The Crest of the Continent: A Summer's Ramble in the Rocky Mountains and Beyond. Ernest IngersollЧитать онлайн книгу.
dull red, with arched balconies under pointed gables, and carved projections over mullioned windows, and trellised porches, with stained glass loopholes and an avalanche of roofs.” A little distance from the house strange forms of red sandstone lift their heads far above the foliage, like a file of genii marching down on solemn mission from their abodes in mountain caves, while on the ledges of the gray bluffs opposite the eagles have built their nests. Farther up the Glen, and yet a part of it, is Queen’s Cañon, a most rugged gorge, in which the wildness of nature has been for the most part unopposed. The same turbulent brook comes dashing down, in a series of cascades and rapids, from the Devil’s Punch-Bowl, near the head of the Cañon. Rustic bridges cross it near the foot, one of which is made the subject of an engraving; but soon the pathway breaks into a mere trail, which leads over boulders and fallen tree-trunks, or clings to precipitous cliffs which tower high overhead.
One mile north of Glen Eyrie is Blair Athol, with its exquisitely tinted pink sandstone pillars; while about the same distance to the south is the Garden of the Gods, which it seems, however, more proper to classify with Manitou’s environs. Five miles northeasterly from the Springs are Austin’s Bluffs, and a few miles west of these, Monument Park. Nearer by, and due west, are the Red and Bear Creek Cañons. An excellent way of reaching Pike’s Peak is by the Cheyenne Mountain toll road, which terminates in a good trail passing the Seven Lakes. The Cheyenne Cañons, at the northern base of the mountain of the same name, are greatly frequented, and justly rank high in the category. They are two in number.
South Cheyenne Cañon is full of surprises. “The vulgar linear measure of its length is out of harmony with the winding path over rocks, between straight pines, and across the rushing waters of the brook that boils down the whole rocky cut. The stream, tossing over its rough bed and dropping into sandy pools, drives one from side to side of the narrow passage-way for foothold. Eleven times one crosses it, by stepping from one rolling and uncertain stone to another, by balancing across the lurching trunk of a felled tree, or by dams of driftwood; and, finally, skirting a huge boulder that juts out into the water, and jumping from rock to rock, the head of the Cañon is reached. The narrow gorge ends in a round well of granite, down one side of which leaps, slides, foams and rushes a series of waterfalls. Seven falls in line drop the water from the melted snow above into this cup. Looking from below, one sees (as in our illustration) only three, that, starting down the last almost perpendicular wall and striking ledges in the rock, and oblique crevices, send their jet shooting in a curved spray to the pool. In this deep hollow only the noonday sun ever shines, and a narrow bank of snow lies against one side in the shadow of the cliff. Going up the Cañon, with the roar of the waters ahead and the wild path before one, the loftiness and savage wildness of the walls catch only a dizzying glance, but coming out, their sides seem to touch the heavens and to be measureless. The eye can hardly take in the vast height, and with the afternoon sun touching only the extreme tops, one realizes in what a crevice and fissure of the rocks the Cañon winds. Across the widest place between the walls a girl could throw a stone, and from that it narrows even more. The cool, dim light down at the base contrasts strangely with the red blaze that reflects from the top of the high walls; and emerging from one group of pine trees, a turn in the Cañon confronts one with a whole wall of sandstone burning in the intense sunlight. A comparison between this and the Via Mala and the other wild gorges of the Alps is impossible, but had legend and history and poetry followed it for centuries, South Cheyenne Cañon would have its great features acknowledged. Let a ruined tower stand at its entrance, whence robber knights had swooped down upon travelers and picked out the teeth of wealthy Hebrews; let a nation fight for its liberty through its chasm; and then let my Lord Byron turn loose the flood of his imagery upon it. After all, its wildness and untouched solitude are most impressive; and without history, save of the seasons, or sound, save of the wind, the water and the eagles, centuries have kept it for the small world that knows it now.” So discourses a very charming lady writer.
IN NORTH CHEYENNE CAÑON.
North Cheyenne Cañon is scarcely less interesting, though less widely known. Its beauty is of a milder type, the walls advancing and retreating, and anon breaking into gaily-colored pinnacles on which the sunlight plays in strange freaks of light and shade. The little brook winds like a silver band beside the path, encircling the boulders which it cannot leap, and all the while singing softly to the rhythm of swaying vines. The birds chirp in unison as they skip from rock to rock, and in the harmony and essence of the scene all are subdued—save the Artist, whose deft pencil cannot weary in so much loveliness. When words fail, it is fortunate he is at hand to rescue writer and reader alike.
It was during our stay at Colorado Springs we made acquaintance with the burro. It is the nightingale of Colorado; its range of voice is limited, consisting indeed of only two notes; but the amount of eloquence, the superb quality, the deep resonance and flexible sinuosity which can be thrown by this natural musician into such a small compass are tremendous. As they lope down the street, the larboard ear in air, while the starboard droops limply, the long tapir-like nose quivering with the mighty volume of sound which is pouring through it, the sloping Chinese eyes looking at you sideways with the lack-lustre expression of their race, and an artistic kick thrown in occasionally to produce the tremolo that adds the last touch of grace to the ringing voice, you are overwhelmed.
We betook ourselves to the train one evening, after our by no means thorough exploration of the neighborhood, and began our preparations for a few days’ absence at Manitou. It was only five miles away, and we had decided not to take our cars up. Retiring early, we fell asleep to dream of new pleasures, for which our appetites were already whetted.
III
A MOUNTAIN SPA.
… And the ray
Of a bright sun can make sufficient holiday,
Developing the mountains, leaves, and flowers,
And shining in the brawling brook, whereby,
Clear as its current, glide the sauntering hours
With a calm languor, which, though to the eye
Idlesse it seem, hath its morality.
—Petrarch.
As well omit the Lions of St. Mark from a visit to Venice, as to pass by Manitou in a tour of Colorado. Manitou, the sacred health-fountains of Indian tradition, the shrine of disabled mountaineers, the “Saratoga” of the Rockies.
Leaving Colorado Springs, a branch of the railway swings gracefully around the low hills in which the Mesa terminates, and points for the gap in the mountains directly to the west. Nearly three miles from the junction we pass the driving park, and immediately after run up to Colorado City, the first capital of the Territory, and now a quiet little hamlet, whose chief industry is the production of much beer. Recalling the temperance proclivities of the Springs, it is unfortunately not strange that a drive to Colorado City in the long summer evenings should prove so attractive to the ardent youth of untamed blood. Then the road passes into the clusters of cottonwoods and willows which fringe the brook, crossing, recrossing, and dashing through patches of sunlight, whence the huge colored pinnacles in the Garden of the Gods are descried over the broken hills at the right. It is a striking ride, and curiously the location of the railway has not been allowed to mar its native beauty. Describing the contour of a projecting foothill, we obtain our first glimpse of Manitou, with its great hotels, its cut-stone cottages, and its picturesque station. Just across the way, and in the lowest depression of the narrow vale, is a charming villa, embowered in shrubbery, with quaint gables and porches, and phenomenal lawns and flower-beds. It is the home of Dr. W. A. Bell, for years vice-president of the Denver and Rio Grande railway.
The village itself is grouped in careless ease along the steep and bushy slopes of the valley,