Belinda. Maria EdgeworthЧитать онлайн книгу.
you have made any appointment for the rest of the evening in Berkley-square, I’ll set you down, certainly, if you insist upon it, my dear—for punctuality is a virtue; but prudence is a virtue too, in a young lady; who, as your aunt Stanhope would say, has to establish herself in the world. Why these tears, Belinda?—or are they tears? for by the light of the lamps I can scarcely tell; though I’ll swear I saw the handkerchief at the eyes. What is the meaning of all this? You’d best trust me—for I know as much of men and manners as your aunt Stanhope at least; and in one word, you have nothing to fear from me, and every thing to hope from yourself, if you will only dry up your tears, keep on your mask, and take my advice; you’ll find it as good as your aunt Stanhope’s.”
“My aunt Stanhope’s! O,” cried Belinda, “never, never more will I take such advice; never more will I expose myself to be insulted as a female adventurer.—Little did I know in what a light I appeared; little did I know what gentlemen thought of my aunt Stanhope, of my cousins, of myself!”
“Gentlemen! I presume Clarence Hervey stands at this instant, in your imagination, as the representative of all the gentlemen in England; and he, instead of Anacharsis Cloots, is now, to be sure, l’orateur du genre humain. Pray let me have a specimen of the eloquence, which, to judge by its effects, must be powerful indeed.”
Miss Portman, not without some reluctance, repeated the conversation which she had heard.—“And is this all?” cried Lady Delacour. “Lord, my dear, you must either give up living in the world, or expect to hear yourself, and your aunts, and your cousins, and your friends, from generation to generation, abused every hour in the day by their friends and your friends; ‘tis the common course of things. Now you know what a multitude of obedient humble servants, dear creatures, and very sincere and most affectionate friends, I have in my writing-desk, and on my mantel-piece, not to mention the cards which crowd the common rack from intimate acquaintance, who cannot live without the honour, or favour, or pleasure of seeing Lady Delacour twice a week;—do you think I’m fool enough to imagine that they would care the hundredth part of a straw if I were this minute thrown into the Red or the Black Sea?—No, I have not one real friend in the world except Harriot Freke; yet, you see I am the comic muse, and mean to keep it up—keep it up to the last—on purpose to provoke those who would give their eyes to be able to pity me;—I humbly thank them, no pity for Lady Delacour. Follow my example, Belinda; elbow your way through the crowd: if you stop to be civil and beg pardon, and ‘hope I didn’t hurt ye,’ you will be trod under foot. Now you’ll meet those young men continually who took the liberty of laughing at your aunt, and your cousins, and yourself; they are men of fashion. Show them you’ve no feeling, and they’ll acknowledge you for a woman of fashion. You’ll marry better than any of your cousins,—Clarence Hervey if you can; and then it will be your turn to laugh about nets and cages. As to love and all that—”
The carriage stopped at the Pantheon just as her ladyship came to the words “love and all that.” Her thoughts took a different turn, and during the remainder of the night she exhibited, in such a manner as to attract universal admiration, all the ease, and grace, and gaiety, of Euphrosyne.
To Belinda the night appeared long and dull: the commonplace wit of chimney-sweepers and gipsies, the antics of harlequins, the graces of flower-girls and Cleopatras, had not power to amuse her; for her thoughts still recurred to that conversation which had given her so much pain—a pain which Lady Delacour’s raillery had failed to obliterate.
“How happy you are, Lady Delacour,” said she, when they got into the carriage to go home; “how happy you are to have such an amazing flow of spirits!”
“Amazing you might well say, if you knew all,” said Lady Delacour; and she heaved a deep sigh, threw herself back in the carriage, let fall her mask, and was silent. It was broad daylight, and Belinda had a full view of her countenance, which was the picture of despair. She uttered not one syllable more, nor had Miss Portman the courage to interrupt her meditations till they came within sight, of Lady Singleton’s, when Belinda ventured to remind her that she had resolved to stop there and change dresses before Marriott saw them.
“No, it’s no matter,” said Lady Delacour; “Marriott will leave me at the last, like all the rest—‘tis no matter.” Her ladyship sunk back into her former attitude; but after she had remained silent for some minutes, she started up and exclaimed—
“If I had served myself with half the zeal that I have served the world, I should not now be thus forsaken! I have sacrificed reputation, happiness, every thing to the love of frolic:—all frolic will soon be at an end with me—I am dying—and I shall die unlamented by any human being. If I were to live my life over again, what a different life it should be!—What a different person I would be!1—But it is all over now—I am dying.”
Belinda’s astonishment at these words, and at the solemn manner in which they were pronounced, was inexpressible; she gazed at Lady Delacour, and then repeated the word,—‘dying!’—“Yes, dying!” said Lady Delacour.
“But you seem to me, and to all the world, in perfect health; and but half an hour ago in perfect spirits,” said Belinda.
“I seem to you and to all the world, what I am not—I tell you I am dying,” said her ladyship in an emphatic tone.
Not a word more passed till they got home. Lady Delacour hurried up stairs, bidding Belinda follow her to her dressing-room. Marriott was lighting the six wax candles on the dressing-table.—“As I live, they have changed dresses after all,” said Marriott to herself, as she fixed her eyes upon Lady Delacour and Miss Portman. “I’ll be burnt, if I don’t make my lady remember this.”
“Marriott, you need not wait; I’ll ring when I want you,” said Lady Delacour; and taking one of the candles from the table, she passed on hastily with Miss Portman through her dressing-room, through her bedchamber, and to the door of the mysterious cabinet.
“Marriott, the key of this door,” cried she impatiently, after she had in vain attempted to open it.
“Heavenly graciousness!” cried Marriott; “is my lady out of her senses?”
“The key—the key—quick, the key,” repeated Lady Delacour, in a peremptory tone. She seized it as soon as Marriott drew it from her pocket, and unlocked the door.
“Had not I best put the things to rights, my lady?” said Marriott, catching fast hold of the opening door.
“I’ll ring when you are wanted, Marriott,” said Lady Delacour; and pushing open the door with violence she rushed forward to the middle of the room, and turning back, she beckoned to Belinda to follow her—“Come in; what is it you are afraid of?” said she. Belinda went on, and the moment she was in the room, Lady Delacour shut and locked the door. The room was rather dark, as there was no light in it except what came from the candle which Lady Delacour held in her hand, and which burned but dimly. Belinda, as she looked round, saw nothing but a confusion of linen rags; vials, some empty, some full, and she perceived that there was a strong smell of medicines.
Lady Delacour, whose motions were all precipitate, like those of a person whose mind is in great agitation, looked from side to side of the room, without seeming to know what she was in search of. She then, with a species of fury, wiped the paint from her face, and returning to Belinda, held the candle so as to throw the light full upon her livid features. Her eyes were sunk, her cheeks hollow; no trace of youth or beauty remained on her death-like countenance, which formed a horrid contrast with her gay fantastic dress.
“You are shocked, Belinda,” said she; “but as yet you have seen nothing—look here,”—and baring one half of her bosom, she revealed a hideous spectacle.
Belinda sunk back into a chair; Lady Delacour flung herself on her knees before her.
“Am I humbled, am I wretched enough?” cried she, her voice trembling with agony. “Yes, pity me for what you have seen, and a thousand times more for that which you cannot see:—my mind is eaten away like my body by incurable disease—inveterate remorse—remorse for a life of folly—of folly which has