William Dean Howells: 27 Novels in One Volume (Illustrated). William Dean HowellsЧитать онлайн книгу.
and as long as I was poor I would have the fullest and best reports of every local accident and crime; that would take all the rabble. Then, as I could afford it, I'd rise a little, and give first-class non-partisan reports of local political affairs; that would fetch the next largest class, the ward politicians of all parties. I'd lay for the local religious world, after that;—religion comes right after politics in the popular mind, and it interests the women like murder: I'd give the minutest religious intelligence, and not only that, but the religious gossip, and the religious scandal. Then I'd go in for fashion and society,—that comes next. I'd have the most reliable and thorough-going financial reports that money could buy. When I'd got my local ground perfectly covered, I'd begin to ramify. Every fellow that could spell, in any part of the country, should understand that, if he sent me an account of a suicide, or an elopement, or a murder, or an accident, he should be well paid for it; and I'd rise on the same scale through all the departments. I'd add art criticisms, dramatic and sporting news, and book reviews, more for the looks of the thing than for anything else; they don't any of 'em appeal to a large class. I'd get my paper into such a shape that people of every kind and degree would have to say, no matter what particular objection was made to it, 'Yes, that's so; but it's the best newspaper in the world, and we can't get along without it.'"
"And then," said Ricker, "you'd begin to clean up, little by little,—let up on your murders and scandals, and purge and live cleanly like a gentleman? The trick's been tried before."
They had arrived at the oyster-house, and were sitting at their table, waiting for the oysters to be brought to them. Bartley tilted his chair back. "I don't know about the cleaning up. I should want to keep all my audience. If I cleaned up, the dirty fellows would go off to some one else; and the fellows that pretended to be clean would be disappointed."
"Why don't you get Witherby to put your ideas in force?" asked Ricker, dryly.
Bartley dropped his chair to all fours, and said with a smile, "He belongs to church."
"Ah! he has his limitations. What a pity! He has the money to establish this great moral engine of yours, and you haven't. It's a loss to civilization."
"One thing, I know," said Bartley, with a certain effect of virtue, "nobody should buy or sell me; and the advertising element shouldn't spread beyond the advertising page."
"Isn't that rather high ground?" inquired Ricker.
Bartley did not think it worth while to answer. "I don't believe that a newspaper is obliged to be superior in tone to the community," he said.
"I quite agree with you."
"And if the community is full of vice and crime, the newspaper can't do better than reflect its condition."
"Ah! there I should distinguish, esteemed contemporary. There are several tones in every community, and it will keep any newspaper scratching to rise above the highest. But if it keeps out of the mud at all, it can't help rising above the lowest. And no community is full of vice and crime any more than it is full of virtue and good works. Why not let your model newspaper mirror these?"
"They're not snappy."
"No, that's true."
"You must give the people what they want."
"Are you sure of that?"
"Yes, I am."
"Well, it's a beautiful dream," said Ricker, "nourished on a youth sublime. Why do not these lofty imaginings visit us later in life? You make me quite ashamed of my own ideal newspaper. Before you began to talk, I had been fancying that the vice of our journalism was its intense localism. I have doubted a good while whether a drunken Irishman who breaks his wife's head, or a child who falls into a tub of hot water, has really established a claim on the public interest. Why should I be told by telegraph how three negroes died on the gallows in North Carolina? Why should an accurate correspondent inform me of the elopement of a married man with his maid-servant in East Machias? Why should I sup on all the horrors of a railroad accident, and have the bleeding fragments hashed up for me at breakfast? Why should my newspaper give a succession of shocks to my nervous system, as I pass from column to column, and poultice me between shocks with the nastiness of a distant or local scandal? You reply, because I like spice. But I don't. I am sick of spice; and I believe that most of our readers are."
"Cater to them with milk-toast, then," said Bartley.
Ricker laughed with him, and they fell to upon their oysters.
When they parted, Bartley still found himself wakeful. He knew that he should not sleep if he went home, and he said to himself that he could not walk about all night. He turned into a gayly-lighted basement, and asked for something in the way of a nightcap.
The bar-keeper said there was nothing like a hot-scotch to make you sleep; and a small man with his hat on, who had been talking with the bar-keeper, and coming up to the counter occasionally to eat a bit of cracker or a bit of cheese out of the two bowls full of such fragments that stood at the end of the counter, said that this was so.
It was very cheerful in the bar-room, with the light glittering on the rows of decanters behind the bar-keeper, a large, stout, clean, pale man in his shirt-sleeves, after the manner of his kind; and Bartley made up his mind to stay there till he was drowsy, and to drink as many hot-scotches as were necessary to the result. He had his drink put on a little table and sat down to it easily, stirring it to cool it a little, and feeling its flattery in his brain from the first sip.
The man who was munching cheese and crackers wore a hat rather large for him, pulled down over his eyes. He now said that he did not care if he took a gin-sling, and the bar-keeper promptly set it before him on the counter, and saluted with "Good evening, Colonel," a large man who came in, carrying a small dog in his arms. Bartley recognized him as the manager of a variety combination playing at one of the theatres, and the manager recognized the little man with the gin-sling as Tommy. He did not return the bar-keeper's salutation, but he asked, as he sat down at a table, "What do I want for supper, Charley?"
The bar-keeper said, oracularly, as he leaned forward to wipe his counter with a napkin, "Fricassee chicken."
"Fricassee devil," returned the manager. "Get me a Welsh rabbit."
The bar-keeper, unperturbed by this rejection, called into the tube behind him, "One Welsh rabbit."
"I want some cold chicken for my dog," said the manager.
"One cold chicken," repeated the bar-keeper, in his tube.
"White meat," said the manager.
"White meat," repeated the bar-keeper.
"I went into the Parker House one night about midnight, and I saw four doctors there eating lobster salad, and devilled crab, and washing it down with champagne; and I made up my mind that the doctors needn't talk to me any more about what was wholesome. I was going in for what was good. And there aint anything better for supper than Welsh rabbit in this world."
As the manager addressed this philosophy to the company at large, no one commented upon it, which seemed quite the same to the manager, who hitched one elbow over the back of his chair, and caressed with the other hand the dog lying in his lap.
The little man in the large hat continued to walk up and down, leaving his gin-sling on the counter, and drinking it between his visits to the cracker and cheese.
"What's that new piece of yours, Colonel?" he asked, after a while. "I aint seen it yet."
"Legs, principally," sighed the manager. "That's what the public wants. I give the public what it wants. I don't pretend to be any better than the public. Nor any worse," he added, stroking his dog.
These ideas struck Bartley in their accordance with his own ideas of journalism, as he had propounded them to Ricker. He had drunk half of his hot-scotch.
"That's what I say," assented the little man. "All that a theatre has got to do is to keep even with the public."
"That's so, Tommy," said the