A Foreign Country. Чарльз КаммингЧитать онлайн книгу.
had entrapped her in charm and money, Joan had played the caring older sister, a role model of elegance and sophistication to which Amelia might one day aspire.
‘I think you do understand, John Mark.’
The game was up. The affair had been revealed. Everybody knew that Jean-Marc Daumal had fallen hopelessly and ridiculously in love with a twenty-year-old au pair. He would be a laughing stock in the ex-patriot community.
‘I wanted to catch you before you went to work. I wanted to reassure you that nobody knows about this. I have not spoken to David, nor do I intend to say anything to Celine.’
‘Thank you,’ Jean-Marc replied quietly.
‘Amelia has left Tunisia. Last night, as a matter of fact. She’s going to go travelling for a while. She wanted me to tell you how sorry she is for the way things worked out. She never intended to hurt you or to abandon your family in the way that she did. She cares for you very deeply. It all just got too much for her, you know? Her heart was confused. Am I making sense, John Mark?’
‘You are making sense.’
‘So perhaps you might tell Celine that this was Amelia on the phone. Calling from the airport. Tell your children that she won’t be coming back.’
‘I will do that.’
‘I think it’s best, don’t you? I think it’s best if you forget all about her.’
2
Philippe and Jeannine Malot, of 79 Rue Pelleport, Paris, had been planning their dream holiday in Egypt for more than a year. Philippe, who had recently retired, had set aside a budget of three thousand euros and found an airline that was prepared to fly them to Cairo (albeit at six o’clock in the morning) for less than the price of a return taxi to Charles de Gaulle airport. They had researched the best hotels in Cairo and Luxor on the Internet and secured an over-60s discount at a luxury resort in Sharm-el-Sheikh, where they planned to relax for the final five days of their journey.
The Malots had arrived in Cairo on a humid summer afternoon, making love almost as soon as they had closed the door of their hotel room. Jeannine had then set about unpacking while Philippe remained in bed reading Naguib Mahfouz’s Akhénaton le Renégat, a novel that he was not altogether enjoying. After a short walk around the local neighbourhood, they had eaten dinner in one of the hotel’s three restaurants and fallen asleep before midnight to the muffled sounds of Cairene traffic.
Three enjoyable, if exhausting days, followed. Though she had developed a minor stomach complaint, Jeannine managed five hours of wide-eyed browsing in the Egyptian Museum, where she declared herself ‘awestruck’ by the treasures of Tutankhamun. On the second morning of their trip, the Malots had set off by taxi shortly after breakfast and were astonished – as all first-time visitors were – to find the Pyramids looming into view no more than a few hundred metres from a nondescript residential suburb at the edge of the city. Hounded by trinket-sellers and under-qualified guides, they had completed a full circuit of the area within two hours and asked a shaven-headed German tourist to take their photograph in front of the Sphinx. Jeannine was keen to enter the Pyramid at Cheops, but went alone, because Philippe suffered from a mild claustrophobia and had been warned by a colleague at work that the interior was both cramped and stiflingly hot. In a mood of jubilation at having finally witnessed a phenomenon that had enthralled her since childhood, Jeannine paid an Egyptian man the equivalent of fifteen euros for a brief ride on a camel. It had moaned throughout and smelled strongly of diesel. She had then accidentally deleted the picture of her husband astride the beast while attempting to organize the pictures on their digital camera at lunch the following day.
On the recommendation of an article in a French style magazine, they had travelled to Luxor by overnight train and booked a room at the Winter Palace, albeit in the Pavilion, a four-star annexed development added to the original colonial hotel. An enterprising tourism company offered donkey rides to the Valley of the Kings that left Luxor at five o’clock in the morning. The Malots had duly signed up, witnessing a dramatic sunrise over the Temple at Hatshepsut just after six a.m. They had then spent what they later agreed had been the best day of their holiday travelling out to the temples at Dendara and Abydos. On their final afternoon in Luxor, Philippe and Jeannine had taken a taxi to the Temple at Karnak and stayed until the evening to witness the famous Sound and Light show. Philippe had fallen asleep within ten minutes.
By Tuesday they were in Sharm-el-Sheikh, on the Sinai Peninsula. Their hotel boasted three swimming pools, a hairdressing salon, two cocktail bars, nine tennis courts and enough security to deter an army of Islamist fanatics. On that first evening, the Malots had decided to go for a short walk along the beach. Though their hotel was at full occupancy, no other tourists were visible in the moonlight as they made their way from the concrete walkway at the perimeter of the hotel down on to the still-warm sand.
It was afterwards estimated that they had been attacked by at least three men, each armed with knives and metal poles. Jeannine’s necklace had been torn away, scattering pearls on to the sand, and her gold wedding ring removed from her finger. Philippe had had a noose placed around his neck and been jerked upright as a second assailant sliced through his throat and stabbed him repeatedly in the chest and legs. He had bled to death within a few minutes. A torn bed sheet that had been stuffed into her mouth had muffled Jeannine’s screams. Her own throat was also slashed, her arms heavily bruised, her stomach and hips struck repeatedly by a metal pole.
A young Canadian couple, honeymooning at a neighbouring hotel, had noticed the commotion and heard Madame Malot’s stifled cries, but could not see what was happening in the light of the waning moon. By the time they got there, the men who had attacked and murdered the elderly French couple had vanished into the night, leaving a scene of devastation that the Egyptian authorities quickly dismissed as a random act of violence, perpetrated by outsiders, which was ‘highly unlikely ever to happen again’.
3
Taking someone in the street is as easy as lighting a cigarette, they had told him, and as Akim Errachidi waited in the van, he knew that he had the balls to pull it off.
It was a Monday night in late July. The target had been given a nickname – HOLST – and its movements monitored for fourteen days. Phone, email, bedroom, car: the team had everything covered. Akim had to hand it to the guys in charge – they were thorough and determined; they had thought through every detail. He was dealing with pros now and, yes, you really could tell the difference.
Beside him, in the driver’s seat of the van, Slimane Nassah was tapping his fingers in time to some R&B on RFM and talking, in vivid detail, about what he wanted to do to Beyoncé Knowles.
‘What an ass, man. Just give me five minutes with that sweet ass.’ He made the shape of it with his hands, brought it down towards his circling groin. Akim laughed.
‘Turn that shit off,’ said the boss, crouched by the side door and ready to spring. Slimane switched off the radio. ‘HOLST in sight. Thirty seconds.’
It was just as they had said it would be. The dark street, a well-known short-cut, most of Paris in bed. Akim saw the target on the opposite side of the street, about to cross at the postbox.
‘Ten seconds.’ The boss at his very best. ‘Remember, nobody is going to hurt anybody.’
The trick, Akim knew, was to move as quickly as possible, making the minimum amount of noise. In the movies, it was always the opposite way: the smash-and-grab of a screaming, adrenalized SWAT team crashing through walls, lobbing stun grenades, shouldering jet-black assault rifles. Not us, said the boss. We do it quiet and we do it slick. We open the door, we get behind HOLST, we make sure nobody sees.
‘Five seconds.’
On the radio, Akim heard the woman saying ‘Clear’ which meant that there were no civilians within sighting distance of the van.
‘OK.