Henley's Twentieth Century Formulas, Recipes and Processes. VariousЧитать онлайн книгу.
parts
Mix. Use as a gargle and mouth wash.
IV.— | Peppermint water | 500 parts |
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Cherry-laurel water | 60 parts | |
Borax | 25 parts |
Mix and dissolve. Use as gargle and mouth wash.
V.— | Thymol | 3 parts |
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Spirit of cochlearia | 300 parts | |
Tincture of rhatany | 100 parts | |
Oil of peppermint | 15 parts | |
Oil of cloves | 10 parts |
Mix. Gargle and wash mouth well with 10 drops in a glass of water.
VI.— | Salol | 5 parts |
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Alcohol | 1,000 parts | |
Tincture of white canella | 30 parts | |
Oil of peppermint | 1 part |
Mix. Use as a dentifrice.
VII.— | Hydrogen peroxide | 25 parts |
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Distilled water | 100 parts |
Mix. Gargle the mouth twice daily with 2 tablespoonfuls of the mixture in a glass of water.
VIII.— | Sodium bicarbonate | 2 parts |
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Distilled water | 70 parts | |
Spirit of cochlearia | 30 parts |
Mix a half-teaspoonful in a wineglassful of water. Wash mouth two or three times daily.
BRICK STAIN.
To stain brick flat the color of brownstone, add black to Venetian red until the desired shade is obtained. If color ground in oil is used, thin with turpentine, using a little japan as a drier. If necessary to get the desired shade add yellow ocher to the mixture of red and black. If the work is part old and part new, rub the wall down, using a brick {134} for a rubber, until the surface is uniform, and keep it well wet while rubbing with cement water, made by stirring Portland cement into water until the water looks the color of the cement. This operation fills the pores of the brick and makes a smooth, uniform surface to paint on. Tinge the wash with a little dry Venetian red and lampblack. This will help bring the brick to a uniform color, so that an even color can be obtained with one coat of stain.
BRICKS: See Ceramics.
BRICKS OF SAND-LIME: See Stone, Artificial.
BRICK POLISHES: See Polishes.
BRICK WALLS, TO CLEAN: See Cleaning Preparations and Methods and Household Formulas.
BRICK WATERPROOFING: See Waterproofing.
BRICKMAKERS’ NOTES: See Ceramics.
BRIDGE PAINT: See Paint.
BRILLIANTINE: See Hair Preparations.
BRIMSTONE (BURNING): See Pyrotechnics.
BRIONY ROOTS: THEIR PRESERVATION: See Roots.
BRITANNIA METAL: See Alloys.
BRITANNIA METAL, TO CLEAN: See Cleaning Preparations and Methods.
BRITANNIA, SILVERPLATING: See Plating.
BROMINE, ANTISEPTIC: See Antiseptics.
BROMOFORM.
Bromoform is insoluble in dilute alcohol, but may be dissolved by the aid of glycerine. The following formula has been devised:
Bromoform | 1 part |
Alcohol | 2 parts |
Compound tincture of cardamon | 2 parts |
Glycerine | 1 1/2 parts |
Some other formulas are:
Syrup Of Bromoform.
—Bromoform, 5 parts; alcohol (95 per cent), 45 parts; glycerine, 150 parts; syrup, 800 parts. Mix in the order given and place the container in warm water until the syrup becomes perfectly clear.
Emulsion Of Bromoform.
—Add 3 parts of bromoform to 20 parts of expressed oil of almond; emulsify this mixture in the usual manner with 2 parts of powdered tragacanth, 4 parts of powdered acacia, and sufficient water, using for the completed emulsion a total of 120 parts of water, and add, finally, 4 parts of cherry-laurel water.
Bromoform Rum.
—Bromoform, 1.2 parts; chloroform, 0.8 parts; rum, sufficient to make 120 parts. Claimed to be an effective remedy in the treatment of whooping cough.
BRONZES: See Alloys.
BRONZE CASTING: See Casting.
BRONZE, IMITATION: See Plaster.
BRONZE POLISHES: See Polishes.
BRONZE, RENOVATION OF: See Cleaning Compounds.
BRONZE POWDERS, LIQUID BRONZES, BRONZE SUBSTITUTES, AND BRONZING
Bronze Powders.
Gold bronze is a mixture of equal parts of oxide of tin and sulphur, which are heated for some time in an earthen retort. Silver bronze is a mixture of equal parts of bismuth, tin, and mercury, which are fused in a crucible, adding the mercury only when the tin and the bismuth are in fusion. Next reduce to a very fine powder. To apply these bronzes, white of egg, gum arabic, or varnish is used. It is preferable to apply them dry upon one of the above-named mediums serving as size, than to mix them with the liquids themselves, for in the latter case their luster is impaired.
Simple Coloring Of Bronze Powder.
—In order to impart different colors to {135} bronze powders, such as pale yellow, dark yellow to copper red, the powder is heated with constant stirring in flat iron pans until through the oxidation of the copper—the bronzes consist of the brass powder of an alloy from which the so-called Dutch gold is produced—the desired shade of color is reached. As a rule a very small quantity of fat, wax, or even paraffine is added in this operation. The bronze powders are employed to produce coatings or certain finishes on metals themselves or to give articles of wood, stone, pasteboard, etc., a metallic appearance.
General Directions For Bronzing.
—The choice of bronze powders is determined by the degree of brilliancy to be obtained. The powder is mixed with strong gum water or isinglass, and laid on with a brush or pencil, almost but not absolutely dry. A piece of soft leather, wrapped around the finger, is dipped into the powder and rubbed over the work; when all this has been covered with the bronze it must be left to dry, and the loose powder is then cleared away with a hair pencil.
Liquid Bronzes.
Liquid Bronzes.
—I.—For the production of liquid bronze, acid-free varnish should be used, as bronze ground with ordinary varnish will form verdigris. For the deacidification of dammar rosin pour 1,000 parts of petroleum benzine over 350 parts of finely ground dammar rosin, and dissolve by repeated shaking. Next add to the solution 250 parts of a 10-per-cent aqueous solution of caustic soda and shake up well for 10 minutes. After standing for a short time two strata will have formed, the upper one consisting of benzine-rosin solution and the lower, aqueous one containing the resinic