The Giants of Russian Literature: The Greatest Russian Novels, Stories, Plays, Folk Tales & Legends. Максим ГорькийЧитать онлайн книгу.

      VII

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      "Like his brother, Paul Petrovitch Kirsanov received his early education at home, and entered the Imperial Corps of Pages. Distinguished from boyhood for his good looks, he had, in addition, a nature of the self-confident, quizzical, amusingly sarcastic type which never fails to please. As soon, therefore, as he had received his officer's commission, he began to go everywhere in society, to set the pace, to amuse himself, to play the rake, and to squander his money. Yet these things somehow consorted well with his personality, and women went nearly mad over him, while men called him 'Fate,' and secretly detested him. Meanwhile he rented a flat with his brother, for whom, in spite of their dissimilarity, he had a genuine affection. The dissimilarity in question lay, among other things, in the fact that, while Nikolai Petrovitch halted, had small, kindly, rather melancholy features and narrow black eyes, and was of a disposition prone to reading omnivorously, to bestirring himself but little, and to feeling nervous when attending social functions, Paul Petrovitch never spent a single evening at home, but was renowned for his physical dexterity and daring (he it was who made gymnastics the rage among the gilded youth of his day), and read, at most, five or six French novels. Indeed, by the time that he reached his twenty-eighth year Paul had risen to be a captain, and before him there seemed to lie a brilliant career; but everything suddenly underwent a change, as shall be related forthwith.

      "Among the society of St. Petersburg of that period there was accustomed to appear, and to disappear, at irregular intervals a certain Princess R. whose memory survives to this day. Though wedded to a highly placed and very presentable (albeit slightly stupid) husband, she had no children, and spent her time between making unexpected visits abroad and unexpected returns to Russia. In short, she led a very curious life, and the world in general accounted her a coquette, in that she devoted herself to every sort of pleasure, and danced at balls until she could dance no more, and laughed and jested with young men whom she received before dinner in the half-light of a darkened drawing-room. Yet, strangely enough, as the night advanced she would fall to weeping and praying and wringing her hands, and, unable to rest, would pace her room until break of day, or sit huddled, pale and cold, over the Psalter. But no sooner would daylight have appeared than she would once more become a woman of the world, and drive, and laugh, and chatter, and fling herself upon anything which seemed to offer any sort of distraction. Also, her power to charm was extraordinary; for though no one could have called her a beauty (seeing that the one good feature of her face lay in her eyes—and even then it was not the small, grey eyes themselves which attracted, but the glance which they emitted), she had hair of the colour and weight of gold which reached to her knees. That glance!—it was a glance which could be careless to the point of daring or meditative to the point of melancholy; a glance so enigmatical that, even when her tongue was lisping fatuous nonsense, there gleamed in her aspect something intangible and out of the common. Finally, she dressed with exquisite taste.

      "This woman Paul Petrovitch met at a ball; and at it he danced a mazurka with her. Yet, though, during the dance, she uttered not a single word of sense, he straightway fell in love with her, and, being a man accustomed to conquests, attained his end in this case also. Yet, strangely enough, the facility of his triumph in no way chilled him, but led him on to become more and more resolutely, more and more painfully, attached, and that though she was a woman in whom, even after she had made the great surrender, there still remained something as immutably veiled, as radically intangible, as before—something which no one had yet succeeded in penetrating. What was in that soul God alone knows. Almost would it seem as though she were subservient to a mysterious force of which the existence was absolutely unknown to her, but which sported with her as it willed, and whose whims her mentality was powerless to control. At all events, her conduct constituted a series of inconsistencies, and even the few letters which she wrote to Paul Petrovitch—missives which would undoubtedly have aroused her husband's suspicions had he seen them—were written to a man who was practically a stranger to her. And in time her love began to be succeeded by fits of despondency; she ceased to smile and jest with the lover whom she had selected, and looked at him, and listened to his voice, with reluctance. In fact, there were moments—for the most part, unexpected moments—when this reluctance bordered upon chill horror, and her face assumed a wild, corpse-like expression, and she would shut herself up in her bedroom, whence her maid, with ear glued to the keyhole, would hear issue sounds as of dull, hopeless sobbing. Paul Petrovitch himself frequently found that, when returning home after one of these tender interviews, there was naught within his breast save the bitter, galling sensation which comes of final and irrevocable failure.