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London Films. William Dean HowellsЧитать онлайн книгу.

London Films - William Dean Howells


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symptomatic expression of the season; but the symptoms ordinarily recognizable in May were absent until June in the actual year. They were said to have been suppressed by the reluctance of the tardy spring, and again by the king's visit to Ireland. As the king is the fountain of social prosperity it is probable that he had more to do with delaying the season than the weather had; but by what one hears said of him he would not have willingly delayed it. He is not only a well-meaning and well-doing prince, one hears from people of every opinion, but a promoter of peace and international concord (especially with France, where his good offices are believed to have been peculiarly effective), and he is, rather more expectedly, a cheerful sovereign, loving the gayety as well as the splendor of state, and fond of seeing the world enjoy itself.

      It is no betrayal of the national confidence to repeat what every one says concerning the present outburst of fashion, that it is a glad compliance with the king's liking; the more eager because of its long suppression during the late queen's reign and the more anxious because of a pathetic apprehension inspired by the well-known serious temperament of the heir-apparent to the throne. No doubt the joyful rebound from the depression of the Boer war is also still felt; but for whatever reason London life is gay and glad, it is certainly making its hay while the sun shines, and it mixes as many poppies and daisies with the crop as possible against the time when only grass may be acceptable. In other terms the prevailing passion for pretty clothes in the masses as well as the classes is the inspiration of the court, while the free personal preferences expressed are probably the effect of that strong, that headstrong, instinct of being like one's self, whether one is like others or not, which has always moulded precedence and tradition to individual convenience with the English. One would not have said that a frock-coat of lustrous black alpaca was just the wear for a tall middle-aged gentleman in a silk hat and other scrupulous appointments; but when he appeared in it one hottest Sunday afternoon in that consecrated close of Hyde Park, and was welcomed by the inmost flower-group of the gorgeous parterre, one had to own a force of logic in it. If a frock-coat was the proper thing for the occasion in general, then the lightest and coolest fabric was the thing for that occasion in particular. So the wearer had reasoned in sublime self-reliance, and so, probably, the others reasoned in intelligent acquiescence.

      Just what quality he had the courage of one could not have guessed at a distance, and he must remain part of the immense question which London continues for the inquirer to the last; but it is safe to say that he looked distinguished. Out of season, the London type of man looked undistinguished, but when the season began to make London over, the pavement of Piccadilly sprouted in a race of giants who were as trees walking. They were mostly young giants, who had great beauty of complexion, of course, and as great beauty of feature. They were doubtless the result of a natural selection, to which money for buying perfect conditions had contributed as much as the time necessary for growing a type. Mostly their faces were gentle and kind, and only now and then hard or cruel; but one need not be especially averse to the English classification of our species to feel that they had cost more than they were worth. The very handsomest man I saw, with the most perfectly patrician profile (if we imagine something delicately aquiline to be particularly patrician), was a groom who sat his horse beside Rotten Row, waiting till his master should come to command the services of both. He too had the look of long descent, but if it could not be said that he had cost the nation too much time and money, it might still be conjectured that he had cost some one too much of something better.

      Next after these beautiful people I think that in the multitudinously varied crowd of London I saw no men so splendidly, so brilliantly, so lustrously handsome as three of those imperial British whose lives are safer, but whose social status is scarcely better than that of our negroes. They were three tall young Hindoos, in native dress, and white-turbaned to their swarthy foreheads, who suddenly filed out of the crowd, looking more mystery from their liquid eyes than they could well have corroborated in word or thought, and bringing to the metropolis of the West the gorgeous and foolish magnificence of the sensuous East. What did they make of the metropolis? Were they conscious, with or without rebellion, of their subjection, their absolute inferiority in the imperial scheme? If looks went for what looks rarely do, except in women, they should have been the lords of those they met; but as it was they were simply the representatives of one of the suppressed races which, if they joined hands, could girdle the globe under British rule. Somehow they brought the sense of this home to the beholder, as none of the monuments or memorials of England's imperial glory had done, and then, having fulfilled their office, lost themselves in the crowd.

      V. THE SIGHTS AND SOUNDS OF THE STREETS

      The specialization of those fatuous Orientals, transient as it was, was of far greater duration than that of most individual impressions from the London crowd. London is a flood of life, from which in a powerful light you may catch the shimmering facet of a specific wavelet; but these fleeting glimpses leave only a blurred record with the most instantaneous apparatus. What remains of the vision of that long succession of streets called by successive names from Knightsbridge to Ludgate Hill is the rush of a human torrent, in which you are scarcely more aware of the single life than of any given ripple in a river. Men, women, children form the torrent, but each has been lost to himself in order to give it the collective immensity which abides in your mind's eye.

      To the American city-dweller the London omnibus is archaic. Except for the few slow stages that lumber up and down Fifth Avenue, we have hardly anything of the omnibus kind in the whole length and breadth of our continent, and it is with perpetual astonishment and amusement that one finds it still prevailing in London, quite as if it were not as gross an anachronism as the war-chariot or the sedan-chair. It is ugly, and bewilderingly painted over with the names of its destinations, and clad with signs of patent medicines and new plays and breakfast foods in every color but the colors of the rainbow. It is ponderous and it rumbles forward with a sound of thunder, and the motion of a steamer when they put the table-racks on. Seen from the pavement, or from the top of another omnibus, it is of barbaric majesty; not, indeed, in the single example, but as part of the interminable line of omnibuses coming towards you. Then its clumsiness is lost in the collective uncouthness which becomes of a tremendous grandeur. The procession bears onward whole populations lifted high in the air, and swaying and lurching with the elephantine gait of things which can no more capsize than they can keep an even pace. Of all the sights of London streets, this procession of the omnibuses is the most impressive, and the common herd of Londoners of both sexes which it bears aloft seems to suffer a change into something almost as rich as strange. They are no longer ordinary or less than ordinary men and women bent on the shabby businesses that preoccupy the most of us; they are conquering princes, making a progress in a long triumph, and looking down upon a lower order of human beings from their wobbling steeps. It enhances their apparent dignity that they whom they look down upon are not merely the drivers of trucks and wagons of low degree, but often ladies of title in their family carriages, under the care of the august family coachman and footman, or gentlemen driving in their own traps or carts, or fares in the hansoms that steal their swift course through and by these ranks; the omnibuses are always the most monumental fact of the scene. They dominate it in bulk and height; they form the chief impulse of the tremendous movement, and it is they that choke from time to time the channel of the mighty torrent, and helplessly hold it in the arrest of a block.

      No one can forecast the moment when, or the place where, a block may happen; but mostly it occurs in mid-afternoon, at the intersection of some street where a line of vehicles is crossing the channel of the torrent. Suddenly all is at a stand-still, and one of those wonderful English policemen, who look so slight and young after the vast blue bulks of our Irish force, shows himself in the middle of the channel, and holds back its rapids with the quiet gesture of extended hands. The currents and counter-currents gather and press from the rear and solidify, but in the narrow fissure the policeman stands motionless, with only some such slight stir of his extended hands as a cat imparts to her “conscious tail” when she waits to spring upon her prey.

      The mute language of his hands, down to the lightest accent of the fingers, is intelligible to the dullest of those concerned in its interpretation, and is telepathically despatched from the nearest to the farthest driver in the block. While the policeman stands there in the open space, no wheel


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