A Manual of American Literature. VariousЧитать онлайн книгу.
of Boston. At last, in 1664, he consented to be made minister of the latter church, which, thenceforward, to the end of his own life, and to the end of the life of his more famous son, continued to be the tower and the stronghold of the Mathers in America. Here, then, was a person, born in America, bred in America—a clean specimen of what America could do for itself in the way of keeping up the brave stock of its first imported citizens. As to learning, he even exceeded all other New Englanders of the colonial time, except his own son, Cotton. His power as a pulpit-orator was very great. It was a common saying of his contemporaries, that Increase Mather was “a complete preacher.” From a literary point of view, his writings certainly have considerable merit. The publications of Increase Mather defy mention, except in the form of a catalogue. From the year 1669, when he had reached the age of thirty, until the year 1723, when he died, hardly a twelvemonth was permitted to pass in which he did not solicit the public attention through the press. An authentic list of his works would include at least ninety-two titles. Of all the great host of Increase Mather’s publications, perhaps only one can be said to have still any power of walking alive on the earth—the book commonly known by a name not given to it by the author, Remarkable Providences. It cannot be denied that the conception of the book is thoroughly scientific; for it is to prove by induction the actual presence of supernatural forces in the world. Its chief defect, of course, is its lack of all cross-examination of the witnesses, and of all critical inspection of their testimony, together with a palpable eagerness on the author’s part to welcome, from any quarter of the earth or sea or sky, any messenger whatever who may be seen hurrying toward Boston with his mouth full of marvels.
In the intellectual distinction of the Mather family, there seemed to be, for at least three generations, a certain cumulative felicity. The general acknowledgment of this fact is recorded in an old epitaph, composed for the founder of the illustrious tribe:
Under this stone lies Richard Mather,
Who had a son greater than his father,
And eke a grandson greater than either.
This overtopping grandson was, of course, none other than Cotton Mather, the literary behemoth of New England in our colonial era; the man whose fame as a writer surpasses, in later times and especially in foreign countries, that of any other pre-Revolutionary American, excepting Jonathan Edwards and Benjamin Franklin. The most famous book produced by him—the most famous book, likewise, produced by any American during the colonial time—is Magnalia Christi Americana; or, The Ecclesiastical History of New England, from its first Planting, in the Year 1620, unto the Year of our Lord 1698. The Magnalia is, indeed, what the author called it, “a bulky thing,”—the two volumes of the latest edition having upwards of thirteen hundred pages. The Magnalia has great merits; it has, also, fatal defects. In its mighty chaos of fables and blunders and misrepresentations, are of course lodged many single facts of the utmost value, personal reminiscences, social gossip, snatches of conversations, touches of description, traits of character and life, that can be found nowhere else, and that help us to paint for ourselves some living picture of the great men and the great days of early New England; yet herein, also, history and fiction are so jumbled and shuffled together that it is never possible to tell, without other help than the author’s, just where the fiction ends and the history begins. On no disputed question of fact is the unaided testimony of Cotton Mather of much weight. The true place of Cotton Mather in our literary history is indicated when we say that he was the last, the most vigorous, and, therefore, the most disagreeable representative of the Fantastic School in literature; and that he prolonged in New England the methods of that school even after his most cultivated contemporaries there had outgrown them, and had come to dislike them. The expulsion of the beautiful from thought, from sentiment, from language; a lawless and a merciless fury for the odd, the disorderly, the grotesque, the violent; strained analogies, unexpected images, pedantries, indelicacies, freaks of allusion, monstrosities of phrase;—these are the traits of Cotton Mather’s writing, even as they are the traits common to that perverse and detestable literary mood that held sway in different countries of Christendom during the sixteenth and seventeenth centuries. Its birthplace was Italy; New England was its grave; Cotton Mather was its last great apostle.
Samuel Mather, the son of Cotton Mather, was born in 1706. In him, evidently, the ancestral fire had become almost extinct. He had abundant learning; was extremely industrious; published many things; but there was not in them, as there was not in him, the victorious energy of an original mind, or even the winning felicity of an imitative one. He was a sturdy and a worthy man. He left no successor to continue the once-splendid dynasty of his tribe. He was the last, and the least, of the Mathers.
The Laity in New England Literature.—In the history of literature in New England during the colonial time, one fact stands out above all others—the intellectual leadership of the clergy, and that, too, among a laity neither ignorant nor weak. This leadership was in every sense honourable, both for the leaders and the led. It was not due alone to the high authority of the clerical office in New England; it was due still more to the personal greatness of the men who filled that office, and who themselves made the office great. They were intellectual leaders because they deserved to be; for, living among a well-educated and high-spirited people, they knew more, were wiser, were abler, than all other persons in the community. Of such a leadership, it was an honour even to be among the followers. And in the literary achievements of New England in the colonial time, the clergy filled by far the largest space, because, in all departments of writing, they did by far the largest amount of work. After the first half-century of New England life, another fact comes into notice—the advance of the laity in literary activity. By that time, many strong and good men, who had been educated there in all the learning of the age, either not entering the clerical profession or not remaining in it, began to organise and to develop the other learned professions—the legal, medical, and tuitionary—and, appealing to the public through various forms of literature, to divide more and more with the clergy the leadership of men’s minds. Moreover, in the last decade of the seventeenth century, an attempt was made to establish a newspaper in New England. The attempt failed. In the first decade of the eighteenth century, another attempt was made, and did not fail; and long before the end of our colonial epoch, a new profession had come into existence, having a power to act on the minds of men more mightily than any other—the profession of journalism.
The Almanac.—No one who would penetrate to the core of early American literature, and would read in it the secret history of the people in whose minds it took root and from whose minds it grew, may by any means turn away, in lofty literary scorn, from the almanac. The earliest record of this species of literature in America carries us back to the very beginning of printed literature in America; for, next after a sheet containing The Freeman’s Oath, the first production that came from the printing-press in this country was An Almanac calculated for New England, by Mr. Pierce, and printed at Cambridge, in 1639. Thenceforward for a long time, scarcely a year passed over that solitary printing-press at Cambridge without receiving a similar salute from it. In 1676, Boston itself grew wise enough to produce an almanac of its own. Ten years afterward, Philadelphia began to send forth almanacs—a trade in which, in the following century, it was to acquire special glory. In 1697, New York entered the same enticing field of enterprise. The first almanac produced in Rhode Island was in 1728; the first almanac produced in Virginia was in 1731. In 1733, Benjamin Franklin began to publish what he called Poor Richard’s Almanac, to which his own personal reputation has given a celebrity surpassing that of all other almanacs published anywhere in the world. Thus, year by year, with the multiplication of people and of printing-presses in this country, was there a multiplication of almanacs, some of them being of remarkable intellectual and even literary merit. Throughout our colonial time, when larger books were costly and few, the almanac had everywhere a hearty welcome and frequent perusal.
History and Biography in New England.—The one form of secular literature for which, during the entire colonial age, the writers of New England had the most authentic vocation is history. Our second literary period produced four considerable historians—William Hubbard, Cotton Mather, Thomas Prince, Thomas Hutchinson: the first two excelling in popularity all other historians of the colonial time; the last two excelling all others in specific training for the profession of history, and in the conscious accumulation of materials for historic work. Of that species of history