not spoilt his life. He had always meant to do something, and Amy's advice was quite unnecessary. He had only been waiting till the aforesaid blighted affections were decently interred; that being done, he felt that he was ready to "hide his stricken heart, and still toil on."
As Goethe, when he had a joy or a grief, put it into a song, so Laurie resolved to embalm his love-sorrow in music, and compose a Requiem which should harrow up Jo's soul and melt the heart of every hearer. Therefore the next time the old gentleman found him getting restless and moody, and ordered him off, he went to Vienna, where he had musical friends, and fell to work with the firm determination to distinguish himself. But, whether the sorrow was too vast to be embodied in music, or music too ethereal to uplift a mortal woe, he soon discovered that the Requiem was beyond him, just at present. It was evident that his mind was not in working order yet, and his ideas needed clarifying; for often in the middle of a plaintive strain, he would find himself humming a dancing tune that vividly recalled the Christmas ball at Nice, especially the stout Frenchman, and put an effectual stop to tragic composition for the time being.
Then he tried an Opera, for nothing seemed impossible in the beginning; but here, again, unforeseen difficulties beset him. He wanted Jo for his heroine, and called upon his memory to supply him with tender recollections and romantic visions of his love. But memory turned traitor; and, as if possessed by the perverse spirit of the girl, would only recall Jo's oddities, faults, and freaks, would only show her in the most unsentimental aspects,—beating mats with her head tiedup in a bandanna, barricading herself with the sofa-pillow, or throwing cold water over his passion — la Gummidge,—and an irresistible laugh spoilt the pensive picture he was endeavoring to paint. Jo wouldn't be put into the Opera at any price, and he had to give her up with a "Bless that girl, what a torment she is!" and a clutch at his hair, as became a distracted composer.
When he looked about him for another and a less intractable damsel to immortalize in melody, memory produced one with the most obliging readiness. This phantom wore many faces, but it always had golden hair, was enveloped in a diaphanous cloud, and floated airily before his mind's eye in a pleasing chaos of roses, peacocks, white ponies, and blue ribbons. He did not give the complacent wraith any name, but he took her for his heroine, and grew quite fond of her, as well he might; for he gifted her with every gift and grace under the sun, and escorted her, unscathed, through trials which would have annihilated any mortal woman.
Thanks to this inspiration, he got on swimmingly for a time, but gradually the work lost its charm, and he forgot to compose, while he sat musing, pen in hand, or roamed about the gay city to get new ideas and refresh his mind, which seemed to be in a somewhat unsettled state that winter. He did not do much, but he thought a great deal and was conscious of a change of some sort going on in spite of himself. "It's genius simmering, perhaps. I'll let it simmer, and see what comes of it," he said, with a secret suspicion, all the while, that it wasn't genius, but something far more common. Whatever it was, it simmered to some purpose, for he grew more and more discontented with his desultory life, began to long for some real and earnest work to go at, soul and body, and finally came to the wise conclusion that every one who loved music was not a composer. Returning from one of Mozart's grand operas, splendidly performed at the Royal Theatre, he looked over his own, played a few of the best parts, sat staring up at the busts of Mendelssohn, Beethoven, and Bach, who stared benignly back again; then suddenly he