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The Art of Life in South Africa. Daniel MagazinerЧитать онлайн книгу.

The Art of Life in South Africa - Daniel Magaziner


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118, no. 5 (2013).

      Book one was bylined Ithaca, book two Brooklyn, and it is better for it. This commuter’s gratitude to the New York City Africanist community overflows. I am grateful for the time, ideas, inspiration, and support of Julie Livingston, Fred Cooper, Hlonipha Mokoena (whom NYC misses terribly), Shobana Shankar, Ben Talton, and Greg Mann. Frequent lunches with Sean Jacobs have sharpened my conception of this book and the politics it articulates. Through him, I have been able to learn so much from the wider Africa Is a Country community, of which I am proud to be a part. Friends and family in Brooklyn, Philadelphia, California, and beyond have stepped in to help Katy and me walk the razor’s edge of two jobs, unforgiving schedules, little kids, and a dog. I’m so thankful to the grandparents, neighbors, nannies, babysitters, and teachers who made this possible.

      I was fortunate to write most of this book in the home I share with Katy and Liya, while listening to new addition Micah learn first to crawl, then walk, then run (and fall) upstairs. As a historian, I cannot help but be keenly aware of the passage of time; I lost my last grandparent while writing this book; I welcomed my nephew Rafa Henry; and I watched my baby girl become a prototeenager who dances, swims, and loves to build and draw. She will be able to read these words, which freaks me out. Time passes and things change, but Liya Reba and Micah Leon always bring me joy beyond words.

      And to Katy . . . again, words just will not do. This book began with us together in Johannesburg and Durban and continued with us together in Ithaca and Brooklyn. It began in school and ended with you at work, so able, so passionate and skilled and smart. It has not always—or often?—been easy, but I believe with all my heart that this process has been and will be worth it. Together, we keep the balls in the air, across cities, train lines, and continents. Our family is a refuge of love and joy. Everything I have ever written has been for you, but this book is truly yours. I dedicate it to our lives together, to our future, and to you, my love.

      Brooklyn, NY

      May 2016

       PROLOGUE

       Handwork

      IN 1926, Fred Sithole was a teacher at the Lurani Government School, outside Bulwer in the Union of South Africa’s Natal Province. Lurani was one of a few dozen schools that the Natal provincial government ran without the aid of the country’s ubiquitous Christian missions. In the years since World War I, Natal’s education department had embarked on an ambitious program of school building and curriculum overhaul. The percentage of African students who attended schools was small—only between 7 and 15 percent during the 1920s—but those who were in schools experienced new pedagogical imperatives that spoke of education for the sake of “life,” not just for learning. Such new ideas grew out of decades of debate about the role Africans were to play in South Africa’s schools and the colonial economy. These debates would likely have seemed quite abstract from both the teachers’ and the students’ perspectives. For Sithole and his students, new educational theories boiled down to the real, material fact that children devoted at least an hour of their school day to manual work.1

      In his presentation to his fellow teachers in Bulwer, Sithole noted that some schools did a good deal more, citing one in which “two-thirds of the time is devoted to Manual Work.” He was not suggesting such a dramatic overhaul for Lurani, even if his research indicated that their students would have supported such measures. Like many of his colleagues, Sithole had been educated under the old dispensation, when missionary education had focused on classical instruction—primarily the three Rs, which he referred to as “school subjects.” But that was then; now, in the mid-1920s, he surveyed his students about whether they preferred to spend their time on school subjects or on manual work. Their response was unequivocal: “I think Manual Work must be given more time,” wrote one. “Between these two, myself I choose Manual Work,” added another, reasoning that school subjects “will not help us much when we are old. Manual Work makes us better people.” Manual work took some of the mystery out of school. Its purposes and outcomes were apparent and translatable to life outside the classroom. “We make the baskets even at home when the teacher is not present,” a student explained. Unlike the alchemy of mathematics, which frequently saw students “fail to make a hard sum,” manual work was accessible to all: to make a basket or a spoon or a piece of furniture, “we only use hands and look with the eyes.”

      Figure Pro.1 Basketry class at Indaleni, date unknown, photographer unknown, with the permission of the Richmond/Byrne District Museum (hereafter cited as Richmond Museum)

      As Sithole saw it, through manual work schools would, in time, pay real, tangible dividends for both students and their community. Why bother with school subjects when “we have no school-fees and money for books,” a student asked; rather, “we can make baskets and sell them.” The “subjects cannot give us money,” another added, and Sithole drew the collective conclusion: “All students see that Manual Work will help them to earn their living.” This was a selective survey, to be sure; Sithole was a teacher in favor of manual work over and against schooling’s traditional emphasis on the subjects. Moreover, he published the results of his survey in the Native Teachers’ Journal, a publication founded by the recently invigorated provincial department of education, which had emphasized manual work (also known as industrial education or handwork) as part of its post–World War I reforms. Yet even if biased and edited, Sithole’s conclusions spoke eloquently to the unfolding ideology of African education in 1920s South Africa. Education “for life” was for the real world beyond the school. Students were poor, and manual work offered them the chance to make some money. Contemporary evidence suggests that even the small percentage of African youth who went to school spent fewer than five years there. Sithole and others contended that those few years were best spent giving students practical skills for the rest of their lives—which meant reading and writing, to be sure, but also basketry, sewing, and woodworking.2

      Sithole’s claims were parochial, limited to his school near Bulwer. Yet consciously or not, he invoked decades of global debate about the position of the black student. From the turn of the twentieth century until the eve of World War I, educational theorists across Africa and elsewhere reevaluated whether the European-derived colonial education system was appropriate to the needs of the African child, as increasing numbers of the latter began to enter schools.3 This continental debate was part of a larger discussion about mass education globally, driven by industrialization and urbanization, among the other epochal shifts of the late nineteenth and early twentieth centuries. In British colonial Africa, these issues took on a new urgency after World War I, following the evolving needs of the colonial political economy and the growing authority especially of American social scientists and philanthropists who were eager to extend their country’s ideological influence.4 Reflecting on the precedent of the post-slavery US South, American theorists taught that education worked best when it promoted social cohesion, not the splintering of the community into “educated” and “not educated” segments. Prevailing social and cultural conditions being what they were across Africa, it was presumptuous and foolhardy to apply metropolitan educational practices willy-nilly across the empire. Rather, education needed to proceed slowly and practically, just as Booker T. Washington had demonstrated in the United States after emancipation and as Washington’s acolytes, both black and white, were attempting to replicate across colonial Africa.

      Paul Monroe of Columbia University’s Teachers’ College called this Washington-derived scheme “adapted education.” Monroe had no particular expertise in colonial pedagogy, but he was nevertheless assigned by the US State Department to issue a report on education in colonial Africa in 1919. Monroe’s conclusion was simple: African society was at a different stage of development than European society. Monroe believed that although education for Africans should contain “the essential elements of modern civilization and Christian culture,” there was nothing more essential than equipping students with “modern methods in industry and agriculture.”5 Until the 1910s, dominant imperial practice was to import metropolitan teaching to the colonies,


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