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Essential Novelists - Maria Edgeworth. Maria EdgeworthЧитать онлайн книгу.

Essential Novelists - Maria Edgeworth - Maria  Edgeworth


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charmed the ear, if not the sense. His essay on female duelling was a most extraordinary performance; it was handed about in manuscript till it was worn out; he talked of publishing it, and dedicating it to me. However, this scheme, amongst a million of others, he talked of, but never put into execution. Luckily for him, many of his follies evaporated in words. I saw but little either of him or his follies at this time. All I know about him is, that after he had lost his bet of a hundred guineas, as a pig-driver, by his knight-errantry in rescuing the female duellists from a mob, he wrote a very charming copy of verses upon the occasion; and that he was so much provoked by the stupidity of some of his brother officers who could not understand the verses, that he took a disgust to the army, and sold his commission. He set out upon a tour to the continent, and I returned with Harriot Freke to London, and forgot the existence of such a person as Clarence Hervey for three or four years. Unless people can be of some use, or unless they are actually present, let them be ever so agreeable or meritorious, we are very apt to forget them. One grows strangely selfish by living in the world: ’tis a perfect cure for romantic notions of gratitude, and love, and so forth. If I had lived in the country in an old manor-house, Clarence Hervey would have doubtless reigned paramount in my imagination as the deliverer of my life, &c. But in London one has no time for thinking of deliverers. And yet what I did with my time I cannot tell you: ’tis gone, and no trace left. One day after another went I know not how. Had I wept for every day I lost, I’m sure I should have cried my eyes out before this time. If I had enjoyed any amusement in the midst of this dissipation, it would all have been very well; but I declare to you in confidence I have been tired to death. Nothing can be more monotonous than the life of a hackneyed fine lady; — I question whether a dray-horse, or — a horse in a mill, would willingly exchange places with one, if they could know as much of the matter as I do. You are surprised at hearing all this from me. My dear Belinda, how I envy you! You are not yet tired of every thing. The world has still the gloss of novelty for you; but don’t expect that can last above a season. My first winter was certainly entertaining enough. One begins with being charmed with the bustle and glare, and what the French call spectacle; this is over, I think, in six months. I can but just recollect having been amused at the Theatres, and the Opera, and the Pantheon, and Ranelagh, and all those places, for their own sakes. Soon, very soon, we go out to see people, not things: then we grow tired of seeing people; then we grow tired of being seen by people; and then we go out merely because we can’t stay at home. A dismal story, and a true one. Excuse me for showing you the simple truth; well-dressed falsehood is a personage much more presentable. I am now come to an epoch in my history in which there is a dearth of extraordinary events. What shall I do? Shall I invent? I would if I could; but I cannot. Then I must confess to you that during these last four years I should have died of ennui if I had not been kept alive by my hatred of Mrs. Luttridge and of my husband. I don’t know which I hate most — O, yes, I do — I certainly hate Mrs. Luttridge the most; for a woman can always hate a woman more than she can hate a man, unless she has been in love with him, which I never was with poor Lord Delacour. Yes! I certainly hate Mrs. Luttridge the most; I cannot count the number of extravagant things I have done on purpose to eclipse her. We have had rival routs, rival concerts, rival galas, rival theatres: she has cost me more than she’s worth; but then I certainly have mortified her once a month at least. My hatred to Mrs. Luttridge, my dear, is the remote cause of my love for you; for it was the cause of my intimacy with your aunt Stanhope. — Mrs. Stanhope is really a clever woman — she knows how to turn the hatred of all her friends and acquaintance to her own advantage. — To serve lovers is a thankless office compared with that of serving haters— polite haters I mean. It may be dangerous, for aught I know, to interpose in the quarrels of those who hate their neighbours, not only with all their souls, but with all their strength — the barbarians fight it out, kiss, and are friends. The quarrels which never come to blows are safer for a go-between; but even these are not to be compared to such as never come to words: your true silent hatred is that which lasts for ever. The moment it was known that Mrs. Luttridge and I had come to the resolution never to speak to one another, your aunt Stanhope began to minister to my hatred so, that she made herself quite agreeable. She one winter gave me notice that my adversary had set her heart upon having a magnificent entertainment on a particular day. On that day I determined, of course, to have a rival gala. Mrs. Stanhope’s maid had a lover, a gardener, who lived at Chelsea; and the gardener had an aloe, which was expected soon to blow. Now a plant that blows but once in a hundred years is worth having. The gardener intended to make a public exhibition of it, by which he expected to gain about a hundred guineas. Your aunt Stanhope’s maid got it from him for me for fifty; and I had it whispered about that an aloe in full blow would stand in the middle of one of Lady Delacour’s supper tables. The difficulty was to make Mrs. Luttridge fix upon the very day we wanted; for you know we could not possibly put off the blowing of our aloe. Your aunt Stanhope managed the thing admirably by means of a common friend, who was not a suspected person with the Luttridges; in short, my dear, I gained my point — every body came from Mrs. Luttridge’s to me, or to my aloe. She had a prodigiously fine supper, but scarcely a soul stayed with her; they all came to see what could be seen but once in a hundred years. Now the aloe, you know, is of a cumbersome height for a supper ornament. My saloon luckily has a dome, and under the dome we placed it. Round the huge china vase in which it was planted we placed the most beautiful, or rather the most expensive hothouse plants we could procure. After all, the aloe was an ugly thing; but it answered my purpose — it made Mrs. Luttridge, as I am credibly informed, absolutely weep with vexation. I was excessively obliged to your aunt Stanhope; and I assured her that if ever it were in my power, she might depend upon my gratitude. Pray, when you write, repeat the same thing to her, and tell her that since she has introduced Belinda Portman to me, I am a hundred times more obliged to her than ever I was before.

      “But to proceed with my important history. — I will not tire you with fighting over again all my battles in my seven years’ war with Mrs. Luttridge. I believe love is more to your taste than hatred; therefore I will go on as fast as possible to Clarence Hervey’s return from his travels. He was much improved by them, or at least I thought so; for he was heard to declare, that after all he had seen in France and Italy, Lady Delacour appeared to him the most charming woman, of her age, in Europe. The words, of her age, piqued me; and I spared no pains to make him forget them. A stupid man cannot readily be persuaded out of his senses — what he sees he sees, and neither more nor less; but ’tis the easiest thing in the world to catch hold of a man of genius: you have nothing to do but to appeal from his senses to his imagination, and then he sees with the eyes of his imagination, and hears with the ears of his imagination; and then no matter what the age, beauty, or wit of the charmer may be — no matter whether it be Lady Delacour or Belinda Portman. I think I know Clarence Hervey’s character au fin fond, and I could lead him where I pleased: but don’t be alarmed, my dear; you know I can’t lead him into matrimony. You look at me, and from me, and you don’t well know which way to look. You are surprised, perhaps, after all that passed, all that I felt, and all that I still feel about poor Lawless, I should not be cured of coquetry. So am I surprised; but habit, fashion, the devil, I believe, lead us on: and then, Lord Delacour is so obstinate and jealous — you can’t have forgotten thepolite conversation that passed one morning at breakfast between his lordship and me about Clarence Hervey; but neither does his lordship know, nor does Clarence Hervey suspect, that my object with him is to conceal from the world what I cannot conceal from myself — that I am a dying woman. I am, and I see you think me, a strange, weak, inconsistent creature. I was intended for something better, but now it is too late; a coquette I have lived, and a coquette I shall die: I speak frankly to you. Let me have the glory of leading Clarence Hervey about with me in public for a few months longer, then I must quit the stage. As to love, you know with me that is out of the question; all I ask or wish for is admiration.”

      Lady Delacour paused, and leaned back on the sofa; she appeared in great pain.

      “Oh! — I am sometimes,” resumed she, “as you see, in terrible pain. For two years after I gave myself that blow with the pistol, I neglected the warning twinges that I felt from time to time; at last I was terrified. Marriott was the only person to whom I mentioned my fears, and she was profoundly ignorant: she flattered me with false hopes, till, alas! it was in vain to doubt of the nature of my complaint: then she urged me to consult a physician; that I would not do — I could not — I never will consult


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