The Bachelors of Broken Hill. Arthur W. UpfieldЧитать онлайн книгу.
of open bushland, a city made enormously rich by the world’s demand for silver and lead and subsidiary metals. You have no gangsters here, no habitual criminals, no underworld, and because of that you have little need for a vice squad.
“Secondly, let us look at the murderer who drops cyanide into tea cups. That person isn’t concerned with vice or gambling. That person isn’t a cracksman, an alley thug, a sex maniac in the real sense of the term. That person’s motive isn’t gain, jealousy, or anything so normal. Here in Broken Hill is a person influenced by a motive or motives which lie within the mind of the near insane.
“Thirdly, let us regard the two murders already committed. We know little of the victims. We know that both were unmarried, both were elderly, both were physically heavy men. Can we say that the person who murdered them is actuated by a phobia of bachelors, or of elderly men, or of fat men? As yet we cannot.
“And lastly, let us consider the investigator. He arrives on the scene precisely eight weeks after the second of the two murders. He is given nothing of any importance with which to begin his investigation. He is given a mass of conflicting reports and much senile theorising. He has to be unnaturally polite with witnesses made rampantly hostile, and he is forced to waste time in studying these otherwise helpful witnesses and employ expert psychology to bring them to the point of assistance. Given time, he may succeed in covering all the past police failures with the success of locating the murderer. I don’t believe he will be given time to prevent a third murder, and that won’t be his fault, nor will it be to his discredit.”
The calm and precise voice stopped. Pavier shot a glance at Crome, but the sergeant was gazing stoically at his boots. Pavier was shocked less by Bony’s assertions than by the justice of them. He saw the uselessness of treating this half-caste as a subordinate, and had sufficient sense to realise Crome’s limitations and his own.
“Well, I was hoping for a crumb, but it appears I have to starve,” he said, and after a pause permitted the hint of a smile, which swiftly vanished. “Speaking personally, if there should be a third murder, the public outcry will be terrific.”
“Then the public must not know about it,” calmly said Bony.
“Not know!” Crome burst out. “How in hell is the public to be prevented from knowing?”
“There are ways and means, Crome. First things first. The third murder hasn’t been committed.” Bony looked at the wall clock. “Ten past noon, and I’ve to see a man about a picture. You must excuse me, Super. I am a patron of the arts—among other things.”
Crome stood stiffly, waiting for dismissal. Pavier faintly shrugged. Bony smiled at him and strode to the door. He left without the sergeant, and Pavier stared at his senior detective and again faintly shrugged.
“The only thing we can peg our hats on, Bill, is the fellow’s reputation. Get out.”
Bony passed into the public office and asked the constable on duty if there was a Mr Mills waiting to see him. The constable called the name, and a young man who had been seated on a hard bench rose and came forward. Bony slipped under the counter flap to meet him.
“Sorry I wasn’t able to call at your hotel last night, Inspector,” the young man said nervously, and Bony told him to forget it, as Mary Isaacs had telephoned about his sick mother, and he expressed the hope that Mrs Mills was much better.
“Come along to my office. I won’t keep you long.”
He sat Mills in the visitor’s chair and produced a packet of cigarettes. Mills was perhaps a little older than nineteen, fair and fresh-complexioned, lean and alert and, as Bony was instantly to learn, modest.
“It’s generous of you to come and see me, Mr Mills, after the very bad impression made on Miss Isaacs by a detective we won’t bother to mention,” he began. “Miss Isaacs told me you are a lightning cartoonist. Would you work confidentially for me?”
“Yes, I’d be glad to,” replied Mills. “I hope Mary didn’t boost me too much, though. I still have a lot to learn and a lot of study ahead. If I can help, well, I’ll do my best.”
“There mightn’t be much money for your work,” Bony warned. “But you may eventually receive much helpful publicity. I am after the person who poisoned old Goldspink, and no one, not even your Mary, can identify him or her. We’ll say it’s a woman, but we must not talk about it—outside. Agreed?”
“Yes, sir, of course.”
“Good! Take this sheet of paper and draw me.”
Mills produced his own pencils from a top pocket and fell to studying Bony’s features, the point of a pencil poised above the paper. Then without his looking at the paper for a second, the pencil worked with incredible speed. The paper was passed back to Bony, who regarded it with astonishment and carefully placed it in a drawer, intending, on the instant, to have it framed and hung in his own study.
“I envy you your gift, Mr Mills,” he said, and meant it. “Have you done any colour painting, if that is the right term?”
“Water-colours. I’m studying that now.”
“Excellent! Now I have here the description of a woman your Mary served that afternoon Goldspink was murdered. I have obtained the description partly from Mary and partly from the cashier. No other at the shop can help us. The details are vague, incomplete. I am hoping that with the limited details I can give you might be able to build, as it were, a picture of that woman. You will have to employ your imagination, perhaps make two or even three pictures, so that when shown to certain people, including Mary, they may assist those people to recognise the original. Will you try?”
“Certainly. What are the particulars?”
“The woman wore a grey suit and a grey felt hat having the brim turned up all round. She wore the hat straight—like a man wears a hat, not to one side. The hat had a pale blue band.”
Bony waited for Mills to jot down these items before proceeding:
“The woman’s face was neither thin nor fat. She was slightly above average height, and as she stooped a little she was probably well above average. She had the trick of inclining her face downward and peering as though used to looking above spectacles. Draw her with and without spectacles, if you will.”
“Not much to go on,” Mills observed, looking up from his notes.
“That’s true. But do the best possible with what you have. Give me more than one full length figure, and also a series of faces both full face and profile. You may hit on just the right type to be identified.”
“All right, sir. I’ll do them to-night and let you have them first thing tomorrow.”
“Thanks a lot, Mr Mills. Grant me an added favour. Do not permit your Mary to see them. Leave that for me to do. Clear?”
“Certainly. I’ll leave the sketches here for you at about eight in the morning. Glad to be helpful, sir. Rotten business, these cyanidings.”
“Horrible.” Bony rose and accompanied the young man to the outer office. “Not a word about this to anyone, remember.”
“That’ll be OK, Inspector.”
Mills departed. Luke Pavier appeared from nowhere and laid a restraining hand on Bony’s arm.
“Anything of a break yet, Mr. Friend?” he asked, and the constable moved closer. Bony smiled and led the reporter to the public bench, where he invited him to be seated.
“Would you like to play on my side?” he asked.
“Sure. I’ll team with anyone who’ll play with me.” Bony steadily regarded Luke, the son of Louis.
“All set, I lead. You have my word for it that, if you co-operate, you will be given the opportunity of being in at the arrest. My demands on you may, however, be heavy.”
“Suits me, Mr Friend.”
“Good!