The History of the Decline and Fall of the Roman Empire. Эдвард ГиббонЧитать онлайн книгу.
knowledge, his rare capacity for concentrated, accurate, and fruitful study, guided by a singularly sure and masculine judgment, soon made him, in the true sense of the word, one of the best scholars of his time. His learning, however, was not altogether of the kind that may be found in a great university professor. Though the classical languages became familiar to him, he never acquired or greatly valued the minute and finished scholarship which is the boast of the chief English schools; and careful students have observed that in following Greek books he must have very largely used the Latin translations. Perhaps in his capacity of historian this deficiency was rather an advantage than the reverse. It saved him from the exaggerated value of classical form, and from the neglect of the more corrupt literatures, to which English scholars have been often prone. Gibbon always valued books mainly for what they contained, and he had early learned the lesson which all good historians should learn: that some of his most valuable materials will be found in literatures that have no artistic merit; in writers who, without theory and almost without criticism, simply relate the facts which they have seen, and express in unsophisticated language the beliefs and impressions of their time.
Lausanne and not Oxford was the real birthplace of his intellect, and he returned from it almost a foreigner. French had become as familiar to him as his own tongue; and his first book, a somewhat superficial essay on the study of literature, was published in the French language. The noble contemporary French literature filled him with delight, and he found on the borders of the Lake of Geneva a highly cultivated society to which he was soon introduced, and which probably gave him more real pleasure than any in which he afterwards moved. With Voltaire himself he had some slight acquaintance, and he at one time looked on him with profound admiration; though fuller knowledge made him sensible of the flaws in that splendid intellect. I am here concerned with the life of Gibbon only in as far as it discloses the influences that contributed to his master work, and among these influences the foreign element holds a prominent place. There was little in Gibbon that was distinctively English; his mind was essentially cosmopolitan. His tastes, ideals, and modes of thought and feeling turned instinctively to the Continent.
In one respect this foreign type was of great advantage to his work. Gibbon excels all other English historians in symmetry, proportion, perspective, and arrangement, which are also the preëminent and characteristic merits of the best French literature. We find in his writing nothing of the great miscalculations of space that were made by such writers as Macaulay and Buckle; nothing of the awkward repetitions, the confused arrangement, the semi-detached and disjointed episodes that mar the beauty of many other histories of no small merit. Vast and multifarious as are the subjects which he has treated, his work is a great whole, admirably woven in all its parts. On the other hand, his foreign taste may perhaps be seen in his neglect of the Saxon element, which is the most vigorous and homely element in English prose. Probably in no other English writer does the Latin element so entirely predominate. Gibbon never wrote an unmeaning and very seldom an obscure sentence; he could always paint with sustained and stately eloquence an illustrious character or a splendid scene: but he was wholly wanting in the grace of simplicity, and a monotony of glitter and of mannerism is the great defect of his style. He possessed, to a degree which even Tacitus and Bacon had hardly surpassed, the supreme literary gift of condensation, and it gives an admirable force and vividness to his narrative; but it is sometimes carried to excess. Not unfrequently it is attained by an excessive allusiveness, and a wide knowledge of the subject is needed to enable the reader to perceive the full import and meaning conveyed or hinted at by a mere turn of phrase. But though his style is artificial and pedantic, and greatly wanting in flexibility, it has a rare power of clinging to the memory, and it has profoundly influenced English prose. That excellent judge, Cardinal Newman, has said of Gibbon, “I seem to trace his vigorous condensation and peculiar rhythm at every turn in the literature of the present day.”
It is not necessary to relate here in any detail the later events of the life of Gibbon. There was his enlistment as captain in the Hampshire militia. It involved two and a half years of active service, extending from May, 1760, to December, 1762; and as Gibbon afterwards acknowledged, if it interrupted his studies and brought him into very uncongenial duties and societies, it at least greatly enlarged his acquaintance with English life, and also gave him a knowledge of the rudiments of military science, which was not without its use to the historian of so many battles. There was a long journey, lasting for two years and five months, in France and Italy, which greatly confirmed his foreign tendencies. In Paris he moved familiarly in some of the best French literary society; and in Rome, as he tells us in a well-known passage, while he sat “musing amidst the ruins of the Capitol while the barefooted friars were singing vespers in the Temple of Jupiter” (which is now the Church of the Ara Cœli), — on October 15, 1764, — he first conceived the idea of writing the history of the decline and fall of Rome.
There was also that very curious episode in his life, lasting from 1774 to 1782, — his appearance in the House of Commons. He had declined an offer of his father’s to purchase a seat for him in 1760; and fourteen years later, when his father was dead, when his own circumstances were considerably contracted, he received and accepted at the hands of a family connection the offer of a seat. His Parliamentary career was entirely undistinguished, and he never even opened his mouth in debate, — a fact which was not forgotten when very recently another historian was candidate for a seat in Parliament. In truth, this somewhat shy and reserved scholar, with his fastidious taste, his eminently judicial mind, and his highly condensed and elaborate style, was singularly unfit for the rough work of Parliamentary discussion. No one can read his books without perceiving that his English was not that of a debater; and he has candidly admitted that he entered Parliament without public spirit or serious interest in politics, and that he valued it chiefly as leading to an office which might restore the fortune which the extravagance of his father had greatly impaired. His only real public service was the composition in French of a reply to the French manifesto which was issued at the beginning of the war of 1778. He voted steadily and placidly as a Tory, and it is not probable that in doing so he did any violence to his opinions. Like Hume, he shrank with an instinctive dislike from all popular agitations, from all turbulence, passion, exaggeration, and enthusiasm; and a temperate and well-ordered despotism was evidently his ideal. He showed it in the well-known passage in which he extols the benevolent despotism of the Antonines as without exception the happiest period in the history of mankind, and in the unmixed horror with which he looked upon the French Revolution that broke up the old landmarks of Europe. For three years he held an office in the Board of Trade, which added considerably to his income without adding greatly to his labours, and he supported steadily the American policy of Lord North and the Coalition ministry of North and Fox; but the loss of his office and the retirement of North soon drove him from Parliament, and he shortly after took up his residence at Lausanne.
But before this time a considerable part of his great work had been accomplished. The first quarto volume of the “Decline and Fall” appeared in February, 1776. As is usually the case with historical works, it occupied a much longer period than its successors, and was the fruit of about ten years of labour. It passed rapidly through three editions, received the enthusiastic eulogy of Hume and Robertson, and was no doubt greatly assisted in its circulation by the storm of controversy that arose about his Fifteenth and Sixteenth Chapters. In April, 1781, two more volumes appeared, and the three concluding volumes were published together on the 8th of May, 1788, being the fifty-first birthday of the author.
A work of such magnitude, dealing with so vast a variety of subjects, was certain to exhibit some flaws. The controversy at first turned mainly upon its religious tendency. The complete scepticism of the author, his aversion to the ecclesiastical type which dominated in the period of which he wrote, and his unalterable conviction that Christianity, by diverting the strength and enthusiasm of the Empire from civic into ascetic and ecclesiastical channels, was a main cause of the downfall of the Empire and of the triumph of barbarism, gave him a bias which it was impossible to overlook. On no other subject is his irony more bitter or his contempt so manifestly displayed. Few good critics will deny that the growth of the ascetic spirit had a large part in corroding and enfeebling the civic virtues of the Empire; but the part which it played was that of intensifying a disease that had already begun, and Gibbon, while exaggerating the amount of the evil, has very imperfectly described the great services rendered even by a monastic Church in laying the basis of another civilisation