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Henry James: The Portrait of a Lady, The Bostonians, The Tragic Muse & Daisy Miller (4 Books in One Edition). Henry Foss JamesЧитать онлайн книгу.

Henry James: The Portrait of a Lady, The Bostonians, The Tragic Muse & Daisy Miller (4 Books in One Edition) - Henry Foss James


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you see one — you might know a fine mind. Mr. Osmond makes no mistakes! He knows everything, he understands everything, he has the kindest, gentlest, highest spirit. You’ve got hold of some false idea. It’s a pity, but I can’t help it; it regards you more than me.” Isabel paused a moment, looking at her cousin with an eye illumined by a sentiment which contradicted the careful calmness of her manner — a mingled sentiment, to which the angry pain excited by his words and the wounded pride of having needed to justify a choice of which she felt only the nobleness and purity, equally contributed. Though she paused Ralph said nothing; he saw she had more to say. She was grand, but she was highly solicitous; she was indifferent, but she was all in a passion. “What sort of a person should you have liked me to marry?” she asked suddenly. “You talk about one’s soaring and sailing, but if one marries at all one touches the earth. One has human feelings and needs, one has a heart in one’s bosom, and one must marry a particular individual. Your mother has never forgiven me for not having come to a better understanding with Lord Warburton, and she’s horrified at my contenting myself with a person who has none of his great advantages — no property, no title, no honours, no houses, nor lands, nor position, nor reputation, nor brilliant belongings of any sort. It’s the total absence of all these things that pleases me. Mr. Osmond’s simply a very lonely, a very cultivated and a very honest man — he’s not a prodigious proprietor.”

      Ralph had listened with great attention, as if everything she said merited deep consideration; but in truth he was only half thinking of the things she said, he was for the rest simply accommodating himself to the weight of his total impression — the impression of her ardent good faith. She was wrong, but she believed; she was deluded, but she was dismally consistent. It was wonderfully characteristic of her that, having invented a fine theory, about Gilbert Osmond, she loved him not for what he really possessed, but for his very poverties dressed out as honours. Ralph remembered what he had said to his father about wishing to put it into her power to meet the requirements of her imagination. He had done so, and the girl had taken full advantage of the luxury. Poor Ralph felt sick; he felt ashamed. Isabel had uttered her last words with a low solemnity of conviction which virtually terminated the discussion, and she closed it formally by turning away and walking back to the house. Ralph walked beside her, and they passed into the court together and reached the big staircase. Here he stopped and Isabel paused, turning on him a face of elation — absolutely and perversely of gratitude. His opposition had made her own conception of her conduct clearer to her. “Shall you not come up to breakfast?” she asked.

      “No; I want no breakfast; I’m not hungry.”

      “You ought to eat,” said the girl; “you live on air.”

      “I do, very much, and I shall go back into the garden and take another mouthful. I came thus far simply to say this. I told you last year that if you were to get into trouble I should feel terribly sold. That’s how I feel to-day.”

      “Do you think I’m in trouble?”

      “One’s in trouble when one’s in error.”

      “Very well,” said Isabel; “I shall never complain of my trouble to you!” And she moved up the staircase.

      Ralph, standing there with his hands in his pockets, followed her with his eyes; then the lurking chill of the high-walled court struck him and made him shiver, so that he returned to the garden to breakfast on the Florentine sunshine.

      Chapter XXXV

      Table of Contents

      Isabel, when she strolled in the Cascine with her lover, felt no impulse to tell him how little he was approved at Palazzo Crescentini. The discreet opposition offered to her marriage by her aunt and her cousin made on the whole no great impression upon her; the moral of it was simply that they disliked Gilbert Osmond. This dislike was not alarming to Isabel; she scarcely even regretted it; for it served mainly to throw into higher relief the fact, in every way so honourable, that she married to please herself. One did other things to please other people; one did this for a more personal satisfaction; and Isabel’s satisfaction was confirmed by her lover’s admirable good conduct. Gilbert Osmond was in love, and he had never deserved less than during these still, bright days, each of them numbered, which preceded the fulfilment of his hopes, the harsh criticism passed upon him by Ralph Touchett. The chief impression produced on Isabel’s spirit by this criticism was that the passion of love separated its victim terribly from every one but the loved object. She felt herself disjoined from every one she had ever known before — from her two sisters, who wrote to express a dutiful hope that she would be happy, and a surprise, somewhat more vague, at her not having chosen a consort who was the hero of a richer accumulation of anecdote; from Henrietta, who, she was sure, would come out, too late, on purpose to remonstrate; from Lord Warburton, who would certainly console himself, and from Caspar Goodwood, who perhaps would not; from her aunt, who had cold, shallow ideas about marriage, for which she was not sorry to display her contempt; and from Ralph, whose talk about having great views for her was surely but a whimsical cover for a personal disappointment. Ralph apparently wished her not to marry at all — that was what it really meant — because he was amused with the spectacle of her adventures as a single woman. His disappointment made him say angry things about the man she had preferred even to him: Isabel flattered herself that she believed Ralph had been angry. It was the more easy for her to believe this because, as I say, she had now little free or unemployed emotion for minor needs, and accepted as an incident, in fact quite as an ornament, of her lot the idea that to prefer Gilbert Osmond as she preferred him was perforce to break all other ties. She tasted of the sweets of this preference, and they made her conscious, almost with awe, of the invidious and remorseless tide of the charmed and possessed condition, great as was the traditional honour and imputed virtue of being in love. It was the tragic part of happiness; one’s right was always made of the wrong of some one else.

      The elation of success, which surely now flamed high in Osmond, emitted meanwhile very little smoke for so brilliant a blaze. Contentment, on his part, took no vulgar form; excitement, in the most self-conscious of men, was a kind of ecstasy of self-control. This disposition, however, made him an admirable lover; it gave him a constant view of the smitten and dedicated state. He never forgot himself, as I say; and so he never forgot to be graceful and tender, to wear the appearance — which presented indeed no difficulty — of stirred senses and deep intentions. He was immensely pleased with his young lady; Madame Merle had made him a present of incalculable value. What could be a finer thing to live with than a high spirit attuned to softness? For would not the softness be all for one’s self, and the strenuousness for society, which admired the air of superiority? What could be a happier gift in a companion than a quick, fanciful mind which saved one repetitions and reflected one’s thought on a polished, elegant surface? Osmond hated to see his thought reproduced literally — that made it look stale and stupid; he preferred it to be freshened in the reproduction even as “words” by music. His egotism had never taken the crude form of desiring a dull wife; this lady’s intelligence was to be a silver plate, not an earthen one — a plate that he might heap up with ripe fruits, to which it would give a decorative value, so that talk might become for him a sort of served dessert. He found the silver quality in this perfection in Isabel; he could tap her imagination with his knuckle and make it ring. He knew perfectly, though he had not been told, that their union enjoyed little favour with the girl’s relations; but he had always treated her so completely as an independent person that it hardly seemed necessary to express regret for the attitude of her family. Nevertheless, one morning, he made an abrupt allusion to it. “It’s the difference in our fortune they don’t like,” he said. “They think I’m in love with your money.”

      “Are you speaking of my aunt — of my cousin?” Isabel asked. “How do you know what they think?”

      “You’ve not told me they’re pleased, and when I wrote to Mrs. Touchett the other day she never answered my note. If they had been delighted I should have had some sign of it, and the fact of my being poor and you rich is the most obvious explanation of their reserve. But of course when a poor man marries a rich girl he must be prepared for imputations. I don’t mind them; I only care for one


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