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being nothing else to especially occupy her thoughts--had allowed them to run a good deal upon Bressant, and upon what happened by the fountain in the garden: perhaps she had mingled the real things and events with the fantasies of her dreams, and thus built up an impression and theory in regard to the young man considerably more picturesque than was warranted by the premises at her command. All this would have been done involuntarily; and possibly Sophie's question elicited the first conscious perception and statement of what Cornelia's opinion had grown to be. But unconscious judgments are often more accurate than deliberate ones because there is more of intuition about them.
Be that as it may, from the moment Sophie imbibed the idea that there was something strange, fierce, and ungovernable in Bressant's nature, she felt her sympathy and interest moved and aroused. It was the instinctive attraction of one strong spirit toward another, the more, because that other was so differently embodied, endowed, and circumstanced. She was a bed-ridden invalid, but she thrilled, like Achilles, at the first gleam and clangor of arms. The only thing that Sophie feared, and from which she shrank, was Sin. All else attracted her in proportion as it was powerful, stirring, or awe-inspiring. Delicate, sensitive, and apparently meek and timid as was her nature, her heart was firm as a Roman general's, and her soul as large and sympathetic as an Apostle's. Did the occasion offer, this pale minister's daughter was capable of great and immortal deeds.
"Which way do you like him best, Neelie?" demanded she at length, removing the dilated gaze of her gray eyes from the round knot on the top of the bed-post; "when he's cold and bright, or when he's wild and fiery."
"Oh! I don't like him at all!" exclaimed Cornelia, shuddering again.
Lest she should be suspected of a wilful misstatement, it may be as well to show how it might happen that she should deceive herself in the matter. Such likes and dislikes as she had heretofore felt could one and all have been paraphrased as a more or less agreeable state of mind, induced by the sight or thought of such and such an individual. She had never conceived the possibility that a vital affection could take its origin in aversion and fear, and grow strong through turmoil, passion, and suffering. As a matter of course, she estimated her feeling toward Bressant by the only gauge she had, and with no reference to the fact that it was a wholly inadequate one.
The majority of the impressions she had received of him could not certainly be called pleasant; and that he was continually in her thoughts; that every thing she heard or saw connected itself, in one way or another, with him; that he bore a possible part in many of her imaginations of the future--these were factors she did not take into account, because ignorant of their significance. The conclusion that she did not like him was therefore a legitimate one, according to the light she had.
Whatever Sophie may have thought of Cornelia's answer, she said no more, but lay in reverie, opening and shutting her scissors in an objectless manner, until Cornelia's voice flowed forth again.
"Isn't it a pity he wasn't a nice, jolly, society fellow? it would have been such fun this winter! As it is, I don't suppose we shall be able to do so much even as if we were alone."
"From something papa said the other day, I think he'd like to try and make Mr. Bressant more of a society fellow; perhaps it would wear away that coldness and hardness you speak of."
"What I teach him the arts and pleasures of fashionable life?" exclaimed Cornelia, laughing. "Dear me! I'd no more think of trying to teach that great big thing any thing than--any thing!"
"But you can make him go to Abbie's party, if you are to be there yourself, and then, if you don't want to instruct him, you can give him to some one who isn't afraid of him, and--have Bill Reynolds all to yourself."
Cornelia laughed and pouted, and told Sophie she was mean; but probably felt it a relief to have poor Bill's name introduced, he being so palpably _hors de combat_.
"It would be pretty good fun, after all--walking round on the arm of that great, tall, broad-shouldered creature, and telling him how to behave! I believe I _will_ try it!" and she straightened herself up with a very valiant air.
"It will be your last chance, remember!" said Sophie, looking up with a deep smile in her eyes. "I promised papa that when I was well I'd take charge of Mr. Bressant myself!"
Sophie's life, as has been said, was preeminently an ideal one. Materialism disturbed and perplexed her, and she ignored it as much as possible. She was inspired and excited by the ideal she had conceived of Bressant, and of her sphere of action with regard to him. But, had the physical personality of the man been thrust upon her in the first place, she would have very likely recoiled, her finer intuitions would have been jarred, and their precision paralyzed. Standing aloof, however, living and acting only in the realm of her pure maiden creeds, every thing seemed clear and simple enough. Right should be done, and wrong be righted; there would be no material conditions or hinderances; results were attained immediately.
But life is not what the pure-hearted girl painted it in her ideal dreams. The unconsidered obstacles rise into frowning and insurmountable barriers. Those we would make our beneficiaries often fail to appreciate their position, and turn our good into a worse evil than their own. We may theorize about the human soul, but, to put our theories to the test, is to assume an awful responsibility.
CHAPTER IX.
THE DAGUERROTYPE.
Bressant occupied two adjoining rooms at Abbie's boarding-house; one contained his bed and the other was fitted up as his study. They were on the second floor of the house, and attainable through two turns in the lower entry, a winding flight of narrow stairs, and an uncertain, darkly erratic route above.
The study was some twelve feet by eight; the floor ornamented by a carpet which, to judge from the size of the pattern, must have been designed to grace some fifty-foot drawing-room. The furniture consisted of a deal table with a folding leaf, a chair, a stove--which, perhaps because it was so small, had been permitted to remain all summer--and a broad-seated lounge with squeaky springs, but quite roomy and comfortable, which monopolized a large portion of the room. The walls were papered with a bewildering diamond pattern, in blue and white. Upon the outside window-sill stood a pot of geraniums, and another of heliotrope.
A good many books were stowed away in various parts of the study; piled one upon another in the corner by the stove, ranged side by side beneath the lounge, carefully disposed upon the inner window-sill, and occupying as much space as could be spared to them on the table. There were few ornaments to be seen; no landscapes or hunting-scenes--no pictures of pretty women--no fancy pieces for the mantel--no wine either, nor cigars, for Bressant neither smoked nor drank. A beautifully-finished and colored drawing of a patent derrick, in plan and side elevation, was pinned to the wall opposite the window. Above the mantel-piece hung an ingeniously-contrived card almanac, by which the day of week and month could be told for a hundred years to come. Two small globes, terrestrial and astronomical, stood upon the table; on the mantel-piece was an ordinary kerosene-lamp, with a conical shade of enamelled green paper, arabesqued in black, and ornamented with three transparencies, representing (when the lamp was lighted) bloody and fiery scenes in the late war; but in the daytime appearing to be nothing more terrible than plain pieces of white tissue-paper.
For two weeks Bressant had done his studying and thinking in this room. He had enormous powers of application, naturally and by acquisition, and the first fortnight had seen them exerted to their full extent. This diligence, however, was practised not so much because the course of study marked out necessitated it, as by way of voluntary self-discipline. His first evening's experience in the Parsonage garden had given the young man a serious shock; a disturbing influence had obtained possession of him, of which he could understand no more than that it appeared to have some connection with Cornelia. It interfered, at unexpected moments, with his processes of thought; it distracted his schemes of argument; it wrote itself unintelligibly upon the page he was reading. It even followed him in his rough tramps up the hills and through the woods, and sometimes shook the hand which held the pen during his compositions.
Bressant knew not how best to combat