The Selected Works of Arnold Bennett: Essays, Personal Development Books & Articles. Arnold BennettЧитать онлайн книгу.
“First books are too risky. ... I should like to publish it.”
“Well?” I said, and paused. I felt that he had withdrawn within himself in order to ponder upon the chances of this terrible risk. So as not to incommode him with my gaze, I examined the office, which resembled a small drawing-room rather than an office. I saw around me signed portraits of all the roaring lions on the sunny side of Grub Street.
“I'll publish it,” said the publisher, and I believe he made an honest attempt not to look like a philanthropist; however, the attempt failed. “I’ll publish it. But of course I can only give you a small royalty.”
“What royalty?” I asked.
“Five per cent.—on a three-and-sixpenny book.”
“Very well. Thank you!” I said.
“I’ll give you fifteen per cent, after the sale of five thousand copies,” he added kindly.
O ironist!
I emerged from the web of the spider triumphant, an accepted author. Exactly ten days had elapsed since I had first parted with my manuscript. Once again life was plagiarizing fiction. I could not believe that this thing was true. I simply could not believe it. “Oh!” I reflected, incredulous, “something’s bound to happen. It can’t really come off. The publisher might die, and then——”
Protected by heaven on account of his good deeds, the publisher felicitously survived; and after a delay of twelve months (twelve centuries—during which I imagined that the universe hung motionless and expectant in the void!) he accomplished his destiny by really and truly publishing my book.
The impossible had occurred. I was no longer a mere journalist; I was an author.
“After all, it’s nothing!” I said, with that intense and unoriginal humanity which distinguishes all of us. And in a blinding flash I saw that an author was in essence the same thing as a grocer or a duke.
IX
My novel, under a new title, was published both in England and America. I actually collected forty-one reviews of it, and there must have been many that escaped me. Of these forty-one, four were unfavourable, eleven mingled praise and blame in about equal proportions, and twenty-six were unmistakably favourable, a few of them being enthusiastic.
Yet I had practically no friends on the Press. One friend I had, a man of power, and he reviewed my book with an appreciation far too kind; but his article came as a complete surprise to me. Another friend I had, sub-editor of a society weekly, and he asked me for a copy of my book so that he might “look after it” in the paper. Here is part of the result:
“He has all the young novelist’s faults. . . These are glaring faults; for, given lack of interest, and unpleasant scenes, how can a book be expected to be popular?”
A third friend I had, who knew the chief fiction-reviewer on a great morning paper. He asked me for a special copy of my book, and quite on his own initiative, undertook to arrange the affair. Here is part of the result:
“There is not much to be said either for or against —— by Mr. ——.”
I had no other friends on the Press, or friends who had friends on the Press.
I might easily butcher the reviews for your amusement, but this practice is becoming trite. I will quote a single sentence which pleased me as much as any:—“What our hero’s fate was let those who care to know find out, but let us assure them that in its discovery they will read of London life and labour as it is, not as the bulk of romances paint it.” All the principal organs were surprisingly appreciative. And the majority of the reviewers agreed that my knowledge of human nature was exceptionally good, that my style was exceptionally good, that I had in me the makings of a novelist, and that my present subject was weak. My subject was not weak; but let that pass. When I reflect how my book flouted the accepted canons of English fiction, and how many aspects of it must have annoyed nine reviewers out of ten, I am compelled to the conclusion that reviewers are a very good-natured class of persons. I shall return to this interesting point later—after I have described how I became a reviewer myself. The fact to be asserted is that I, quite obscure and defenceless, was treated very well. I could afford to smile from a high latitude at the remark of The New York —— that “the story and characters are commonplace in the extreme.” I felt that I had not lived in vain, and that kindred spirits were abroad in the land.
My profits from this book with the exceptional style and the exceptional knowledge of human nature, exceeded the cost of having it typewritten by the sum of one sovereign. Nor was I, nor am I, disposed to grumble at this. Many a first book has cost its author a hundred pounds. I got a new hat out of mine.
What I did grumble at was the dishonour of the prophet in his own county. Here I must delicately recall that my novel was naturalistic, and that it described the career of a young man alone in London. It had no “realism” in the vulgar sense, as several critics admitted, but still it was desperately exact in places, and I never surrounded the head of a spade with the aureole of a sentimental implement. The organ of a great seaport remarked: “We do not consider the book a healthy one. We say no more.” Now you must imagine this excessively modern novel put before a set of estimable people whose ideas on fiction had been formed under the influence of Dickens and Mrs. Henry Wood, and who had never changed those ideas. Some of them, perhaps, had not read a novel for ten years before they read mine. The result was appalling, frightful, tragical. For months I hesitated to visit the town which had the foresight to bear me, and which is going to be famous on that score. I was castigated in the local paper. My nearest and dearest played nervously with their bread when my novel was mentioned at dinner. A relative in a distant continent troubled himself to inform me that the book was fragmentary and absolutely worthless. The broader-minded merely wished that I had never written the book. The discreet received it in silence. One innocent person, for whom I have the warmest regard, thought that my novel might be a suitable birthday present for his adolescent son. By chance he perused the book himself on the birthday eve. I was told that neither on that night nor on the next did he get a wink of sleep. His adolescent son certainly never got my book.
Most authors, I have learnt on inquiry, have to suffer from this strange lack of appreciation in the very circle where appreciation should be kindest; if one fault isn’t found, another is; but they draw a veil across that dark aspect of the bright auctorial career. I, however, am trying to do without veils, and hence I refer to the matter.
X
My chief resigned his position on the paper with intent to enliven other spheres of activity. The news of his resignation was a blow to me. It often happens that when an editor walks out of an office in the exercise of free-will, the staff follows him under compulsion. In Fleet Street there is no security of tenure unless one is ingenious enough to be the proprietor of one’s paper.
“I shall never get on with any one as I have got on with you,” I said to the chief.
“You needn’t,” he answered. “I’m sure they’ll have the sense to give you my place if you ask for it.” “They” were a board of directors.
And they had the sense; they even had the sense not to wait until I asked. I have before remarked that the thumb of my Fate has always been turned up. Still on the glorious side of thirty, still young, enthusiastic, and a prey to delightful illusions, I suddenly found myself the editor of a London weekly paper. It was not a leading organ, but it was a London weekly paper, and it had pretensions; at least I had. My name was inscribed in various annuals of reference. I dined as an editor with other editors. I remember one day sitting down to table in a populous haunt of journalists with no less than four editors. “Three years ago,” I