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The History of the Decline and Fall of the Roman Empire. Эдвард ГиббонЧитать онлайн книгу.

The History of the Decline and Fall of the Roman Empire - Эдвард Гиббон


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and my third the large field of literature composed in colloquial Greek. Lastly, the capital defect of the second half of Gibbon’s work, his inadequate treatment, or rather his neglect, of the Slavs, will serve to illustrate our historical progress.

      New light has been cast, from more than one side, on the reign of Justinian where there are so many uncertain and interesting places. The first step that methodical history had to take was a thoroughgoing criticism of Procopius, and this was more than half done by Dahn in his elaborate monograph. The double problem of the “Secret History” has stimulated the curiosity of the historian and the critic. Was Procopius the author? and in any case, are the statements credible? Gibbon has inserted in his notes the worst bits of the scandals which far outdid the convivium quinquaginta meretricum described by Burchard, or the feast of Sophonius Tigellinus; and he did not hesitate to believe them. Their credibility is now generally questioned, but the historian of Cæsarea is a much more interesting figure if it can be shown that he was the author. From a careful comparison of the Secret History with the works of Procopian authorship, in point of style, Dahn concluded that Procopius wrote it. Ranke argued against this view and maintained that it was the work of a malcontent who had obtained possession of a private diary of Procopius, on which framework he constructed the scandalous chronicle, imitating successfully the Procopian style.Ref. 025

      The question has been placed on a new footing by Haury;Ref. 026 and it is very interesting to find that the solution depends on the right determination of certain dates. The result is briefly as follows: —

      Procopius was a malcontent who hated Justinian and all his works. He set himself the task of writing a history of his time, which, as the secretary of Belisarius, he had good opportunities of observing. He composed a narrative of the military events, in which he abstained from committing himself, so that it could be safely published in his own lifetime. Even here his critical attitude to the government is sometimes clear. He allows it to be read between the lines that he regarded the reconquest of Africa and Italy as calamities for those countries; which thus came under an oppressor, to be stripped by his governors and tax gatherers. But the domestic administration was more dangerous ground, on which Procopius could not tread without raising a voice of bitter indignation and hatred. So he dealt with this in a book which was to be kept secret during his own life and bequeathed to friends who might be trusted to give it to the world at a suitable time. The greater part of the Military History, which treated in seven Books the Persian, Vandalic, and Gothic wars, was finished in 545 ad, and perhaps read to a select circle of friends; at a later time some additions were made, but no changes in what had been already written. The Secret History, as Haury has proved from internal evidence, was written in 550.Ref. 027 About three years later the Military History received an eighth Book, bringing the story down to the end of the Gothic war. Then the work came under the notice of Justinian, who saw that a great historian had arisen; and Procopius, who had certainly not described the wars for the purpose of pleasing the Emperor, but had sailed as close to the wind as he dared, was called upon to undertake the disagreeable task of lauding the oppressor. An Imperial command was clearly the origin of the De Ædificiis (560 ad), in which the reluctant writer adopted the plan of making adulation so fulsome, that, except to Justinian’s vanity, he might appear to be laughing in his sleeve. At the very beginning of the treatise he has a sly allusion to the explosives which were lying in his desk, unknown to the Imperial spies.

      Such is the outline of the literary motives of Procopius as we must conceive them, now that we have a practical certainty that he, and no other, wrote the Secret History. For Haury’s dates enable us, as he points out, to argue as follows: If Procopius did not write the book, it was obviously written by a forger, who wished it to pass as a Procopian work. But in 550 no forger could have had the close acquaintance with the Military History which is exhibited by the author of the Anecdota. And moreover the identity of the introduction of the eighth Book of the Military History with that of the Secret History, which was urged by Ranke as an objection to the genuineness of the latter work, now tells decisively in favour of it. For if Procopius composed it in 553, how could a forger, writing in 550, have anticipated it? And if the forger composed it in 550, how are we to explain its appearance in a later work of Procopius himself? These considerations put it beyond all reasonable doubt that Procopius was the author of the Secret History; for this assumption is the only one which supplies an intelligible explanation of the facts.

      Another puzzle in connection with Justinian lay in certain biographical details relating to that emperor and his family; which Alemanni, in his commentary on the Secret History, quoted on the authority of a Life of Justinian by a certain Abbot Theophilus, said to have been the Emperor’s preceptor. Of these biographical notices, and of Justinian’s preceptor Theophilus, we otherwise knew nothing; nor had any one, since Alemanni, seen the Biography. Gibbon and other historians accepted without question the statements quoted by Alemanni; though it would have been wiser to treat them with more reserve, until some data for criticising them were discovered. The puzzle of Alemanni’s source, the Life of Theophilus, was solved by Mr. Bryce, who discovered in the library of the Barberini palace at Rome the original text from which Alemanni drew his information.Ref. 028 It professes to be an extract from a Slavonic work, containing the Life of Justinian up to the thirtieth year of his reign, composed by Bogomil, abbot of the monastery of St. Alexander in Dardania. This extract was translated by Marnavich, Canon of Sebenico (afterwards Bishop of Bosnia, 1631-1639), a friend of Alemanni, and some notes were appended by the same scholar. Bogomil is the Slavonic equivalent of the Greek Theophilus, which was accordingly adopted by Alemanni in his references. Mr. Bryce has shown clearly that this document, interesting as it is in illustrating how Slavonic legends had grown up round the name of Justinian, is worthless as history, and that there is no reason to suppose that such a person as the Dardanian Bogomil ever existed. We are indeed met by a new problem, which, however, is of no serious concern to the practical purposes of history. How did Marnavich obtain a copy of the original Life, from which he made the extract, and which he declares to be preserved in the library of the monks who profess the rule of St. Basil on Mount Athos? Does the original still exist, on Mount Athos or elsewhere? or did it ever exist?

      The wars of JustinianRef. 029 in the west have been fully and admirably related by Mr. Hodgkin, with the exception of the obscure conquest of Spain, on which there is too little to be said and nothing further seems likely to come to light. In regard to the ecclesiastical policy of Justinian there is still a field for research.

      As for the study of the great work of Anthemius, which brings us to the general subject of Byzantine art, much has been done within the last half century. Gibbon had nothing to help him for the buildings of Constantinople that could compare with Adam’s splendid work which he consulted for the buildings of Spalato. We have now Salzenberg’s luxurious work, Alt-christliche Baudenkmale von Constantinopel, published just fifty years ago by the Prussian government, with plates which enable us to make a full study of the architecture of St. Sophia. A few months ago a complete and scholarly English study of this church by Messrs. Lethaby and Swainson appeared. Other churches, too, especially those at Ravenna, have received careful attention; De Voguě’s admirable work on the architecture of Syria is well known; but Strzygovski has only too good reason for complaining that the study of Byzantine architecture, as a whole, has not yet properly begun. A large work on the churches of Greece, which two English scholars are preparing, ought to do much to further the cause which Strzygovski has at heart, and to which he has made valuable contributions himself.Ref. 030 More progress is perhaps being made in the study of miniature painting and iconography; and in this field the work of the Russian student Kondakov is the most noteworthy.

      The study of works of architecture in ancient cities, like Athens, Rome, or Constantinople, naturally entails a study of the topography of the town; and in the case of Constantinople this study is equally important for the historian. Little progress of a satisfactory kind can be made until either Constantinople passes under a European government, or a complete change comes over the spirit of Turkish administration. The region of the Imperial Palace and the ground between the Hippodrome and St. Sophia must be excavated before certainty on the main points can be attained. Labarte’s a priori reconstruction of the plan of the palace, on the basis of the Cerimonies of Constantine Porphyrogennetos and scattered notices in other Greek writers, was wonderfully


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