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Revelation. Gordon D. FeeЧитать онлайн книгу.

Revelation - Gordon D. Fee


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echo what God had said of himself in verse 8 and then identify the speaker in terms that can refer only to the risen Christ. Thus Christ begins, I am the First and the Last, language used by Yahweh to identify himself in Isaiah 44:6 (cf. 48:12) and used by John to identify God in verse 8 above as “the Alpha and the Omega.” It is now used by the living Christ as a means of self-identity, again reflecting John’s especially high Christology. The same is true of the second identifier, I am the Living One, which is the ultimate identifier of Israel’s God, Yahweh (see e.g., Deut 32:40; cf. Rev 4:9). But in this case, this language takes on its own special meaning by the next identifiers: I was dead and now look, I am alive for ever and ever! (the latter term also echoing Deut 32:40). Thus, and without attempting to explain the impossible, the One who is both “the First and the Last,” and is therefore “the Living One,” is so in a special sense in the person of the Son of God, since in his humanity he also experienced death and resurrection. In the marvelous language of Charles Wesley, “‘Tis mystery all; the Immortal dies.”16 But for John the emphasis now lies solely on the fact that the one who “was dead” is now “alive for ever and ever!”

      But that is not all; the once dead, now living Eternal One, by way of his own death and resurrection now holds the keys of death and Hades. Two matters are being asserted here by John: first, Christ himself has been raised from the dead to live forever; and second, in so doing he has stripped death and hell of their power. As a great preacher in the black tradition once told it on an Easter Sunday, playing the role of Satan, he shouted to the demonic host, “He’s got away! He’s got away! And He’s got the keys!”

      One should note finally that everything about this vision is intended to describe a theophany, a divine self-revelation. First, there is the careful collage of images that combine the heavenly and earthly Son of Man, and do so with images used only for God. Second, there is the prostrate John, who is reassured with the “right hand” and the “do not be afraid” that he is safe in the Divine Presence. But especially, third, there is the self-disclosure language of verses 17–18, language that deliberately echoes God’s own language in verse 8. For John all of this is certified by the resurrection: “I was dead, and now look, I am alive for ever and ever!” For John that is the “key” to everything that follows; having experienced death, Christ through his resurrection has stripped Satan of his means of power—death and Hades—and thus “holds the keys” for loosing from Satan’s grip those who are his own.

      Couched in the language of Jewish apocalyptic, what is being interpreted is the mystery of the seven stars . . . and of the seven golden lampstands. The seven stars, John is told, are the angels [angeloi] of the seven churches, while the seven lampstands are the seven churches. The word angeloi is one of the more difficult to put into English in much of this book, since its basic meaning is simply “messenger”; but in the Greek Old Testament it was used especially to refer to the heavenly messengers who have been regularly referred to as “angels” in English. Thus the NIV translators have tried to cut through the difficulty by putting “angels” in the text, with a footnote that offers the alternative, “messengers.” None of this is problematic for this introductory passage; but when John is told at the beginning of 2:1 to “write to the angelos of the church in Ephesus,” then the mental pictures that are conjured up by such a word do become a bit more problematic. Whether John intended a heavenly messenger or not is moot, as is his language that suggests that each church has its own angelos. What John seems most likely to have intended is not that each church had its own angel, as it were, but in keeping with the apocalyptic genre, that a different (perhaps angelic) messenger was appointed to deliver Christ’s message to each of the churches, while at the same time each church becomes privy to the others’ mail!

      Thus John is herewith commissioned to write . . . what you have seen, and to deliver the individual messages of chapters 2 and 3 to each of the seven churches, while he is delivering the whole to each of them as well. And all of this is quite intentional on John’s part; each of the churches is to take heed to what Christ has to say to them individually, but they are also to learn from what he says to each of the others. It is the apocalyptic genre that allows such things to happen, without the option of any of his readers either to mourn or gloat vis-à-vis the others. They are all in this both individually and together; and they must all pay careful attention to what Christ says to the others, even as they are to pay special attention to their own letter.


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