The Greatest Thrillers of Edgar Wallace. Edgar WallaceЧитать онлайн книгу.
“I will take care that your behaviour is widely advertised,” he said. “You have brought a most monstrous charge against me, and I shall proceed against you for slander. The truth is that you are not equal to the job I intended giving you and you are finding an excuse for getting out.”
“The truth is,” replied Tarling, biting off the end of a cigar he had taken from his pocket, “that my reputation is too good to be risked in associating with such a dirty business as yours. I hate to be rude, and I hate just as much to throw away good money. But I can’t take good money for bad work, Mr. Lyne, and if you will be advised by me, you will drop this stupid scheme for vengeance which your hurt vanity has suggested — it is the clumsiest kind of frame up that was ever invented — and also you will go and apologise to the young lady, whom, I have no doubt, you have grossly insulted.”
He beckoned to his Chinese satellite and walked leisurely to the door. Incoherent with rage, shaking in every limb with a weak man’s sense of his own impotence, Lyne watched him until the door was half-closed, then, springing forward with a strangled cry, he wrenched the door open and leapt at the detective.
Two hands gripped his arm and lifting him bodily back into the room, pushed him down into a chair. A not unkindly face blinked down at him, a face relieved from utter solemnity by the tiny laughter lines about the eyes.
“Mr. Lyne,” said the mocking voice of Tarling, “you are setting an awful example to the criminal classes. It is a good job your convict friend is in gaol.”
Without another word he left the room.
III. The Man Who Loved Lyne
Two days later Thornton Lyne sat in his big limousine which was drawn up on the edge of Wandsworth Common, facing the gates of the gaol.
Poet and poseur he was, the strangest combination ever seen in man.
Thornton Lyne was a storekeeper, a Bachelor of Arts, the winner of the Mangate Science Prize and the author of a slim volume. The quality of the poetry therein was not very great — but it was undoubtedly a slim volume printed in queerly ornate type with old-fashioned esses and wide margins. He was a storekeeper because storekeeping supplied him with caviare and peaches, a handsome little two-seater, a six-cylinder limousine for state occasions, a country house and a flat in town, the decorations of which ran to a figure which would have purchased many stores of humbler pretensions than Lyne’s Serve First Emporium.
To the elder Lyne, Joseph Emanuel of that family, the inception and prosperity of Lyne’s Serve First Emporium was due. He had devised a sale system which ensured every customer being attended to the moment he or she entered one of the many departments which made up the splendid whole of the emporium. It was a system based upon the age-old principle of keeping efficient reserves within call.
Thornton Lyne succeeded to the business at a moment when his slim volume had placed him in the category of the gloriously misunderstood. Because such reviewers as had noticed his book wrote of his “poetry” using inverted commas to advertise their scorn, and because nobody bought the volume despite its slimness, he became the idol of men and women who also wrote that which nobody read, and in consequence developed souls with the celerity that a small boy develops stomachache.
For nothing in the wide world was more certain to the gloriously misunderstood than this: the test of excellence is scorn. Thornton Lyne might in different circumstances have drifted upward to sets even more misunderstood — yea, even to a set superior to marriage and soap and clean shirts and fresh air — only his father died of a surfeit, and Thornton became the Lyne of Lyne’s Serve First.
His first inclination was to sell the property and retire to a villa in Florence or Capri. Then the absurdity, the rich humour of an idea, struck him. He, a scholar, a gentleman and a misunderstood poet, sitting in the office of a store, appealed to him. Somebody remarked in his hearing that the idea was “rich.” He saw himself in “character” and the part appealed to him. To everybody’s surprise he took up his father’s work, which meant that he signed cheques, collected profits and left the management to the Soults and the Neys whom old Napoleon Lyne had relied upon in the foundation of his empire.
Thornton wrote an address to his 3,000 employees — which address was printed on decided antique paper in queerly ornate type with wide margins. He quoted Seneca, Aristotle, Marcus Aurelius and the “Iliad.” The “address” secured better and longer reviews in the newspapers than had his book.
He had found life a pleasant experience — all the more piquant because of the amazement of innumerable ecstatic friends who clasped their hands and asked awefully: “How can you — a man of your temperament … !”
Life might have gone on being pleasant if every man and woman he had met had let him have his own way. Only there were at least two people with whom Thornton Lyne’s millions carried no weight.
It was warm in his limousine, which was electrically heated. But outside, on that raw April morning, it was bitterly cold, and the shivering little group of women who stood at a respectful distance from the prison gates, drew their shawls tightly about them as errant flakes of snow whirled across the open. The common was covered with a white powder, and the early flowers looked supremely miserable in their wintry setting.
The prison clock struck eight, and a wicket-gate opened. A man slouched out, his jacket buttoned up to his neck, his cap pulled over his eyes. At sight of him, Lyne dropped the newspaper he had been reading, opened the door of the car and jumped out, walking towards the released prisoner.
“Well, Sam,” he said, genially “you didn’t expect me?”
The man stopped as if he had been shot, and stood staring at the fur-coated figure. Then:
“Oh, Mr. Lyne,” he said brokenly. “Oh, guv’nor!” he choked, and tears streamed down his face, and he gripped the outstretched hand in both of his, unable to speak.
“You didn’t think I’d desert you, Sam, eh?” said Mr. Lyne, all aglow with consciousness of his virtue.
“I thought you’d given me up, sir,” said Sam Stay huskily. “You’re a gentleman, you are, sir, and I ought to be ashamed of myself!”
“Nonsense, nonsense, Sam! Jump into the car, my lad. Go along. People will think you’re a millionaire.”
The man gulped, grinned sheepishly, opened the door and stepped in, and sank with a sigh of comfort into the luxurious depths of the big brown cushions.
“Gawd! To think that there are men like you in the world, sir! Why, I believe in angels, I do!”
“Nonsense Sam. Now you come along to my flat, and I’m going to give you a good breakfast and start you fair again.”
“I’m going to try and keep straight, sir, I am s’help me!”
It may be said in truth that Mr. Lyne did not care very much whether Sam kept straight or not. He might indeed have been very much disappointed if Sam had kept to the straight and narrow path. He “kept” Sam as men keep chickens and prize cows, and he “collected” Sam as other men collect stamps and china. Sam was his luxury and his pose. In his club he boasted of his acquaintance with this representative of the criminal classes — for Sam was an expert burglar and knew no other trade — and Sam’s adoration for him was one of his most exhilarating experiences.
And that adoration was genuine. Sam would have laid down his life for the palefaced man with the loose mouth. He would have suffered himself to be torn limb from limb if in his agony he could have brought ease or advancement to the man who, to him, was one with the gods.
Originally, Thornton Lyne had found Sam whilst that artist was engaged in burgling the house of his future benefactor. It was a whim of Lyne’s to give the criminal a good breakfast and to evince an interest in his future.