American Ethnographic Film and Personal Documentary. Scott MacDonaldЧитать онлайн книгу.

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      London, England

      © 2013 by The Regents of the University of California

      The author gratefully acknowledges the generous support of the Academy of Motion Picture Arts and Sciences in the form of an Academy Film Scholars grant.

      Library of Congress Cataloging-in-Publication Data

      MacDonald, Scott, 1942–

      American ethnographic film and personal documentary : the Cambridge turn / Scott MacDonald.

      pagescm

      Includes bibliographical references and index.

      ISBN 978-0-520-27561-4 (hardback) — ISBN 978-0-520-27562-1 (paper) — ISBN 978-0-520-95493-9 (ebook)

      1. Documentary films—United States—History and criticism. 2. Ethnographic films—United States—History and criticism. I. Title.

      PN1995.9.D6M3152013

      070.1′8—dc23

      2012045799

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      CONTENTS

Introduction
		A Tentative Overview of Boston-Area Documentary Filmmaking • Ethnographic Film and Personal Documentary • Pragmatism: Learning from Experience • The Mission of American Ethnographic Film and Personal Documentary: The Cambridge Turn • Subjects for Further Research • Acknowledgments
1.		Lorna and John Marshall
		Beginnings: Lorna Marshall and First Film • John Marshall: The Hunters • Idylls of the !Kung • Pedagogy • Expulsion from Eden: Bitter Melons and N!ai, the Story of a !Kung Woman • The Pittsburgh Police Films and Brakhage’s Eyes • Putting Down the Camera and Picking Up the Shovel • The Road Taken: A Kalahari Family • A Process in Time
2.		Robert Gardner
		East Coast/West Coast: Early Experiments • Gardner and the Marshalls • Dead Birds • The Experience of Filmmaking as Thought Process • Robert Fulton: Reality’s Invisible—“Serious Playing Around” • Screening Room: Midnight Movies • City Symphony: Forest of Bliss • The Return of the Repressed: Ika Hands • Still Journeying On: Unfinished Examinations of a Life • Studio7Arts: Sharon Lockhart’s Double Tide and Robert Fenz’s Correspondence
3.		Timothy Asch
		Dodoth Morning and the Ethnographic Deadpan • Asch and the Yanomamo • The Ax Fight
4.		Ed Pincus and the Emergence of Personal Documentary
		The Miriam Weinstein Quartet and Richard P. Rogers’s Elephants: Fragments of an Argument • Ed Pincus’s Diaries (1971–1976) • Alfred Guzzetti: Family Portrait Sittings • Guzzetti: It’s a Small World • Guzzetti: Time Exposure
5.		Alfred Guzzetti and Personal Cinema
		Air • Experimental Video: “Language Lessons” • Scylla and Charybdis • Still Point
6.		Ross McElwee
		Finding a Muse: Charleen • Finding a Voice: Ann Schaetzel’s Breaking and Entering and McElwee’s Backyard • Dopplegänger: Sherman’s March • Nesting Dolls: Time Indefinite • On the Road Again: Six O’Clock News • Occupational Hazards: Bright Leaves • Orpheus: In Paraguay and Photographic Memory
7.		Robb Moss
		Riverdogs: A Possible Eden • The Tourist: “Freelance Editing” • Voyage of Life: The Same River Twice
8.		Panorama: Other Approaches to Personal Documentary
		Steven Ascher and Jeanne Jordan: Families in Transition • Michel Negroponte: Getting Involved • Leacock and Lalonde • The Subject Rebels: Nina Davenport’s Films and Ed Pincus and Lucia Small’s The Axe in the Attic • The Political Is the Personal: John Gianvito’s Profit Motive and the Whispering Wind and Jeff Daniel Silva’s Balkan Rhapsodies • Alexander Olch’s The Windmill Movie: “This Little Séance of Flickering Light” • Amie Siegel’s DDR/DDR
9.		Lucien Castaing-Taylor and Sensory Ethnography
		Ilisa Barbash, Lucien Castaing-Taylor, and Sweetgrass • “Sheeple”: Castaing-Taylor’s Audio-Video Installations • The Sensory Ethnography Lab: J.P. Sniadecki, Stephanie Spray, Véréna Paravel, and Leviathan
Epilogue
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