Arnold Bennett: Buried Alive, The Old Wives' Tale & The Card (3 Books in One Edition). Bennett ArnoldЧитать онлайн книгу.
the quality of the picture--well, then the trouble of public curiosity and of journalistic inquisitiveness would begin. He wondered that he could ever have dreamed of concealing his identity on a canvas. The thing simply shouted 'Priam Farll,' every inch of it. In any exhibition of pictures in London, Paris, Rome, Milan, Munich, New York or Boston, it would have been the cynosure, the target of ecstatic admirations. It was just such another work as his celebrated 'Pont d'Austerlitz,' which hung in the Luxembourg. And neither a frame of 'chemical gold,' nor the extremely variegated coloration of the other merchandise on sale could kill it.
However, there were no signs of a crowd. People passed to and fro, just as though there had not been a masterpiece within ten thousand miles of them. Once a servant girl, a loaf of bread in her red arms, stopped to glance at the window, but in an instant she was gone, running.
Priam's first instinctive movement had been to plunge into the shop, and demand from his tobacconist an explanation of the phenomenon. But of course he checked himself. Of course he knew that the presence of his picture in the window could only be due to the enterprise of Alice.
He went slowly home.
The sound of his latchkey in the keyhole brought her into the hall ere he had opened the door.
"Oh, Henry," she said--she was quite excited--"I must tell you. I was passing Mr. Aylmer's this morning just as he was dressing his window, and the thought struck me that he might put your picture in. So I ran in and asked him. He said he would if he could have it at once. So I came and got it. He found a frame, and wrote out a ticket, and asked after you. No one could have been kinder. You must go and have a look at it. I shouldn't be at all surprised if it gets sold like that."
Priam answered nothing for a moment. He could not.
"What did Aylmer say about it?" he asked.
"Oh!" said his wife quickly, "you can't expect Mr. Aylmer to understand these things. It's not in his line. But he was glad to oblige us. I saw he arranged it nicely."
"Well," said Priam discreetly, "that's all right. Suppose we have lunch?"
Curious--her relations with Mr. Aylmer! It was she who had recommended him to go to Mr. Aylmer's when, on the first morning of his residence in Putney, he had demanded, "Any decent tobacconists in this happy region?" He suspected that, had it not been for Aylmer's beridden and incurable wife, Alice's name might have been Aylmer. He suspected Aylmer of a hopeless passion for Alice. He was glad that Alice had not been thrown away on Aylmer. He could not imagine himself now without Alice. In spite of her ideas on the graphic arts, Alice was his air, his atmosphere, his oxygen; and also his umbrella to shield him from the hail of untoward circumstances. Curious--the process of love! It was the power of love that had put that picture in the tobacconist's window.
Whatever power had put it there, no power seemed strong enough to get it out again. It lay exposed in the window for weeks and never drew a crowd, nor caused a sensation of any kind! Not a word in the newspapers! London, the acknowledged art-centre of the world, calmly went its ways. The sole immediate result was that Priam changed his tobacconist, and the direction of his promenades.
At last another singular event happened.
Alice beamingly put five sovereigns into Priam's hand one evening.
"It's been sold for five guineas," she said, joyous. "Mr. Aylmer didn't want to keep anything for himself, but I insisted on his having the odd shillings. I think it's splendid, simply splendid! Of course I always did think it was a beautiful picture," she added.
The fact was that this astounding sale for so large a sum as five pounds, of a picture done in the attic by her Henry, had enlarged her ideas of Henry's skill. She could no longer regard his painting as the caprice of a gentle lunatic. There was something in it. And now she wanted to persuade herself that she had known from the first there was something in it.
The picture had been bought by the eccentric and notorious landlord of the Elk Hotel, down by the river, on a Sunday afternoon when he was--not drunk, but more optimistic than the state of English society warrants. He liked the picture because his public-house was so unmistakably plain in it. He ordered a massive gold frame for it, and hung it in his saloon-bar. His career as a patron of the arts was unfortunately cut short by an order signed by his doctors for his incarceration in a lunatic asylum. All Putney had been saying for years that he would end in the asylum, and all Putney was right.
Chapter 8
An Invasion
One afternoon, in December, Priam and Alice were in the sitting-room together, and Alice was about to prepare tea. The drawn-thread cloth was laid diagonally on the table (because Alice had seen cloths so laid on model tea-tables in model rooms at Waring's), the strawberry jam occupied the northern point of the compass, and the marmalade was antarctic, while brittle cakes and spongy cakes represented the occident and the orient respectively. Bread-and-butter stood, rightly, for the centre of the universe. Silver ornamented the spread, and Alice's two tea-pots (for she would never allow even Chinese tea to remain on the leaves for more than five minutes) and Alice's water-jug with the patent balanced lid, occupied a tray off the cloth. At some distance, but still on the table, a kettle moaned over a spirit-lamp. Alice was cutting bread for toast. The fire was of the right redness for toast, and a toasting-fork lay handy. As winter advanced, Alice's teas had a tendency to become cosier and cosier, and also more luxurious, more of a ritualistic ceremony. And to avoid the trouble and danger of going through a cold passage to the kitchen, she arranged matters so that the entire operation could be performed with comfort and decency in the sitting-room itself.
Priam was rolling cigarettes, many of them, and placing them, as he rolled them, in order on the mantelpiece. A happy, mild couple! And a couple, one would judge from the richness of the tea, with no immediate need of money. Over two years, however, had passed since the catastrophe to Cohoon's, and Cohoon's had in no way recovered therefrom. Yet money had been regularly found for the household. The manner of its finding was soon to assume importance in the careers of Priam and Alice. But, ere that moment, an astonishing and vivid experience happened to them. One might have supposed that, in the life of Priam Farll at least, enough of the astonishing and the vivid had already happened. Nevertheless, what had already happened was as customary and unexciting as addressing envelopes, compared to the next event.
The next event began at the instant when Alice was sticking the long fork into a round of bread. There was a knock at the front door, a knock formidable and reverberating, the knock of fate, perhaps, but fate disguised as a coalheaver.
Alice answered it. She always answered knocks; Priam never. She shielded him from every rough or unexpected contact, just as his valet used to do. The gas in the hall was not lighted, and so she stopped to light it, darkness having fallen. Then she opened the door, and saw, in the gloom, a short, thin woman standing on the step, a woman of advanced middle-age, dressed with a kind of shabby neatness. It seemed impossible that so frail and unimportant a creature could have made such a noise on the door.
"Is this Mr. Henry Leek's?" asked the visitor, in a dissatisfied, rather weary tone.
"Yes," said Alice. Which was not quite true. 'This' was assuredly hers, rather than her husband's.
"Oh!" said the woman, glancing behind her; and entered nervously, without invitation.
At the same moment three male figures sprang, or rushed, out of the strip of front garden, and followed the woman into the hall, lunging up against Alice, and breathing loudly. One of the trio was a strong, heavy-faced heavy-handed, louring man of some thirty years (it seemed probable that he was the knocker), and the others were curates, with the proper physical attributes of curates; that is to say, they were of ascetic habit and clean-shaven and had ingenuous eyes.
The hall now appeared like the antechamber of a May-meeting, and as Alice had never seen it so peopled before, she vented a natural exclamation of surprise.