The Pleasure Chest. Jule McbrideЧитать онлайн книгу.
is what drives their business, Tanya. After we announce your find, their industry will see a surge in business.” He glanced at James. “You haven’t trained this employee very well.”
James winked at Tanya. “We keep searching Tanya’s genetic code for the shark gene, but so far, we’ve yet to find it.”
Her mind was still catching up. “You mean this painting is worth something?”
“O’Flannery isn’t in a class with Vermeer or Rembrandt, if that’s what you mean. He’s somewhat unknown because a handful of collectors horde the works, but that will make it easier to sell.” Eduardo opened the file. “Most of his paintings came down through the Barrington family. A patroness, Lucinda, was thought to have been his lover, and he may have died, defending her honor. Rumor had it, the guy slept around with other women, too, and a sorceress put a curse on him. In order to break the curse, he needed to fall in love, but he never did.”
Tanya couldn’t believe any of this was happening. “Love?”
“Lust was more O’Flannery’s thing,” explained Eduardo. “He was quite the unsavory character. It’s said some of the people associated, not just with him, but with his paintings, went stark-raving mad.”
“Good reason to sell,” she managed.
He patted the file. “We’ll copy the background information for you. The main thing is that mystery surrounds the work, and that increases its value for us.”
“How much?” Tanya asked.
“The canvas isn’t in great shape, but it should be sold, as is. The buyer will want to oversee restoration and treatment.” Eduardo shrugged. “With some buzz, and auctioned in the right lot, I’d say you’re looking at the one-five range.”
Tanya gasped. “Fifteen thousand dollars?”
Eduardo’s lips lifted in a smile. “One-point-five million,” he said slowly. “Maybe two.”
She staggered backward, needing to sit. The only thing that had ever made her knees feel this weak was the gaze of the man in the painting. Somehow, her backside found a chair, and she sank into it. Two million? Had he really said that? She thought of her credit card balance and of her need to move, so James could renovate. Then she thought about the magnetic pull she experienced every time she looked at the man in the painting. He’d watched her work all week…watched her touch herself. She knew it was crazy, but it was as if they’d formed some sort of…well, relationship.
Eduardo was pushing a piece of paper in her direction. “If you’ll just sign here, Tanya,” he said, “we can accept possession of the painting now, photograph it for a catalog immediately and begin the process of selling it for you. Within a week, you’ll be a millionaire.”
“I’m sorry,” she heard herself say. “But…can you promise not to tell anyone about this?” When she heard her own voice, it seemed to come from a far-off place, as if someone else was speaking. “I…have to think,” she continued. “I can’t sell yet.”
Vaguely, she was aware she’d just turned down a sale that could generate two million dollars. That’s when she knew she’d joined ranks with those people associated with the painting who’d gone stark-raving mad. Still, there was something so very special about the work. She could feel it. And she simply couldn’t let it go.
2
AT A CAFÉ across the street from Treasured Maps, an elderly gentleman shrugged out of a polyester jacket, draped it over a chair, then rested a tour guide next to his espresso. He raised an old thirty-five millimeter camera to his eye, trying to look like a tourist. In reality, he knew every inch of Manhattan, including Twenty-Third Street in Chelsea and this view of Treasured Maps. Adjusting the lens, he snapped pictures as if the facade of Tanya Taylor’s building was of architectural interest.
And it was. The two-story brownstone had wide steps and curving scrolled handrails that met in a quaint gate. Both levels had floor-to-ceiling windows, decorated with autumnal wreaths, although the weather still felt more like summer. While lovely, the windows were covered with bars, and a computerized keypad on the front door was too complex to disarm. He hadn’t dared go inside the downstairs shop during shop hours, in case he was detected by surveillance equipment.
Tanya lived upstairs, and while she opened the blinds, presumably to get better light when she painted, he’d only glimpsed her. She had her own entrance, separate from that of the shop, reached by rickety steps attached to the building’s side. Probably, her interior door was equipped with formidable locks, too. Over the past few days, while staking her out, he’d thought he’d learn something about the place, or her, that would tell him how to break in. He supposed he could try to date her, but she didn’t go out for drinks much, and when she did, it was with girlfriends. Besides he was too old.
But he needed that painting. As far as he was concerned, it belonged to him. Yes, Tanya had an O’Flannery inside the shop, and not just any O’Flannery, but one he’d sought for years. He hoped she’d taken it upstairs to her apartment, but with his luck, she’d locked it in a safe with her boss’s precious maps.
“Of course she did,” he muttered. If she wasn’t going to protect it, she’d have left it in Weatherby’s. She knew what it was worth. But why had she refused to sell? Had she guessed it was…special? Worth more than Weatherby’s would ever ask?
He glanced around. Rays of twilight were shining down Twenty-Third Street, and from where he was seated, he could see to the river. Beyond cars streaming down the West Side Highway was the Chelsea Pier. Masts rose into the fading amber sun, and triangular folds of sails flapped in a soft breeze. It was a scene Stede O’Flannery might have painted.
“There she is,” he whispered. As she appeared at the side of the building, carefully making her way down the precarious outer steps from her apartment, he tossed bills onto the table. Because he couldn’t afford to waste pricey espresso, he downed it even though it scalded his tongue. Then he slung the camera strap over his shoulder and followed Tanya.
“THIS IS MAY at Finders Keepers. I hate to bother you—” the voice came over the answering machine “—but a week’s passed, and I forgot to run your card through. I’m running it now.”
Waking, Tanya rolled onto her back in bed, staring into the darkness. Had May called just now? But no…the answering machine had awakened Tanya a while ago, as she was drifting off. Last night, she’d worked on her show until dawn, and after taking a shower this afternoon, she’d closed the blinds, taking a nap so she’d be fresh for Izzie’s opening tonight. She glanced at the digital clock on the bedside table. Almost seven-thirty. The opening had already started! Suddenly Tanya’s heart missed a beat. She heard something…
Downstairs.
Wood creaked. Papers rustled. Her senses went on alert, and scents in the room sharpened. She could smell vanilla from a candle. Jasmine incense mixed with paint varnish. And something sharper still, woods and pine, like a woodsman…
Her hand groped over the bed’s edge until she found a platform shoe. It weighed more than a brick. Good. She could bludgeon someone to death with it. Realizing she was holding her breath, she exhaled silently. Gingerly she pushed back the covers, aware she was clad only in a nightshirt. Adrenaline was drying her throat, leaving a metallic taste in her mouth as she got her bearings.
The outer door of her apartment was equipped with four noisy dead bolts. Her phone receiver wasn’t in its cradle, but across the room, resting in the brush holder of her easel. Could she reach it without being heard?
Art thieves, she suddenly thought, damning herself for overriding Eduardo and James’s protestations and bringing a masterpiece home. Stunned, Eduardo had told her to bring the painting back when she was ready to sell, then James had left for vacation, closing the shop. She’d been jumpy ever since. No matter where she went, she felt as if someone were watching her. She blew out a sigh. Her heart had started to slow. It’s just your imagination, she thought. No one’s