THE COMPLETE POETICAL WORKS OF JOHN KEATS. John KeatsЧитать онлайн книгу.
was very warm and enthusiastic in his character. He wrote a great deal of poetry at our house but I do not recollect whether I ever had any of it, I certainly have none now; Ann had many pieces of his.’ A cousin of this family, one George Felton Mathew, was a youth of sensibility and poetical leanings, and became for a time an intimate friend of Keats, and next to his brothers and Cowden Clarke the closest confidant of his studies and ambitions. Their intimacy began in the Edmonton days and lasted through the earlier months of his student life in London. Looking back upon their relations after some thirty years, Mr Felton Mathew, then a supernumerary official of the Poor Law Board, struggling meekly under the combined strain of a precarious income, a family of twelve children, and a turn for the interpretation of prophecy, wrote as follows: —
Keats and I though about the same age, and both inclined to literature, were in many respects as different as two individuals could be. He enjoyed good health — a fine flow of animal spirits — was fond of company — could amuse himself admirably with the frivolities of life — and had great confidence in himself. I, on the other hand was languid and melancholy — fond of repose — thoughtful beyond my years — and diffident to the last degree. But I always delighted in administering to the happiness of others: and being one of a large family, it pleased me much to see him and his brother George enjoy themselves so much at our little domestic concerts and dances…. He was of the sceptical and republican school. An advocate for the innovations which were making progress in his time. A faultfinder with everything established. I, on the contrary, hated controversy and dispute — dreaded discord and disorder — loved the institutions of my country…. But I respected Keats’ opinions, because they were sincere — refrained from subjects on which we differed, and only asked him to concede with me the imperfection of human knowledge, and the fallibility of human judgment: while he, on his part, would often express regret on finding that he had given pain or annoyance by opposing with ridicule or asperity the opinions of others.
Of Keats’ physical appearance and poetical preferences the same witness writes further: —
A painter or a sculptor might have taken him for a study after the Greek masters, and have given him ‘a station like the herald Mercury, new lighted on some heaven-kissing hill.’ His eye admired more the external decorations than felt the deep emotions of the Muse. He delighted in leading you through the mazes of elaborate description, but was less conscious of the sublime and the pathetic. He used to spend many evenings in reading to me, but I never observed the tears in his eyes nor the broken voice which are indicative of extreme sensibility. These indeed were not the parts of poetry which he took pleasure in pointing out.
This last, it should be noted, seems in pretty direct contradiction with one of Cowden Clarke’s liveliest recollections as follows:— ‘It was a treat to see as well as hear him read a pathetic passage. Once when reading Cymbeline aloud, I saw his eyes fill with tears, and his voice faltered when he came to the departure of Posthumus, and Imogen saying she would have watched him —
Till the diminution
Of space had pointed him sharp as my needle;
Nay follow’d him till he had melted from
The smallness of a gnat to air; and then
Have turn’d mine eye and wept.’
Early in the autumn of 1815, a few weeks before his twentieth birthday, Keats left the service of Mr Hammond, his indentures having apparently been cancelled by consent, and went to live in London as a student at the hospitals, then for teaching purposes united, of Guy’s and St Thomas’s. What befell him during the eighteen months that followed, and how his career as a student came to an end, will be told in the next two chapters.
Chapter II
OCTOBER 1815-MARCH 1817: HOSPITAL STUDIES: POETICAL AMBITIONS: LEIGH HUNT
The external and technical facts of Keats’ life as a medical student are these. His name, as we have said, was entered at Guy’s as a six months’ student (surgeon’s pupil) on October 1, 1815, a month before his twentieth birthday. Four weeks later he was appointed dresser to one of the hospital surgeons, Mr Lucas. At the close of his first six months’ term, March 3, 1816, he entered for a further term of twelve months. On July 25, 1816, he presented himself for examination before the Court of Apothecaries and obtained their licence to practise. He continued to attend lectures and live the regular life of a student; but early in the spring of 1817, being now of age and on the eve of publishing his first volume of verse, he determined to abandon the pursuit of medicine for that of poetry, declared his intention to his guardian, and ceased attending the hospitals without seeking or receiving the usual certificate of proficiency. For the first two or three months of this period, from the beginning of October 1815 till about the new year of 1816, Keats lodged alone at 8 Dean Street, Borough, and then for half a year or more with several other students over the shop of a tallow chandler named Markham in St Thomas’s Street. Thence, in the summer or early autumn of 1816, leaving the near neighbourhood of the hospitals, he went to join his brothers in rooms in The Poultry, over a passage leading to the Queen’s Head Tavern. Finally, early in 1817, they all three moved for a short time to 76 Cheapside. For filling up this skeleton record, we have some traditions of the hospital concerning Keats’ teachers, some recollections of fellow students, — of one, Mr Henry Stephens, in particular, — together with further reminiscences by Cowden Clarke and impressions recorded in after years by one and another of a circle of acquaintances which fast expanded. Moreover Keats begins during this period to tell something of his own story, in the form of a few poems of a personal tenor and a very few letters written to and preserved by his friends.
As to his hospital work, it is clear that though his heart was not in it and his thoughts were prone to wander, and though he held and declared that poetry was the only thing worth living for, yet when he chose he could bend his mind and will to the tasks before him. The operations which as dresser he performed or assisted in are said to have proved him no fumbler. When he went up for examination before the Court of Apothecaries he passed with ease and credit, somewhat to the surprise of his fellow students, who put his success down to his knowledge of Latin rather than of medicine. Later, after he had abandoned the profession, he was always ready to speak or act with a certain authority in cases of illness or emergency, and though hating the notion of practice evidently did not feel himself unqualified for it so far as knowledge went. He could not find in the scientific part of the study a satisfying occupation for his thoughts; and though a few years later, when he had realized that there is no kind of knowledge but may help to nourish a poet’s mind, he felt unwilling to lose hold of what he had learned as apprentice and student, he was never caught by that special passion of philosophical curiosity which laid hold for a season on Coleridge and Shelley successively, and drew them powerfully towards the study of the mechanism and mysteries of the human frame. The practical responsibilities of the profession at the same time weighed upon him, and he was conscious of a kind of absent uneasy wonder at his own skill. Once when Cowden Clarke asked him about his prospects and feelings in regard to his profession, he frankly declared his own sense of his unfitness for it; with reasons such as this, that ‘the other day, during the lecture, there came a sunbeam into the room, and with it a whole troop of creatures floating in the ray; and I was off with them to Oberon and fairyland.’ ‘My last operation,’ he once told another friend, ‘was the opening of a man’s temporal artery. I did it with the utmost nicety, but reflecting on what passed through my mind at the time, my dexterity seemed a miracle, and I never took up the lancet again.’
The surgeon to whom he was specially assigned as pupil, Mr Lucas, seems to have had few qualifications as a teacher. We have the following lively character of him from a man afterwards highly honoured in the profession, John Flint South, who walked the hospitals at the same time as Keats:— ‘A tall ungainly awkward man, with stooping shoulders and a shuffling walk, as deaf as a post, not overburdened with brains, but very good natured and easy, and liked by everyone. His surgical acquirements were very small, his operations generally very badly performed, and accompanied with much bungling, if not worse.’ But