IN SEARCH OF LOST TIME - Complete Edition (All 7 Books in One Volume). Marcel ProustЧитать онлайн книгу.
to the fields, a poppy that had strayed and been lost by its fellows, or a few cornflowers that had fallen lazily behind, and decorated the ground here and there with their flowers like the border of a tapestry, in which may be seen at intervals hints of the rustic theme which appears triumphant in the panel itself; infrequent still, spaced apart as the scattered houses which warn us that we are approaching a village, they betokened to me the vast expanse of waving corn beneath the fleecy clouds, and the sight of a single poppy hoisting upon its slender rigging and holding against the breeze its scarlet ensign, over the buoy of rich black earth from which it sprang, made my heart beat as does a wayfarer's when he perceives, upon some low-lying ground, an old and broken boat which is being caulked and made seaworthy, and cries out, although he has not yet caught sight of it, "The Sea!"
And then I returned to my hawthorns, and stood before them as one stands before those masterpieces of painting which, one imagines, one will be better able to 'take in' when one has looked away, for a moment, at something else; but in vain did I shape my fingers into a frame, so as to have nothing but the hawthorns before my eyes; the sentiment which they aroused in me remained obscure and vague, struggling and failing to free itself, to float across and become one with the flowers. They themselves offered me no enlightenment, and I could not call upon any other flowers to satisfy this mysterious longing. And then, inspiring me with that rapture which we feel on seeing a work by our favourite painter quite different from any of those that we already know, or, better still, when some one has taken us and set us down in front of a picture of which we have hitherto seen no more than a pencilled sketch, or when a piece of music which we have heard played over on the piano bursts out again in our ears with all the splendour and fullness of an orchestra, my grandfather called me to him, and, pointing to the hedge of Tansonville, said: "You are fond of hawthorns; just look at this pink one; isn't it pretty?"
And it was indeed a hawthorn, but one whose flowers were pink, and lovelier even than the white. It, too, was in holiday attire, for one of those days which are the only true holidays, the holy days of religion, because they are not appointed by any capricious accident, as secular holidays are appointed, upon days which are not specially ordained for such observances, which have nothing about them that is essentially festal—but it was attired even more richly than the rest, for the flowers which clung to its branches, one above another, so thickly as to leave no part of the tree undecorated, like the tassels wreathed about the crook of a rococo shepherdess, were every one of them 'in colour,' and consequently of a superior quality, by the aesthetic standards of Combray, to the 'plain,' if one was to judge by the scale of prices at the 'stores' in the Square, or at Camus's, where the most expensive biscuits were those whose sugar was pink. And for my own part I set a higher value on cream cheese when it was pink, when I had been allowed to tinge it with crushed strawberries. And these flowers had chosen precisely the colour of some edible and delicious thing, or of some exquisite addition to one's costume for a great festival, which colours, inasmuch as they make plain the reason for their superiority, are those whose beauty is most evident to the eyes of children, and for that reason must always seem more vivid and more natural than any other tints, even after the child's mind has realised that they offer no gratification to the appetite, and have not been selected by the dressmaker. And, indeed, I had felt at once, as I had felt before the white blossom, but now still more marvelling, that it was in no artificial manner, by no device of human construction, that the festal intention of these flowers was revealed, but that it was Nature herself who had spontaneously expressed it (with the simplicity of a woman from a village shop, labouring at the decoration of a street altar for some procession) by burying the bush in these little rosettes, almost too ravishing in colour, this rustic 'pompadour.' High up on the branches, like so many of those tiny rose-trees, their pots concealed in jackets of paper lace, whose slender stems rise in a forest from the altar on the greater festivals, a thousand buds were swelling and opening, paler in colour, but each disclosing as it burst, as at the bottom of a cup of pink marble, its blood-red stain, and suggesting even more strongly than the full-blown flowers the special, irresistible quality of the hawthorn-tree, which, wherever it budded, wherever it was about to blossom, could bud and blossom in pink flowers alone. Taking its place in the hedge, but as different from the rest as a young girl in holiday attire among a crowd of dowdy women in everyday clothes, who are staying at home, equipped and ready for the 'Month of Mary,' of which it seemed already to form a part, it shone and smiled in its cool, rosy garments, a Catholic bush indeed, and altogether delightful.
The hedge allowed us a glimpse, inside the park, of an alley bordered with jasmine, pansies, and verbenas, among which the stocks held open their fresh plump purses, of a pink as fragrant and as faded as old Spanish leather, while on the gravel-path a long watering-pipe, painted green, coiling across the ground, poured, where its holes were, over the flowers whose perfume those holes inhaled, a vertical and prismatic fan of infinitesimal, rainbow-coloured drops. Suddenly I stood still, unable to move, as happens when something appears that requires not only our eyes to take it in, but involves a deeper kind of perception and takes possession of the whole of our being. A little girl, with fair, reddish hair, who appeared to be returning from a walk, and held a trowel in her hand, was looking at us, raising towards us a face powdered with pinkish freckles. Her black eyes gleamed, and as I did not at that time know, and indeed have never since learned how to reduce to its objective elements any strong impression, since I had not, as they say, enough 'power of observation' to isolate the sense of their colour, for a long time afterwards, whenever I thought of her, the memory of those bright eyes would at once present itself to me as a vivid azure, since her complexion was fair; so much so that, perhaps, if her eyes had not been quite so black—which was what struck one most forcibly on first meeting her—I should not have been, as I was, especially enamoured of their imagined blue.
I gazed at her, at first with that gaze which is not merely a messenger from the eyes, but in whose window all the senses assemble and lean out, petrified and anxious, that gaze which would fain reach, touch, capture, bear off in triumph the body at which it is aimed, and the soul with the body; then (so frightened was I lest at any moment my grandfather and father, catching sight of the girl, might tear me away from her, by making me run on in front of them) with another, an unconsciously appealing look, whose object was to force her to pay attention to me, to see, to know me. She cast a glance forwards and sideways, so as to take stock of my grandfather and father, and doubtless the impression she formed of them was that we were all absurd people, for she turned away with an indifferent and contemptuous air, withdrew herself so as to spare her face the indignity of remaining within their field of vision; and while they, continuing to walk on without noticing her, had overtaken and passed me, she allowed her eyes to wander, over the space that lay between us, in my direction, without any particular expression, without appearing to have seen me, but with an intensity, a half-hidden smile which I was unable to interpret, according to the instruction I had received in the ways of good breeding, save as a mark of infinite disgust; and her hand, at the same time, sketched in the air an indelicate gesture, for which, when it was addressed in public to a person whom one did not know, the little dictionary of manners which I carried in my mind supplied only one meaning, namely, a deliberate insult.
"Gilberte, come along; what are you doing?" called out in a piercing tone of authority a lady in white, whom I had not seen until that moment, while, a little way beyond her, a gentleman in a suit of linen 'ducks,' whom I did not know either, stared at me with eyes which seemed to be starting from his head; the little girl's smile abruptly faded, and, seizing her trowel, she made off without turning to look again in my direction, with an air of obedience, inscrutable and sly.
And so was wafted to my ears the name of Gilberte, bestowed on me like a talisman which might, perhaps, enable me some day to rediscover her whom its syllables had just endowed with a definite personality, whereas, a moment earlier, she had been only something vaguely seen. So it came to me, uttered across the heads of the stocks and jasmines, pungent and cool as the drops which fell from the green watering-pipe; impregnating and irradiating the zone of pure air through which it had passed, which it set apart and isolated from all other air, with the mystery of the life of her whom its syllables designated to the happy creatures that lived and walked and travelled in her company; unfolding through the arch of the pink hawthorn, which opened at the height of my shoulder, the quintessence of their familiarity—so exquisitely painful to myself—with her, and with all that unknown world of her existence,