CITIES OF PLAIN. Marcel ProustЧитать онлайн книгу.
assuming that I had any reason at all. First of all, my impatience. Secondly, perhaps, a dim memory of the scene at Montjouvain, when I stood concealed outside Mlle. Vinteuil's window. Certainly, the affairs of this sort of which I have been a spectator have always been presented in a setting of the most imprudent and least probable character, as if such revelations were to be the reward of an action full of risk, though in part clandestine. Lastly, I hardly dare, so childish does it appear, to confess the third reason, which was, I am quite sure, unconsciously decisive. Since, in order to follow—and see controverted—the military principles enunciated by Saint-Loup, I had followed in close detail the course of the Boer war, I had been led on from that to read again old accounts of explorations, narratives of travel. These stories had excited me, and I applied them to the events of my daily life to stimulate my courage. When attacks of illness had compelled me to remain for several days and nights on end not only without sleep but without lying down, without tasting food or drink, at the moment when my pain and exhaustion became so intense that I felt that I should never escape from them, I would think of some traveller cast on the beach, poisoned by noxious herbs, shivering with fever in clothes drenched by the salt water, who nevertheless in a day or two felt stronger, rose and went blindly upon his way, in search of possible inhabitants who might, when he came to them, prove cannibals. His example acted on me as a tonic, restored my hope, and I felt ashamed of my momentary discouragement. Thinking of the Boers who, with British armies facing them, were not afraid to expose themselves at the moment when they had to cross, in order to reach a covered position, a tract of open country: "It would be a fine thing," I thought to myself, "if I were to shew less courage when the theatre of operations is simply the human heart, and when the only steel that I, who engaged in more than one duel without fear at the time of the Dreyfus case, have to fear is that of the eyes of the neighbours who have other things to do besides looking into the courtyard,"
But when I was inside the shop, taking care not to let any plank in the floor make the slightest creak, as I found that the least sound in Jupien's shop could be heard from the other, I thought to myself how rash Jupien and M. de Charlus had been, and how wonderfully fortune had favoured them.
I did not dare move. The Guermantes groom, taking advantage no doubt of his master's absence, had, as it happened, transferred to the shop in which I now stood a ladder which hitherto had been kept in the coach-house, and if I had climbed this I could have opened the ventilator above and heard as well as if I had been in Jupien's shop itself. But I was afraid of making a noise. Besides, it was unnecessary. I had not even cause to regret my not having arrived in the shop until several minutes had elapsed. For from what I heard at first in Jupien's shop, which was only a series of inarticulate sounds, I imagine that few words had been exchanged. It is true that these sounds were so violent that, if one set had not always been taken up an octave higher by a parallel plaint, I might have thought that one person was strangling another within a few feet of me, and that subsequently the murderer and his resuscitated victim were taking a bath to wash away the traces of the crime. I concluded from this later on that there is another thing as vociferous as pain, namely pleasure, especially when there is added to it—failing the fear of an eventual parturition, which could not be present in this case, despite the hardly convincing example in the Golden Legend—an immediate afterthought of cleanliness. Finally, after about half an hour (during which time I had climbed on tip-toe up my ladder so as to peep through the ventilator which I did not open), a conversation began. Jupien refused with insistence the money that M. de Charlus was pressing upon him.
"Why do you have your chin shaved like that," he inquired of the Baron in a cajoling tone. "It's so becoming, a nice beard." "Ugh! It's disgusting," the Baron replied. Meanwhile he still lingered upon the threshold and plied Jupien with questions about the neighbourhood. "You don't know anything about the man who sells chestnuts at the corner, not the one on the left, he's a horror, but the other way, a great, dark fellow? And the chemist opposite, he has a charming cyclist who delivers his parcels." These questions must have ruffled Jupien, for, drawing himself up with the scorn of a great courtesan who has been forsaken, he replied: "I can see you are completely heartless." Uttered in a pained, frigid, affected tone, this reproach must have made its sting felt by M. de Charlus, who, to counteract the bad impression made by his curiosity, addressed to Jupien, in too low a tone for me to be able to make out his words, a request the granting of which would doubtless necessitate their prolonging-their sojourn in the shop, and which moved the tailor sufficiently to make-him forget his annoyance, for he studied the Baron's face, plump and flushed beneath his grey hair, with the supremely blissful air of a person whose self-esteem has just been profoundly flattered, and, deciding to grant M. de Charlus the favour that he had just asked of him, after various remarks lacking in refinement such as: "Aren't you naughty!" said to the Baron with a smiling, emotional, superior and grateful air: "All right, you big baby, come along!"
"If I hark back to the question of the tram conductor," M. de Charlus went on imperturbably, "it is because, apart from anything else, he might offer me some entertainment on my homeward journey. For it falls to my lot, now and then, like the Caliph who used to roam the streets of Bagdad in the guise of a common merchant, to condescend to follow some curious little person whose profile may have taken my fancy." I made at this point the same observation that I had made on Bergotte. If he should ever have to plead before a bench, he would employ not the sentences calculated to convince his judges, but such Bergottesque sentences as his peculiar literary temperament suggested to him and made him find pleasure in using. Similarly M. de Charlus, in conversing with the tailor, made use of the same language that he would have used to fashionable people of his own set, even exaggerating its eccentricities, whether because the shyness which he was striving to overcome drove him to an excess of pride or, by preventing him from mastering himself (for we are always less at our ease in the company of some one who is not of our station), forced him to unveil, to lay bare his true nature, which was, in fact, arrogant and a trifle mad, as Mme. de Guermantes had remarked. "So as not to lose the trail," he went on, "I spring like a little usher, like a young and good-looking doctor, into the same car as the little person herself, of whom we speak in the feminine gender only so as to conform with the rules of grammar (as we say, in speaking of a Prince, 'Is His Highness enjoying her usual health'). If she changes her car, I take, with possibly the germs of the plague, that incredible thing called a 'transfer,' a number, and one which, albeit it is presented to me, is not always number one! I change 'carriages' in this way as many as three or four times, I end up sometimes at eleven o'clock at night at the Orleans station and have to come home. Still, if it were only the Orleans station! Once, I must tell you, not having managed to get into conversation sooner, I went all the way to Orleans itself, in one of those frightful compartments where one has, to rest one's eyes upon, between triangles of what is known as 'string-work,' photographs of the principal architectural features of the line. There was only one vacant seat; I had in front of me, as an historic edifice, a 'view' of the Cathedral of Orleans, quite the ugliest in France, and as tiring a thing to have to stare at in that way against my will as if somebody had forced me to focus its towers in the lens of one of those optical penholders which give one ophthalmia. I got out of the train at Les Aubrais together with my young person, for whom alas his family (when I had imagined him to possess every defect except that of having a family) were waiting on the platform! My sole consolation, as I waited for a train to take me back to Paris, was the house of Diane de Poitiers. She may indeed have charmed one of my royal ancestors, I should have preferred a more living beauty. That is why, as an antidote to the boredom of returning home by myself, I should rather like to make friends with a sleeping-car attendant or the conductor of an omnibus. Now, don't be shocked," the Baron wound up, "it is all a question of class. With what you call 'young gentlemen,' for instance, I feel no desire actually to have them, but I am never satisfied until I have touched them, I don't mean physically, but touched a responsive chord. As soon as, instead of leaving my letters unanswered, a young man starts writing to me incessantly, when he is morally at my disposal, I grow calm again, or at least I should grow calm were I not immediately caught by the attraction of another. Rather curious, ain't it?—Speaking of 'young gentlemen,' those that come to the house here, do you know any of them?" "No, baby. Oh, yes, I do, a dark one, very tall, with an eye-. glass, who keeps smiling and turning round." "I don't know who' you mean." Jupien filled in the portrait, but M. de Charlus could not succeed in identifying its subject, not knowing that the ex-tailor was one of those persons, more common than