The Essential Wilkie Collins Collection. Уилки КоллинзЧитать онлайн книгу.
his table he had no thoughts for any one but his sick niece.
"It seems strange," he said, "that I have had no message about her yet. Perhaps Luca has heard something. It may be well if I go to the studio at once to find out."
He took up his hat and went to the door. Just as he opened it, Fabio's servant confronted him on the thresh old.
"I am sent to summon you to the palace," said the man. "The doctors have given up all hope."
Father Rocco turned deadly pale, and drew back a step. "Have you told my brother of this?" he asked.
"I was just on my way to the studio," answered the servant.
"I will go there instead of you, and break the bad news to him," said the priest.
They descended the stairs in silence. Just as they were about to separate at the street door, Father Rocco stopped the servant.
"How is the child?" he asked, with such sudden eagerness and impatience, that the man looked quite startled as he answered that the child was perfectly well.
"There is some consolation in that," said Father Rocco, walking away, and speaking partly to the servant, partly to himself. "My caution has misled me," he continued, pausing thoughtfully when he was left alone in the roadway. "I should have risked using the mother's influence sooner to procure the righteous restitution. All hope of compassing it now rests on the life of the child. Infant as she is, her father's ill-gotten wealth may yet be gathered back to the Church by her hands."
He proceeded rapidly on his way to the studio, until he reached the river-side and drew close to the bridge which it was necessary to cross in order to get to his brother's house. Here he stopped abruptly, as if struck by a sudden idea. The moon had just risen, and her light, streaming across the river, fell full upon his face as he stood by the parapet wall that led up to the bridge. He was so lost in thought that he did not hear the conversation of two ladies who were advancing along the pathway close behind him. As they brushed by him, the taller of the two turned round and looked back at his face.
"Father Rocco!" exclaimed the lady, stopping.
"Donna Brigida!" cried the priest, looking surprised at first, but recovering himself directly and bowing with his usual quiet politeness. "Pardon me if I thank you for honoring me by renewing our acquaintance, and then pass on to my brother's studio. A heavy affliction is likely to befall us, and I go to prepare him for it."
"You refer to the dangerous illness of your niece?" said Brigida. "I heard of it this evening. Let us hope that your fears are exaggerated, and that we may yet meet under less distressing circumstances. I have no present intention of leaving Pisa for some time, and I shall always be glad to thank Father Rocco for the politeness and consideration which he showed to me, under delicate circumstances, a year ago."
With these words she courtesied deferentially, and moved away to rejoin her friend. The priest observed that Mademoiselle Virginie lingered rather near, as if anxious to catch a few words of the conversation between Brigida and himself. Seeing this, he, in his turn, listened as the two women slowly walked away together, and heard the Italian say to her companion: "Virginie, I will lay you the price of a new dress that Fabio d'Ascoli marries again."
Father Rocco started when she said those words, as if he had trodden on fire.
"My thought!" he whispered nervously to himself. "My thought at the moment when she spoke to me! Marry again? Another wife, over whom I should have no influence! Other children, whose education would not be confided to me! What would become, then, of the restitution that I have hoped for, wrought for, prayed for?"
He stopped, and looked fixedly at the sky above him. The bridge was deserted. His black figure rose up erect, motionless, and spectral, with the white still light falling solemnly all around it. Standing so for some minutes, his first movement was to drop his hand angrily on the parapet of the bridge. He then turned round slowly in the direction by which the two women had walked away.
"Donna Brigida," he said, "I will lay you the price of fifty new dresses that Fabio d'Ascoli never marries again!"
He set his face once more toward the studio, and walked on without stopping until he arrived at the master-sculptor's door.
"Marry again?" he thought to himself, as he rang the bell. "Donna Brigida, was your first failure not enough for you? Are you going to try a second time?"
Luca Lomi himself opened the door. He drew Father Rocco hurriedly into the studio toward a single lamp burning on a stand near the partition between the two rooms.
"Have you heard anything of our poor child?" he asked. "Tell me the truth! tell me the truth at once!"
"Hush! compose yourself. I have heard," said Father Rocco, in low, mournful tones.
Luca tightened his hold on the priest's arm, and looked into his face with breathless, speechless eagerness.
"Compose yourself," repeated Father Rocco. "Compose yourself to hear the worst. My poor Luca, the doctors have given up all hope."
Luca dropped his brother's arm with a groan of despair. "Oh, Maddalena! my child--my only child!"
Reiterating these words again and again, he leaned his head against the partition and burst into tears. Sordid and coarse as his nature was, he really loved his daughter. All the heart he had was in his statues and in her.
After the first burst of his grief was exhausted, he was recalled to himself by a sensation as if some change had taken place in the lighting of the studio. He looked up directly, and dimly discerned the priest standing far down at the end of the room nearest the door, with the lamp in his hand, eagerly looking at something.
"Rocco!" he exclaimed, "Rocco, why have you taken the lamp away? What are you doing there?"
There was no movement and no answer. Luca advanced a step or two, and called again. "Rocco, what are you doing there?"
The priest heard this time, and came suddenly toward his brother, with the lamp in his hand--so suddenly that Luca started.
"What is it?" he asked, in astonishment. "Gracious God, Rocco, how pale you are!"
Still the priest never said a word. He put the lamp down on the nearest table. Luca observed that his hand shook. He had never seen his brother violently agitated before. When Rocco had announced, but a few minutes ago, that Maddalena's life was despaired of, it was in a voice which, though sorrowful, was perfectly calm. What was the meaning of this sudden panic--this strange, silent terror?
The priest observed that his brother was looking at him earnestly. "Come!" he said in a faint whisper, "come to her bedside: we have no time to lose. Get your hat, and leave it to me to put out the lamp."
He hurriedly extinguished the light while he spoke. They went down the studio side by side toward the door. The moonlight streamed through the window full on the place where the priest had been standing alone with the lamp in his hand. As they passed it, Luca felt his brother tremble, and saw him turn away his head.
. . . . . . . .
Two hours later, Fabio d'Ascoli and his wife were separated in this world forever; and the servants of the palace were anticipating in whispers the order of their mistress's funeral procession to the burial-ground of the Campo Santo.
PART THIRD.
CHAPTER I.
About eight months after the Countess d'Ascoli had been laid in her grave in the Campo Santo, two reports were circulated through the gay world of Pisa, which excited curiosity and awakened expectation everywhere.
The first report announced that a grand masked ball was to be given at the Melani Palace, to celebrate the day on which the heir of the house attained his majority. All