Amenities of Literature. Disraeli IsaacЧитать онлайн книгу.

      DIALECTS.

      Dialects reflect the general language diversified by localities.

      A dialect is a variation in the pronunciation, and necessarily in the orthography of words, or a peculiarity of phrase or idiom, usually accompanied by a tone which seems to be as local as the word it utters. It is a language rarely understood out of the sphere of the population by whom it is appropriated. A language is fixed in a nation by a flourishing metropolis of an extensive empire, a dialect may have existed coeval with that predominant dialect which by accident has become the standard or general language; and moreover, the contemned dialect may occasionally preserve some remains or fragments of the language which, apparently lost, but hence recovered, enable us rightly to understand even the prevalent idiom.

      All nations have had dialects. Greece had them, as France, and Italy have them now. Homer could have included in a single verse four or five dialects; but though the Doric and the Ionic were held the most classical, none of them were barbarous, since their finest writers have composed in these several dialects. Even some Italian poets and comic writers have adopted a favourite dialect; but no classical English author could have immortalised any one of our own.

Ancient Greece, as Mitford describes, “though a narrow country, was very much divided by mountains and politics.” And mountains and politics, which impede the general intercourse of men, inevitably produce dialects. Each isolated state with fear or pride affected its independence, not only by its own customs, but by its accent or its phrase. In France the standard language was long but a dialect. There potent nobles, each holding a separate court and sovereignty in his own province, offered many central points of attraction. The Counts of Foix, of Provence and of Toulouse, and the Dukes of Guienne, of Normandy and of Brétagne, were all munificent patrons of those who cultivated what they termed “l’art du beau parler,” each in their provincial idiom. These were all subdivisions of the two rival dialects to which the Romane language had given birth. But the river Loire ran between them; and a great river has often been the boundary of a dialect: France was thus long divided. On the south of the Loire their speech was called the language of Oc, and on the north the language of Oil; names which they derived from the different manner of the inhabitants pronouncing the affirmative Oui. The language of the poetical Troubadours on the south of the Loire had not the happier destiny of its rival, used by the Trouvères on the north. It was this which became the standard language, while the other remains a dialect. Here we have a remarkable incident in the history of dialects in a great country; it was long doubtful which was to become the national language; and it has happened, if we may trust an enthusiast of Languedoc, that his idiom, expressing with more vowelly softness and naïveté the familiar emotions of love and friendship, and gaiety and bonhomie, gave way to a harsher idiom and a sharp nasal accent; and all ended by the Parisian detecting the provincials by their shibboleth, and calling them all alike Gascons, and their taste for exaggeration and rhodomontade gasconades; while the southerns, who hold that what is called the French language is only a perversion of their own dialect, like our former John Bull, fling on the Parisian the old Gaulish appellative of Franchiman.1

The dialects of England were produced by occurrences which have happened to no other nation. Our insular site has laid us open to so many masters, that it was long doubtful whether Britain would ever possess a uniform language. The aboriginal Britons left some of their words behind them in their flight, as the Romans had done in their dominion,2 and even the visiting Phœnician may have dropped some words on our coasts. The Jutes, the Angles, and the Saxons brought in a new language, and, arriving from separate localities, that language came to us diversified by dialects; and the Danes, too, joined the northern brotherhood of pirate-kings who planted themselves in our soil. The gradual predominance of the West-Saxon over the petty kingdoms which subdivided Britain first approached to the formation of a national language. The West-Saxon was the land of Alfred, and the royal cultivation of its dialect, supreme in purity as the realm stood in power, rendered it the standard language which we now call Anglo-Saxon.

      “Had the Heptarchy (Octarchy) continued,” observed Bishop Percy, “our English language would probably have been as much distinguished for its dialects as the Greek, or at least as that of the several independent states of Italy.” In truth, we remained much in that condition while a power hostile to the national character assumed the sovereignty. So unsettled was the English language, that a writer at the close of the fourteenth century tells us that different parts of the island experienced a difficulty to understand one another. A diversity of pronunciation, as well as a diversity in the language, was so prevalent, that the Northern, the Southern, and the Middle-land men were unintelligible when they met; the Middle-land understood the Northern and the Southern better than the Northman and the Southman comprehended one another; the English people seemed to form an assemblage of distinct races. Even to this day, a scene almost similar might be exhibited. Should a peasant of the Yorkshire dales, and one from the vales of Taunton, and another from the hills of the Chiltern, meet together, they would require an interpreter to become intelligible to each other; but in this dilemma what county could produce the Englishman so versed in provincial dialects as to assist his three honest countrymen?

      If etymology often furnishes a genealogy of words through all their authentic descents, so likewise a map of provincial idioms might be constructed to indicate the localities of the dialects. There we might observe how an expansive and lengthened river, or intervening fells and mountains which separate two counties, can stop the course of a dialect, so that the idiom current on one side, when it passes the borders becomes intrusive, little regarded, and ere it reaches a third county has expired in the passage. Thus the Parret, we are told, is the boundary of the Somersetshire dialect; for words used cast of the Parret are only known by synonyms on the west side. The same incident occurs in Italy, where a single river runs through the level plain; there the Piedmontese peasant from the western end meeting with a Venetian from the eastern could hold but little colloquial intercourse together; a Genoese would be absolutely unintelligible to both, for, according to their proverb, “Language was the gift of God, but the Genoese dialect was the invention of the devil.” In those rank dialects left to run to seed in their wild state, without any standard of literature, we hardly recognise the national idiom; the Italian language sprung from one common source—its maternal Latin; but this we might not suspect should we decide solely by its dialects: and we may equally wonder how some of our own could ever have been mangled and distorted out of the fair dimensions of the language of England.

All who speak a dialect contract a particular intonation which, almost as much as any local words, betrays their soil; these provincial tones are listened to from the cradle; and, as all dialects are of great antiquity, this sounding of the voice has been bequeathed from generation to generation.3 It is sometimes a low muttering in the throat, a thick guttural like the Welsh, or a shrill nasal twang, or a cadence or chant; centuries appear not to have varied the tone more than the vocable. The Romance of “Octavien Imperator,”