Fugitive Wife. Sara CravenЧитать онлайн книгу.
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Fugitive Wife
Sara Craven
MILLS & BOON
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Former journalist SARA CRAVEN published her first novel ‘Garden of Dreams’ for Mills & Boon in 1975. Apart from her writing (naturally!) her passions include reading, bridge, Italian cities, Greek islands, the French language and countryside, and her rescue Jack Russell/cross Button. She has appeared on several TV quiz shows and in 1997 became UK TV Mastermind champion. She lives near her family in Warwickshire – Shakespeare country.
TABLE OF CONTENTS
CHAPTER ONE
CHAPTER TWO
CHAPTER THREE
CHAPTER FOUR
CHAPTER FIVE
CHAPTER SIX
CHAPTER SEVEN
CHAPTER EIGHT
THE track was too steep and stony for the car, so she parked it at the bottom, just off the village road, and walked the rest of the way, the heels of her elegant boots sliding a little on the uneven surface.
She was hurrying, almost running, and deliberately she made herself slow down because the last thing she wanted to risk in this isolated spot was a sprained ankle.
She rounded the slight bend in the track, pausing to catch her breath and shift her suitcase to her other hand, and saw the cottage up ahead of her looking small and rather squat. The full force of the wind caught her, penetrating the thickness of her sheepskin coat as easily as if it was a chiffon veil. ‘A lazy wind,’ Aunt Hes had always called it. ‘Too idle to go round, so it goes straight through you instead.’
It was degrees colder here. It had been quite a pleasant late autumn day when she had left London, with a misty sun shining through the bare branches of the trees, and an invigorating nip in the air. But the further north she had driven, the greyer the skies had become. And here they were slate-dark and threatening over Kirkby Fell, and almost close enough to touch, she thought with a shiver.
It would be good to get inside and get warm. That was, if there was any fuel in the cottage. She wished she had been able to contact Mrs Barnes in the village who kept a friendly eye on the unoccupied house for Aunt Hes. She made sure there was fuel, and usually a stock of provisions for when Aunt Hes wanted to use the cottage. Or to lend it for a holiday retreat or a honeymoon …
But she wouldn’t think about that now. That was what she had come here to escape from. To forget about, if she could. Suddenly there had been this desperate need to evade all the pressures, both subtle and overt, which were being exerted.
And so she’d flung a few things into a case and driven away north without telling a soul where she was going. She’d not even been able to contact Aunt Hes and make sure she had no objections to her using the cottage, because this was the time of year that her aunt always visited friends in the South of France. And who could blame her? she thought as she mounted the last few yards of the track. No one in their right mind faced with a choice between November in the South of France or on the side of a North Yorkshire fell would choose the fell.
She had left a note at the London house stating simply that she was going away to think things out, and would everyone please leave her alone, and not try to find her or contact her. Seen in retrospect, it had been a melodramatic thing to do, an overreaction, she supposed, to the events of the past week. But wasn’t she entitled to that, under the circumstances?
And no one would guess that she had come here—of all places. That was what had kept her going when other destinations had beckoned her from the road signs on the motorway. Destinations with no painful associations, where there would be people to talk to and things to see. Not an isolated cottage at the top of a cart track with only sheep for company.
She pushed open the small white gate in the low grey stone wall, and went in. The flower borders on each side of the narrow path were lank and overgrown with weeds which brushed her legs as she moved between them. The gate needed painting, she noticed, and so did the whole of the outside of the cottage. If the weather had been warmer, she might have tackled it; the physical effort of stripping down the woodwork and applying undercoat and gloss might have been just what she needed.
She’d said she’d come away to think, but wasn’t it nearer the truth to say that she’d come to escape from her thoughts?
All that remained now was to find the key to the front door. She mentally crossed her fingers that Mrs Barnes had not removed it for safe-keeping, or Aunt Hes found a new and safer hidey-hole for it. But it was still there, where it had always been left, under the piece of broken paving stone to the right of the front door.
The door yielded under her hand with a slight protesting squeak, and she went in, closing it behind her and leaning against it while her breathing steadied, feeling oddly like a small animal which had reached its refuge just ahead of the hunters.
She closed her eyes and let the silence surround her, and gradually the small sounds of the cottage and its environs began to impinge on her consciousness—the rustling and stirrings of the ancient fabric of the building itself, the whine of the rising wind in the eaves, the harsh calling of rooks from the fields behind, the distant bleat of a sheep, and nearer at hand the slow reassuring beat of the bracket clock which occupied pride of place on the overmantel of the room Aunt Hes always insisted on calling the parlour. The air smelt faintly musty, but it was only the inevitable odour of a house which had been shut up and untenanted. There was no tell-tale smell of damp or dry rot. Mrs Barnes did her job well, she thought. The place was regularly aired and warmed.
Briony opened her eyes and glanced round. There was a small flurry of envelopes just inside the door and she bent and picked them up. Mostly circulars by the look of things, she thought, tossing them negligently on to the hallstand. She left her case at the foot of the narrow stairs and walked into the living room.
Mrs