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The Complete Travel Books of W.D. Howells (Illustrated Edition). William Dean HowellsЧитать онлайн книгу.

The Complete Travel Books of W.D. Howells (Illustrated Edition) - William Dean Howells


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in fact, who do not share this healthful amusement. Fathers of families, like so many plump, domestic drakes, lead forth their aquatic broods, teaching the little ones to swim by the aid of various floats, and delighting in the gambols of the larger ducklings. When the tide comes in fresh and strong from the sea the water in the Grand Canal is pure and refreshing; and at these times it is a singular pleasure to leap from one’s door-step into the swift current, and spend a half-hour, very informally, among one’s neighbors there. The Venetian bathing-dress is a mere sketch of the pantaloons of ordinary life; and when I used to stand upon our balcony, and see some bearded head ducking me a polite salutation from a pair of broad, brown shoulders that showed above the water, I was not always able to recognize my acquaintance, deprived of his factitious identity of clothes. But I always knew a certain stately consul-general by a vast expanse of baldness upon the top of his head; and it must be owned, I think, that this form of social assembly was, with all its disadvantages, a novel and vivacious spectacle. The Venetian ladies, when they bathed, went to the Lido, or else to the bath-houses in front of the Ducal Palace, where they saturated themselves a good part of the day, and drank coffee, and, possibly, gossiped.

      I think that our balconies at Palazzo Giustiniani were even better places to see the life of the Grand Canal from than the balcony of Casa Falier, which we had just left. Here at least we had a greater stretch of the Canal, looking, as we could, up either side of its angle. Here, too, we had more gondola stations in sight, and as we were nearer the Rialto, there was more picturesque passing of the market-boats. But if we saw more of this life, we did not see it in greater variety, for I think we had already exhausted this. There was a movement all night long. If I woke at three or four o’clock, and offered myself the novel spectacle of the Canal at that hour, I saw the heavy-laden barges go by to the Rialto, with now and then also a good-sized coasting schooner making lazily for the lagoons, with its ruddy fire already kindled for cooking the morning’s meal, and looking very enviably cosey. After our own breakfast we began to watch for the gondolas of the tourists of different nations, whom we came to distinguish at a glance. Then the boats of the various artisans went by, the carpenter’s, the mason’s, the plasterer’s, with those that sold fuel, and vegetables, and fruit, and fish, to any household that arrested them. From noon till three or four o’clock the Canal was comparatively deserted; but before twilight it was thronged again by people riding out in their open gondolas to take the air after the day’s fervor. After nightfall they ceased, till only at long intervals a solitary lamp, stealing over the dark surface, gave token of the movement of some gondola bent upon an errand that could not fail to seem mysterious or fail to be matter of fact. We never wearied of this oft-repeated variety, nor of our balcony in any way; and when the moon shone in through the lovely arched window and sketched its exquisite outline on the floor, we were as happy as moonshine could make us.

       Under the Rialto

      Were we otherwise content? As concerns Venice, it is very hard to say, and I do not know that I shall ever be able to say with certainty. For all the entertainment it afforded us, it was a very lonely life, and we felt the sadness of the city in many fine and not instantly recognizable ways. Englishmen who lived there bade us beware of spending the whole year in Venice, which they declared apt to result in a morbid depression of the spirits. I believe they attributed this to the air of the place, but I think it was more than half owing to her mood, to her old, ghostly, aimless life. She was, indeed, a phantom of the past, haunting our modern world,—serene, inexpressibly beautiful, yet inscrutably and unspeakably sad. Remembering the charm that was in her, we often sigh for the renewal of our own vague life there,—a shadow within the shadow; but remembering also her deep melancholy, an involuntary shiver creeps over us, and we are glad not to be there. Perhaps some of you who have spent a summer day or a summer week in Venice do not recognize this feeling; but if you will remain there, not four years as we did, but a year or six months even, it will ever afterwards be only too plain. All changes, all events, were affected by the inevitable local melancholy; the day was as pensive amidst that populous silence as the night; the winter not more pathetic than the long, tranquil, lovely summer. We rarely sentimentalized consciously, and still more seldom openly, about the present state of Venice as contrasted with her past glory.

      I am glad to say that we despised the conventional poetastery about her; but I believe that we had so far lived into sympathy with her, that, whether we realized it or not, we took the tone of her dispiritedness, and assumed a part of the common experience of loss and of hopelessness. History, if you live where it was created, is a far subtler influence than you suspect; and I would not say how much Venetian history, amidst the monuments of her glory and the witnesses of her fall, had to do in secret and tacit ways with the prevailing sentiment of existence, which I now distinctly recognize to have been a melancholy one. No doubt this sentiment was deepened by every freshly added association with memorable places; and each fact, each great name and career, each strange tradition as it rose out of the past for us and shed its pale lustre upon the present, touched us with a pathos which we could neither trace nor analyze.

      I do not know how much the modern Venetians had to do with this impression, but something I have no question. They were then under Austrian rule; and in spite of much that was puerile and theatrical in it, there was something very affecting in their attitude of what may best be described as passive defiance. This alone made them heroic, but it also made them tedious. They rarely talked of anything but politics; and as I have elsewhere said, they were very jealous to have every one declare himself of their opinion. Hemmed in by this jealousy on one side, and by a heavy and rebellious sense of the wrongful presence of the Austrian troops and the Austrian spies on the other, we forever felt dimly constrained by something, we could not say precisely what, and we only knew what, when we went sometimes on a journey into free Italy, and threw off the irksome caution we had maintained both as to patriotic and alien tyrants. This political misery circumscribed our acquaintance very much, and reduced the circle of our friendship to three or four families, who were content to know our sympathies without exacting constant expression of them. So we learned to depend mainly upon passing Americans for our society; we hailed with rapture the arrival of a gondola distinguished by the easy hats of our countrymen and the pretty faces and pretty dresses of our countrywomen. It was in the days of our war; and talking together over its events, we felt a brotherhood with every other American.

      Of course, in these circumstances, we made thorough acquaintance with the people about us in the palace. The landlord had come somehow into a profitable knowledge of Anglo-Saxon foibles and susceptibilities; but his lodgings were charming, and I recognize the principle that it is not for literature to make its prey of any possibly conscious object. For this reason, I am likewise mostly silent concerning a certain attaché of the palace, the right-hand man and intimate associate of the landlord. He was the descendant of one of the most ancient and noble families of Italy,—a family of popes and cardinals, of princes and ministers, which in him was diminished and tarnished in an almost inexplicable degree. He was not at all worldly-wise, but he was a man of great learning, and of a capacity for acquiring knowledge that I have never seen surpassed. He possessed, I think, not many shirts on earth; but he spoke three or four languages, and wrote very pretty sonnets in Italian and German. He was one of the friendliest and willingest souls living, and as generous as utter destitution can make a man; yet he had a proper spirit, and valued himself upon his name. Sometimes he brought his great-grandfather to the palace; a brisk old gentleman in his nineties, who had seen the fall of the Republic and three other revolutions in Venice, but had contrived to keep a government pension through all, and now smiled with unabated cheerfulness upon a world which he seemed likely never to leave.

      The palace-servants were two, the gondolier and a sort of housekeeper,—a handsome, swarthy woman, with beautiful white teeth and liquid black eyes. She was the mother of a pretty little boy, who was going to bring himself up for a priest, and whose chief amusement was saying mimic masses to an imaginary congregation. She was perfectly statuesque and obliging, and we had no right, as lovers of the beautiful or as lodgers, to complain of her, whatever her faults might have been. As to the gondolier, who was a very important personage in our palatial household, he was a handsome bashful, well-mannered fellow, with a good-natured blue eye and a neatly waxed mustache. He had been ten years a soldier in the Austrian army, and was, from his own account and from


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