A Manual of American Literature. VariousЧитать онлайн книгу.
discrimination—the literature of one multitudinous people, variegated indeed, in personal traits, but single in its commanding ideas and in its national destinies.
THE REVOLUTIONARY PERIOD
I. A GENERAL VIEW
The Three Stages.—In the intellectual process of the American Revolution, are to be observed three well defined stages of development on the part of the men who began and carried through that notable enterprise. The first stage—extending from the spring of 1763 to the spring of 1775—represents the noble anxiety which brave men must feel when their political safety is imperilled, this anxiety, however, being deepened in their case by a sincere and even a passionate desire, while roughly resisting an offensive ministerial policy, to keep within the bounds of constitutional opposition, and neither to forsake nor to forfeit that connection with the mother-country which they then held to be among the most precious of their earthly possessions. The second stage—extending from the spring of 1775 to the early summer of 1776—represents a rapidly spreading doubt, and yet at first no more than a doubt, as to the possibility of their continuing to be free men without ceasing to be English colonists. This doubt, of course, had been felt by not a few of them long before the day of the Lexington and Concord fights; but under the appalling logic of that day of brutality, it became suddenly weaponed with a power which mere words never had—the power to undo swiftly, in the hearts of a multitude of liegemen, the tie of race, the charm of an antique national tradition, the loyalty, the love, and the pride of centuries. The third stage—extending from the early summer of 1776 to the very close of the whole struggle—represents a final conviction, at least on the part of a working majority of the American people, that it would be impossible for them to preserve their political rights and at the same time to remain inside the British Empire—this conviction being also accompanied by the resolve to preserve those rights whether or no, and at whatsoever cost of time, or effort, or pain.
Of course, the intellectual attitude of the Loyalists of the Revolution—always during that period an immense and a very conscientious minority—correlated to that of the Revolutionists in each one of these three stages of development: in the first stage, by a position of qualified dissent as to the gravity of the danger and as to the proper method of dealing with it; in the second and third stages, by a position of unqualified dissent, and of implacable hostility, as regards the object and motive and method of the opposition which was then conducted by their more masterful fellow-countrymen.
The Predominant Note.—The chief trait of American literature during the period now under view is this: its concern with the problems of American society, and of American society in a peculiar condition—aroused, inflammable, in a state of alarm for its own existence, but also in a state of resolute combat for it. The literature which we are thus to inspect is not, then, a literature of tranquillity, but chiefly a literature of strife, or, as the Greeks would have said, of agony; and, of course, it must take those forms in which intellectual and impassioned debate can be most effectually carried on. The literature of our Revolution has almost everywhere the combative note; its habitual method is argumentative, persuasive, appealing, rasping, retaliatory; the very brain of man seems to be in armour; his wit is in the gladiator’s attitude of offence and defence. It is a literature indulging itself in grimaces, in mockery, in scowls: a literature accented by earnest gestures meant to convince people, or by fierce blows meant to smite them down. In this literature we must not expect to find art used for art’s sake.
Our next discovery is the rather notable one that such a period actually had a literary product very considerable in amount. Even in those perturbed years between 1763 and 1783, there was a large mass of literature produced in America. More than with most other epochs of revolutionary strife, our epoch of revolutionary strife was a strife of ideas: a long warfare of political logic; a succession of annual campaigns in which the marshalling of arguments not only preceded the marshalling of armies, but often exceeded them in impression upon the final result. An epoch like this, therefore—an epoch in which nearly all that is great and dear in man’s life on earth has to be argued for, as well as to be fought for, and in which ideas have a work to do quite as pertinent and quite as effective as that of bullets—can hardly fail to be an epoch teeming with literature, with literature, of course, in the particular forms suited to the purposes of political co-operation and conflict.
We shall be much helped by keeping in mind the distinction between two classes of writings then produced among us: first, those writings which were the result of certain general intellectual interests and activities apart from the Revolutionary movement, and, secondly, those writings which were the result of intellectual interests and activities directly awakened and sustained by that movement. The presence of the first class we discover chiefly in the earlier years of this period, before the Revolutionary idea had become fully developed and fully predominant; and, again, in the later years of the period, when, with the success of the Revolution assured, the Revolutionary idea had begun to recede, and men’s minds were free to swing again toward the usual subjects of human concern, particularly toward those which were to occupy them after the attainment of independence and of peace.
Literary Centres.—We shall find, within the first decade of this period and before its culmination into the final violence of the Revolutionary controversy, the beginnings of a new and a truer life in America. Of this new literary life there were, in general, two chief centres, one in the New England, one in the Middle Colonies. The New England literary centre was at New Haven, and was dominated by the influence of Yale College, within which, especially between 1767 and 1773, was a group of brilliant young men passionately devoted to the Greek and Roman classics, and brought into contact with the spirit of modern letters through their sympathetic study of the later masters of English prose and verse. The foremost man in this group was John Trumbull.
The new literary life of the Middle Colonies had its seat in the neighbourhood of New York and Philadelphia, and was keenly stimulated by the influence of their two colleges, and also by that of the College of New Jersey under the strong man—Witherspoon—who came to its presidency in 1768. The foremost representative of this new literary tendency was Philip Freneau, a true man of genius, the one poet of unquestionable originality granted to America prior to the nineteenth century. Of him and of his brother poet in New England, it is to be said that both began to do their work while still in youth; both seemed to have a vocation for disinterested literature in prose as well as in verse; both were reluctantly driven from that vocation by the intolerable political storm that then burst over the land; both were swept into the Revolutionary movement, and, thenceforward, the chief literary work of both was as political satirists. From about the year 1774, little trace of an æsthetic purpose in American letters is to be discovered until after the close of the Revolution.
Classification of the Revolutionary Writings.—The characteristic life of the period we now have in view was political, and not political only, but polemic, and fiercely polemic, and at last revolutionary; and its true literary expression is to be recognised in those writings, whether in prose or in verse, which gave utterance to that life. Such writings seem naturally to fall into nine principal classes.
First, may here be named the correspondence of the time; especially, the letters touching on public affairs which passed between persons in different portions of America, and in which men of kindred opinions found one another out, informed one another, stimulated, guided, aided one another, in the common struggle. Indeed, the correspondence of our Revolution, both official and unofficial, constitutes a vast, a fascinating, and a significant branch of its literature. Undoubtedly, the best of all the letter-writers of the time was Franklin; and next to him, perhaps, were John Adams, and Abigail Adams, his wife. Indeed the letters of Mrs. Adams, mostly to her husband, and covering this entire period, are among the most delightful specimens of such work as done by any