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air together, and Lucian wondered whether there were in the nature of things any true distinction between the impressions of sound and scent and color. The violent blue of the sky, the song, and the odours seemed rather varied symbols of one mystery than distinct entities. He could almost imagine that the boy's innocence was indeed a perfume, and that the palpitating roses had become a sonorous chant.
In the curious silence which followed the last notes, when the boy and girl had passed under the purple ilex shadow, he fell into a reverie. The fancy that sensations are symbols and not realities hovered in his mind, and led him to speculate as to whether they could not actually be transmuted one into another. It was possible, he thought, that a whole continent of knowledge had been undiscovered; the energies of men having been expended in unimportant and foolish directions. Modern ingenuity had been employed on such trifles as locomotive engines, electric cables, and cantilever bridges; on elaborate devices for bringing uninteresting people nearer together; the ancients had been almost as foolish, because they had mistaken the symbol for the thing signified. It was not the material banquet which really mattered, but the thought of it; it was almost as futile to eat and take emetics and eat again as to invent telephones and high-pressure boilers. As for some other ancient methods of enjoying life, one might as well set oneself to improve calico printing at once.
"Only in the garden of Avallaunius," said Lucian to himself, "is the true and exquisite science to be found."
He could imagine a man who was able to live in one sense while he pleased; to whom, for example, every impression of touch, taste, hearing, or seeing should be translated into odor; who at the desired kiss should be ravished with the scent of dark violets, to whom music should be the perfume of a rose-garden at dawn.
When, now and again, he voluntarily resumed the experience of common life, it was that he might return with greater delight to the garden in the city of refuge. In the actual world the talk was of Nonconformists, the lodger franchise, and the Stock Exchange; people were constantly reading newspapers, drinking Australian Burgundy, and doing other things equally absurd. They either looked shocked when the fine art of pleasure was mentioned, or confused it with going to musical comedies, drinking bad whisky, and keeping late hours in disreputable and vulgar company. He found to his amusement that the profligate were by many degrees duller than the pious, but that the most tedious of all were the persons who preached promiscuity, and called their system of "pigging" the "New Morality."
He went back to the city lovingly, because it was built and adorned for his love. As the metaphysicians insist on the consciousness of the ego as the implied basis of all thought, so he knew that it was she in whom he had found himself, and through whom and for whom all the true life existed. He felt that Annie had taught him the rare magic which had created the garden of Avallaunius. It was for her that he sought strange secrets and tried to penetrate the mysteries of sensation, for he could only give her wonderful thoughts and a wonderful life, and a poor body stained with the scars of his worship.
It was with this object, that of making the offering of himself a worthy one, that he continually searched for new and exquisite experiences. He made lovers come before him and confess their secrets; he pried into the inmost mysteries of innocence and shame, noting how passion and reluctance strive together for the mastery. In the amphitheatre he sometimes witnessed strange entertainments in which such tales as Daphnis and Chloe and The Golden Ass were performed before him. These shows were always given at nighttime; a circle of torch-bearers surrounded the stage in the center, and above, all the tiers of seats were dark. He would look up at the soft blue of the summer sky, and at the vast dim mountain hovering like a cloud in the west, and then at the scene illumined by a flaring light, and contrasted with violent shadows. The subdued mutter of conversation in a strange language rising from bench after bench, swift hissing whispers of explanation, now and then a shout or a cry as the interest deepened, the restless tossing of the people as the end drew near, an arm lifted, a cloak thrown back, the sudden blaze of a torch lighting up purple or white or the gleam of gold in the black serried ranks; these were impressions that seemed always amazing. And above, the dusky light of the stars, around, the sweet-scented meadows, and the twinkle of lamps from the still city, the cry of the sentries about the walls, the wash of the tide filling the river, and the salt savor of the sea. With such a scenic ornament he saw the tale of Apuleius represented, heard the names of Fotis and Byrrhaena and Lucius proclaimed, and the deep intonation of such sentences as Ecce Veneris hortator et armiger Liber advenit ultro. The tale went on through all its marvelous adventures, and Lucian left the amphitheatre and walked beside the river where he could hear indistinctly the noise of voices and the singing Latin, and note how the rumor of the stage mingled with the murmur of the shuddering reeds and the cool lapping of the tide. Then came the farewell of the cantor, the thunder of applause, the crash of cymbals, the calling of the flutes, and the surge of the wind in the great dark wood.
At other times it was his chief pleasure to spend a whole day in a vineyard planted on the steep slope beyond the bridge. A grey stone seat had been placed beneath a shady laurel, and here he often sat without motion or gesture for many hours. Below him the tawny river swept round the town in a half circle; he could see the swirl of the yellow water, its eddies and miniature whirlpools, as the tide poured up from the south. And beyond the river the strong circuit of the walls, and within, the city glittered like a charming piece of mosaic. He freed himself from the obtuse modern view of towns as places where human beings live and make money and rejoice or suffer, for from the standpoint of the moment such facts were wholly impertinent. He knew perfectly well that for his present purpose the tawny sheen and shimmer of the tide was the only fact of importance about the river, and so he regarded the city as a curious work in jewelry. Its radiant marble porticoes, the white walls of the villas, a dome of burning copper, the flash and scintillation of tiled roofs, the quiet red of brickwork, dark groves of ilex, and cypress, and laurel, glowing rose-gardens, and here and there the silver of a fountain, seemed arranged and contrasted with a wonderful art, and the town appeared a delicious ornament, every cube of color owing its place to the thought and inspiration of the artificer. Lucian, as he gazed from his arbour amongst the trellised vines, lost none of the subtle pleasures of the sight; noting every nuance of color, he let his eyes dwell for a moment on the scarlet flash of poppies, and then on a glazed roof which in the glance of the sun seemed to spout white fire. A square of vines was like some rare green stone; the grapes were massed so richly amongst the vivid leaves, that even from far off there was a sense of irregular flecks and stains of purple running through the green. The laurel garths were like cool jade; the gardens, where red, yellow, blue and white gleamed together in a mist of heat, had the radiance of opal; the river was a band of dull gold. On every side, as if to enhance the preciousness of the city, the woods hung dark on the hills; above, the sky was violet, specked with minute feathery clouds, white as snowflakes. It reminded him of a beautiful bowl in his villa; the ground was of that same brilliant blue, and the artist had fused into the work, when it was hot, particles of pure white glass.
For Lucian this was a spectacle that enchanted many hours; leaning on one hand, he would gaze at the city glowing in the sunlight till the purple shadows grew down the slopes and the long melodious trumpet sounded for the evening watch. Then, as he strolled beneath the trellises, he would see all the radiant facets glimmering out, and the city faded into haze, a white wall shining here and there, and the gardens veiled in a dim glow of color. On such an evening he would go home with the sense that he had truly lived a day, having received for many hours the most acute impressions of beautiful color.
Often he spent the night in the cool court of his villa, lying amidst soft cushions heaped upon the marble bench. A lamp stood on the table at his elbow, its light making the water in the cistern twinkle. There was no sound in the court except the soft continual plashing of the fountain. Throughout these still hours he would meditate, and he became more than ever convinced that man could, if he pleased, become lord of his own sensations. This, surely, was the true meaning concealed under the beautiful symbolism of alchemy. Some years before he had read many of the wonderful alchemical books of the later Middle Ages, and had suspected that something other than the turning of lead into gold was intended. This impression was deepened when he looked into Lumen de Lumine by Vaughan, the brother of the Silurist, and he had long puzzled himself in the endeavor to find a reasonable interpretation of the hermetic mystery, and of the red powder, "glistening