THE PORTRAIT OF A LADY. Генри ДжеймсЧитать онлайн книгу.
“Oh, she feels so grand since Mrs. Touchett’s visit,” said her sister.
But Isabel challenged this assertion with a good deal of seriousness. “You must not say that, Lily. I don’t feel grand at all.”
“I’m sure there’s no harm,” said the conciliatory Lily.
“Ah, but there’s nothing in Mrs. Touchett’s visit to make one feel grand.”
“Oh,” exclaimed Ludlow, “she’s grander than ever!”
“Whenever I feel grand,” said the girl, “it will be for a better reason.”
Whether she felt grand or no, she at any rate felt different, as if something had happened to her. Left to herself for the evening she sat a while under the lamp, her hands empty, her usual avocations unheeded. Then she rose and moved about the room, and from one room to another, preferring the places where the vague lamplight expired. She was restless and even agitated; at moments she trembled a little. The importance of what had happened was out of proportion to its appearance; there had really been a change in her life. What it would bring with it was as yet extremely indefinite; but Isabel was in a situation that gave a value to any change. She had a desire to leave the past behind her and, as she said to herself, to begin afresh. This desire indeed was not a birth of the present occasion; it was as familiar as the sound of the rain upon the window and it had led to her beginning afresh a great many times. She closed her eyes as she sat in one of the dusky corners of the quiet parlour; but it was not with a desire for dozing forgetfulness. It was on the contrary because she felt too wide-eyed and wished to check the sense of seeing too many things at once. Her imagination was by habit ridiculously active; when the door was not open it jumped out of the window. She was not accustomed indeed to keep it behind bolts; and at important moments, when she would have been thankful to make use of her judgement alone, she paid the penalty of having given undue encouragement to the faculty of seeing without judging. At present, with her sense that the note of change had been struck, came gradually a host of images of the things she was leaving behind her. The years and hours of her life came back to her, and for a long time, in a stillness broken only by the ticking of the big bronze clock, she passed them in review. It had been a very happy life and she had been a very fortunate person — this was the truth that seemed to emerge most vividly. She had had the best of everything, and in a world in which the circumstances of so many people made them unenviable it was an advantage never to have known anything particularly unpleasant. It appeared to Isabel that the unpleasant had been even too absent from her knowledge, for she had gathered from her acquaintance with literature that it was often a source of interest and even of instruction. Her father had kept it away from her — her handsome, much loved father, who always had such an aversion to it. It was a great felicity to have been his daughter; Isabel rose even to pride in her parentage. Since his death she had seemed to see him as turning his braver side to his children and as not having managed to ignore the ugly quite so much in practice as in aspiration. But this only made her tenderness for him greater; it was scarcely even painful to have to suppose him too generous, too goodnatured, too indifferent to sordid considerations. Many persons had held that he carried this indifference too far, especially the large number of those to whom he owed money. Of their opinions Isabel was never very definitely informed; but it may interest the reader to know that, while they had recognised in the late Mr. Archer a remarkably handsome head and a very taking manner (indeed, as one of them had said, he was always taking something), they had declared that he was making a very poor use of his life. He had squandered a substantial fortune, he had been deplorably convivial, he was known to have gambled freely. A few very harsh critics went so far as to say that he had not even brought up his daughters. They had had no regular education and no permanent home; they had been at once spoiled and neglected; they had lived with nursemaids and governesses (usually very bad ones) or had been sent to superficial schools, kept by the French, from which, at the end of a month, they had been removed in tears. This view of the matter would have excited Isabel’s indignation, for to her own sense her opportunities had been large. Even when her father had left his daughters for three months at Neufchatel with a French bonne who had eloped with a Russian nobleman staying at the same hotel — even in this irregular situation (an incident of the girl’s eleventh year) she had been neither frightened nor ashamed, but had thought it a romantic episode in a liberal education. Her father had a large way of looking at life, of which his restlessness and even his occasional incoherency of conduct had been only a proof. He wished his daughters, even as children, to see as much of the world as possible; and it was for this purpose that, before Isabel was fourteen, he had transported them three times across the Atlantic, giving them on each occasion, however, but a few months’ view of the subject proposed: a course which had whetted our heroine’s curiosity without enabling her to satisfy it. She ought to have been a partisan of her father, for she was the member of his trio who most “made up” to him for the disagreeables he didn’t mention. In his last days his general willingness to take leave of a world in which the difficulty of doing as one liked appeared to increase as one grew older had been sensibly modified by the pain of separation from his clever, his superior, his remarkable girl. Later, when the journeys to Europe ceased, he still had shown his children all sorts of indulgence, and if he had been troubled about money-matters nothing ever disturbed their irreflective consciousness of many possessions. Isabel, though she danced very well, had not the recollection of having been in New York a successful member of the choreographic circle; her sister Edith was, as every one said, so very much more fetching. Edith was so striking an example of success that Isabel could have no illusions as to what constituted this advantage, or as to the limits of her own power to frisk and jump and shriek — above all with rightness of effect. Nineteen persons out of twenty (including the younger sister herself) pronounced Edith infinitely the prettier of the two; but the twentieth, besides reversing this judgement, had the entertainment of thinking all the others aesthetic vulgarians. Isabel had in the depths of her nature an even more unquenchable desire to please than Edith; but the depths of this young lady’s nature were a very out-of-the-way place, between which and the surface communication was interrupted by a dozen capricious forces. She saw the young men who came in large numbers to see her sister; but as a general thing they were afraid of her; they had a belief that some special preparation was required for talking with her. Her reputation of reading a great deal hung about her like the cloudy envelope of a goddess in an epic; it was supposed to engender difficult questions and to keep the conversation at a low temperature. The poor girl liked to be thought clever, but she hated to be thought bookish; she used to read in secret and, though her memory was excellent, to abstain from showy reference. She had a great desire for knowledge, but she really preferred almost any source of information to the printed page; she had an immense curiosity about life and was constantly staring and wondering. She carried within herself a great fund of life, and her deepest enjoyment was to feel the continuity between the movements of her own soul and the agitations of the world. For this reason she was fond of seeing great crowds and large stretches of country, of reading about revolutions and wars, of looking at historical pictures — a class of efforts as to which she had often committed the conscious solecism of forgiving them much bad painting for the sake of the subject. While the Civil War went on she was still a very young girl; but she passed months of this long period in a state of almost passionate excitement, in which she felt herself at times (to her extreme confusion) stirred almost indiscriminately by the valour of either army. Of course the circumspection of suspicious swains had never gone the length of making her a social proscript; for the number of those whose hearts, as they approached her, beat only just fast enough to remind them they had heads as well, had kept her unacquainted with the supreme disciplines of her sex and age. She had had everything a girl could have: kindness, admiration, bonbons, bouquets, the sense of exclusion from none of the privileges of the world she lived in, abundant opportunity for dancing, plenty of new dresses, the London Spectator, the latest publications, the music of Gounod, the poetry of Browning, the prose of George Eliot.
These things now, as memory played over them, resolved themselves into a multitude of scenes and figures. Forgotten things came back to her; many others, which she had lately thought of great moment, dropped out of sight. The result was kaleidoscopic, but the movement of the instrument was checked at last by the servant’s coming in with the name of a gentleman. The name of