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TESS OF THE D'URBERVILLES (Literature Classics Series). Томас ХардиЧитать онлайн книгу.

TESS OF THE D'URBERVILLES (Literature Classics Series) - Томас Харди


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walked a few steps in a profound reverie, and then sat down upon the grassy bank by the roadside, depositing his basket before him. In a few minutes a youth appeared in the distance, walking in the same direction as that which had been pursued by Durbeyfield. The latter, on seeing him, held up his hand, and the lad quickened his pace and came near.

      “Boy, take up that basket! I want ‘ee to go on an errand for me.”

      The lath-like stripling frowned. “Who be you, then, John Durbeyfield, to order me about and call me ‘boy?’ You know my name as well as I know yours!”

      “Do you, do you? That’s the secret — that’s the secret! Now obey my orders, and take the message I’m going to charge ‘ee wi’. . . . Well, Fred, I don’t mind telling you that the secret is that I’m one of a noble race — it has been just found out by me this present afternoon, P.M.” And as he made the announcement, Durbeyfield, declining from his sitting position, luxuriously stretched himself out upon the bank among the daisies.

      The lad stood before Durbeyfield, and contemplated his length from crown to toe.

      “Sir John d’Urberville — that’s who I am,” continued the prostrate man. “That is if knights were baronets — which they be. “Tis recorded in history all about me. Dost know of such a place, lad, as Kingsbere-sub-Greenhill?”

      “Ees, I’ve been there to Greenhill Fair.”

      “Well, under the church of that city there lie — ”

      “‘Tisn’t a city, the place I mean; leastwise ‘twaddn’ when I was there — ’twas a little one-eyed, blinking sort o’place.”

      “Never you mind the place, boy, that’s not the question before us. Under the church of that there parish lie my ancestors — hundreds of ’em — in coats of mail and jewels, in gr’t lead coffins weighing tons and tons. There’s not a man in the county o’ South-Wessex that’s got grander and nobler skillentons in his family than I.”

      “Oh?”

      “Now take up that basket, and goo on to Marlott, and when you’ve come to The Pure Drop Inn, tell ’em to send a horse and carriage to me immed’ately, to carry me hwome. And in the bottom o’ the carriage they be to put a noggin o’ rum in a small bottle, and chalk it up to my account. And when you’ve done that goo on to my house with the basket, and tell my wife to put away that washing, because she needn’t finish it, and wait till I come hwome, as I’ve news to tell her.”

      As the lad stood in a dubious attitude, Durbeyfield put his hand in his pocket, and produced a shilling, one of the chronically few that he possessed.

      “Here’s for your labour, lad.”

      This made a difference in the young man’s estimate of the position.

      “Yes, Sir John. Thank ‘ee. Anything else I can do for ‘ee, Sir John?”

      “Tell ’em at hwome that I should like for supper, — well, lamb’s fry if they can get it; and if they can’t, black-pot; and if they can’t get that, well chitterlings will do.”

      “Yes, Sir John.”

      The boy took up the basket, and as he set out the notes of a brass band were heard from the direction of the village.

      “What’s that?” said Durbeyfield. “Not on account o’ I?”

      “’Tis the women’s club-walking, Sir John. Why, your da’ter is one o’ the members.”

      “To be sure — I’d quite forgot it in my thoughts of greater things! Well, vamp on to Marlott, will ye, and order that carriage, and maybe I’ll drive round and inspect the club.”

      The lad departed, and Durbeyfield lay waiting on the grass and daisies in the evening sun. Not a soul passed that way for a long while, and the faint notes of the band were the only human sounds audible within the rim of blue hills.

      Chapter 2

       Table of Contents

      The village of Marlott lay amid the north-eastern undulations of the beautiful Vale of Blakemore or Blackmoor aforesaid, and engirdled and secluded region, for the most part untrodden as yet by tourist or landscape-painter, though within a four hours’ journey from London.

      It is a vale whose acquaintance is best made by viewing it from the summits of the hills that surround it — except perhaps during the droughts of summer. An unguided ramble into its recesses in bad weather is apt to engender dissatisfaction with its narrow, tortuous, and miry ways.

      This fertile and sheltered tract of country, in which the fields are never brown and the springs never dry, is bounded on the south by the bold chalk ridge that embraces the prominences of Hambledon Hill, Bulbarrow, Nettlecombe-Tout, Dogbury, High Stoy, and Bubb Down. The traveller from the coast, who, after plodding northward for a score of miles over calcareous downs and corn-lands, suddenly reaches the verge of one of these escarpments, is surprised and delighted to behold, extended like a map beneath him, a country differing absolutely from that which he has passed through. Behind him the hills are open, the sun blazes down upon fields so large as to give an unenclosed character to the landscape, the lanes are white, the hedges low and plashed, the atmosphere colourless. Here, in the valley, the world seems to be constructed upon a smaller and more delicate scale; the fields are mere paddocks, so reduced that from this height their hedgerows appear a network of dark green threads overspreading the paler green of the grass. The atmosphere beneath is languorous, and is so tinged with azure that what artists call the middle distance partakes also of that hue, while the horizon beyond is of the deepest ultramarine. Arable lands are few and limited; with but slight exceptions the prospect is a broad rich mass of grass and trees, mantling minor hills and dales within the major. Such is the Vale of Blackmoor.

      The district is of historic, no less than of topographical interest. The Vale was known in former times as the Forest of White Hart, from a curious legend of King Henry III’s reign, in which the killing by a certain Thomas de la Lynd of a beautiful white hart which the king had run down and spared, was made the occasion of a heavy fine. In those days, and till comparatively recent times, the country was densely wooded. Even now, traces of its earlier condition are to be found in the old oak copses and irregular belts of timber that yet survive upon its slopes, and the hollow-trunked trees that shade so many of its pastures.

      The forests have departed, but some old customs of their shades remain. Many, however, linger only in a metamorphosed or disguised form. The May-Day dance, for instance, was to be discerned on the afternoon under notice, in the guise of the club revel, or “club-walking,” as it was there called.

      It was an interesting event to the younger inhabitants of Marlott, though its real interest was not observed by the participators in the ceremony. Its singularity lay less in the retention of a custom of walking in procession and dancing on each anniversary than in the members being solely women. In men’s clubs such celebrations were, though expiring, less uncommon; but either the natural shyness of the softer sex, or a sarcastic attitude on the part of male relatives, had denuded such women’s clubs as remained (if any other did) or this their glory and consummation. The club of Marlott alone lived to uphold the local Cerealia. It had walked for hundreds of years, if not as benefit-club, as votive sisterhood of some sort; and it walked still.

      The banded ones were all dressed in white gowns — a gay survival from Old Style days, when cheerfulness and May-time were synonyms — days before the habit of taking long views had reduced emotions to a monotonous average. Their first exhibition of themselves was in a processional march of two and two round the parish. Ideal and real clashed slightly as the sun lit up their figures against the green hedges and creeper-laced house-fronts; for, though the whole troop wore white garments, no two whites were alike among them. Some approached pure blanching; some had a bluish pallor; some worn by the older characters (which had possibly lain by folded for many a year) inclined to a cadaverous tint, and to a Georgian style.


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