THE PARISH TRILOGY - Annals of a Quiet Neighbourhood, The Seaboard Parish & The Vicar's Daughter. George MacDonaldЧитать онлайн книгу.
"It's very foolish of me to talk so to a stranger," he resumed.
"It is very kind and friendly of you," I said, still careful to make no advances. "And you yourself belong to the old family that once lived in this old house?"
"It would be no boast to tell the truth, sir, even if it were a credit to me, which it is not. That family has been nothing but a curse to ours."
I noted that he spoke of that family as different from his, and yet implied that he belonged to it. The explanation would come in time. But the man was again silent, planing away at half the lid of his sister's coffin. And I could not help thinking that the closed mouth meant to utter nothing more on this occasion.
"I am sure there must be many a story to tell about this old place, if only there were any one to tell them," I said at last, looking round the room once more.—"I think I see the remains of paintings on the ceiling."
"You are sharp-eyed, sir. My father says they were plain enough in his young days."
"Is your father alive, then?"
"That he is, sir, and hearty too, though he seldom goes out of doors now. Will you go up stairs and see him? He's past ninety, sir. He has plenty of stories to tell about the old place—before it began to fall to pieces like."
"I won't go to-day," I said, partly because I wanted to be at home to receive any one who might call, and partly to secure an excuse for calling again upon the carpenter sooner than I should otherwise have liked to do. "I expect visitors myself, and it is time I were at home. Good morning."
"Good morning, sir."
And away home I went with a new wonder in my brain. The man did not seem unknown to me. I mean, the state of his mind woke no feeling of perplexity in me. I was certain of understanding it thoroughly when I had learned something of his history; for that such a man must have a history of his own was rendered only the more probable from the fact that he knew something of the history of his forefathers, though, indeed, there are some men who seem to have no other. It was strange, however, to think of that man working away at a trade in the very house in which such ancestors had eaten and drunk, and married and given in marriage. The house and family had declined together—in outward appearance at least; for it was quite possible both might have risen in the moral and spiritual scale in proportion as they sank in the social one. And if any of my readers are at first inclined to think that this could hardly be, seeing that the man was little, if anything, better than an infidel, I would just like to hold one minute's conversation with them on that subject. A man may be on the way to the truth, just in virtue of his doubting. I will tell you what Lord Bacon says, and of all writers of English I delight in him: "So it is in contemplation: if a man will begin with certainties, he shall end in doubts; but if he will be content to begin with doubts, he shall end in certainties." Now I could not tell the kind or character of this man's doubt; but it was evidently real and not affected doubt; and that was much in his favour. And I couid see that he was a thinking man; just one of the sort I thought I should get on with in time, because he was honest—notwithstanding that unpleasant smile of his, which did irritate me a little, and partly piqued me into the determination to get the better of the man, if I possibly could, by making friends with him. At all events, here was another strange parishioner. And who could it be that he was like?
CHAPTER V.
VISITORS FROM THE HALL.
When I came near my own gate, I saw that it was open; and when I came in sight of my own door, I found a carriage standing before it, and a footman ringing the bell. It was an old-fashioned carriage, with two white horses in it, yet whiter by age than by nature. They looked as if no coachman could get more than three miles an hour out of them, they were so fat and knuckle-kneed. But my attention could not rest long on the horses, and I reached the door just as my housekeeper was pronouncing me absent. There were two ladies in the carriage, one old and one young.
"Ah, here is Mr. Walton!" said the old lady, in a serene voice, with a clear hardness in its tone; and I held out my hand to aid her descent. She had pulled off her glove to get a card out of her card-case, and so put the tips of two old fingers, worn very smooth, as if polished with feeling what things were like, upon the palm of my hand. I then offered my hand to her companion, a girl apparently about fourteen, who took a hearty hold of it, and jumped down beside her with a smile. As I followed them into the house, I took their card from the housekeeper's hand, and read, Mrs Oldcastle and Miss Gladwyn.
I confess here to my reader, that these are not really the names I read on the card. I made these up this minute. But the names of the persons of humble position in my story are their real names. And my reason for making the difference will be plain enough. You can never find out my friend Old Rogers; you might find out the people who called on me in their carriage with the ancient white horses.
When they were seated in the drawing-room, I said to the old lady—
"I remember seeing you in church on Sunday morning. It is very kind of you to call so soon."
"You will always see me in church," she returned, with a stiff bow, and an expansion of deadness on her face, which I interpreted into an assertion of dignity, resulting from the implied possibility that I might have passed her over in my congregation, or might have forgotten her after not passing her over.
"Except when you have a headache, grannie," said Miss Gladwyn, with an arch look first at her grandmother, and then at me. "Grannie has bad headaches sometimes."
The deadness melted a little from Mrs Oldcastle's face, as she turned with half a smile to her grandchild, and said—
"Yes, Pet. But you know that cannot be an interesting fact to Mr. Walton."
"I beg your pardon, Mrs. Oldcastle," I said. "A clergyman ought to know something, and the more the better, of the troubles of his flock. Sympathy is one of the first demands he ought to be able to meet—I know what a headache is."
The former expression, or rather non-expression, returned; this time unaccompanied by a bow.
"I trust, Mr. Walton, I TRUST I am above any morbid necessity for sympathy. But, as you say, amongst the poor of your flock,—it IS very desirable that a clergyman should be able to sympathise."
"It's quite true what grannie says, Mr. Walton, though you mightn't think it. When she has a headache, she shuts herself up in her own room, and doesn't even let me come near her—nobody but Sarah; and how she can prefer her to me, I'm sure I don't know."
And here the girl pretended to pout, but with a sparkle in her bright gray eye.
"The subject is not interesting to me, Pet. Pray, Mr. Walton, is it a point of conscience with you to wear the surplice when you preach?"
"Not in the least," I answered. "I think I like it rather better on the whole. But that's not why I wear it."
"Never mind grannie, Mr. Walton. I think the surplice is lovely. I'm sure it's much liker the way we shall be dressed in heaven, though I don't think I shall ever get there, if I must read the good books grannie reads."
"I don't know that it is necessary to read any good books but the good book," I said.
"There, grannie!" exclaimed Miss Gladwyn, triumphantly. "I'm so glad I've got Mr Walton on my side!"
"Mr Walton is not so old as I am, my dear, and has much to learn yet."
I could not help feeling a little annoyed, (which was very foolish, I know,) and saying to myself, "If it's to make me like you, I had rather not learn any more;" but I said nothing aloud, of course.
"Have you got a headache to-day, grannie?"
"No, Pet. Be quiet. I wish to ask Mr Walton WHY he wears the surplice."
"Simply," I replied, "because I was told the people had been accustomed to it under my predecessor."