Sinister Street. Compton MackenzieЧитать онлайн книгу.
climbing up ladders and walking over planks and messing with lumps of mortar than to sit there among those guttural men in an atmosphere of Stella worship. He felt sometimes that he would like to pinch Stella's legs—they looked so sleek and well-behaved, as she sat there playing the piano. Michael was never invited to play on the drawing-room piano. He was only allowed to play up in the day-nursery, with merely the ambition of one day being able to reach the pedals to stir him on.
"Ach, Mrs. Vane," he heard these long-haired men declare. "Your daughter is wonderful. Ach! Ach! Ach! She is a genius. She will be the great bianist of the new generation. Ach! Ach! Ach!"
Michael began to feel that his love for his mother or her love for him did not matter. He began to feel that only what he himself thought and wanted did matter; and when she went away again he was sorry, but not so sorry as he used to be. One of these long-haired men now began to come every day to give Stella lessons on the drawing-room piano. He would give a very loud knock and hang up a wide-brimmed black hat in the hall and clear his throat and button up his coat very tightly and march into the drawing-room to wait for Stella to be brought down. Stella would come down the stairs with her grey eyes shining and her hair all fuzzy and her hands smelling of pink soap, while Nurse would blow very importantly and tell Michael not to peep round corners. Stella's music lessons were much grander than Michael's in the stuffy back-room of Miss Marrow's. Besides, Michael's music lessons were now particularly unpleasant, because Miss Hunt, his mistress, had grown two warts on her first finger during the summer holidays, which made him feel sick during their eternal duets.
The withdrawal of Madame Flauve from the superintendence of Michael's afternoon walks was apparently a great blow to Nurse. She had acquired a habit either of retiring to the night-nursery or of popping out of the back-door on secret errands. Stella in the charge of Annie was perfectly happy upstairs, and Nurse resented very strongly Michael's enquiries as to where she was going. Michael had no ulterior reasons for his questions. He was sincerely interested by these afternoon walks of Nurse, and speculated often upon her destination. She would always return very cheerful and would often bring him home small presents—a dark blue bird on a pin at boat-race time (for Nurse was staunchly Oxford), a penny packet of stamps most of which were duplicates inside, penny illustrated books of Cock Robin or Tom Thumb; and once she brought him home a Night Companion. This Night Companion was a club-headed stick, very powerful and warranted to secure the owner from a murderous attack. It was one of a row in the window of a neighbouring umbrella-shop, a long row of Night Companions that cost one shilling each. Michael liked his stick and took it to bed with him and was comforted, when he woke up, by the sight of its knotted head upon the bolster. He grew very intimate with the stick and endowed it with character and temperament and humanity. He would often stare at the still unpurchased Night Companions in the shop, trying to discover if any other of them were so beneficent and so pleasant a companion as his own. In time he took a fancy to another, and begged Nurse to be allowed to buy this for Stella. Nurse was gratified by his appreciation of her present and gave him leave to break into the ten-shilling piece to endow Stella with a Companion. Michael himself carried it home, wrapped in a flimsy brown paper and tied up as he thought unnecessarily with a flimsy string. Stella was told to take it to bed with her and did so, but by some accident grazed her forehead on the Night Companion's knotty head and cried so much that it was taken away from her. This was all the better for Michael who thenceforth had two Night Companions—one on either side of him to guard him from the door and the window.
Still, notwithstanding these presents, Nurse grew more and more irritable to find Michael watching her exits from and entrances into 64 Carlington Road. Once, she was so much annoyed to see Michael's face pressed against the pane of the morning-room window that she slid all the way down the area-steps and sent Michael to bed as a punishment for peeping. At last she decided that Michael must go for walks by himself and lest he should be lost or get into mischief, every walk must be in the same direction, along the same road to the same place and back. He was to walk up Carlington Road into the Hammersmith Road and along the Kensington Road as far as the Earl's Court Road. Here he was to stop and turn round and walk back to Carlington Road on his traces.
Michael detested this walk. He would stump up the area-steps, watched by Nurse, and he would walk steadily, looking neither to the right nor to the left according to orders, as far as 44 Carlington Road. Here in the morning-room window was a small aquarium, sadly mobile with half a dozen pale goldfish, that Michael would be compelled to watch for a few seconds before he turned round and acknowledged the fact that Nurse was flicking him on with her hand. Michael would proceed past the other houses until he came to 22 Carlington Road, where a break occurred, caused by a house entirely different from any of the others, at the side of which was a huge double door. This was sometimes open, and inside could be seen men hammering with chisels at enormous statues including representations of Queen Victoria and of a benignant lion. Next to this house was a post office, not an ordinary post office where stamps could be bought, but a harum-scarum place, full of postmen running up and down and emptying bags and hammering on letters and talking very loudly and very quickly. By this office Carlington Road made an abrupt rectangular turn past a tumble-down tarred fence, through whose interstices could be seen a shadowy garden full of very long pale grass and of trees with jet-black trunks. Beyond the trees was a tumble-down house with big bare windows glinting amongst the ivy. After this Carlington Road went on again with smaller houses of a deeper red brick than those in the part where Michael lived. They had no basements, and one could see into their dining-rooms, so close were they to the road. When 2 Carlington Road was reached a tall advertisement hoarding began, and for a hundred yards the walk became absolutely interesting. Then Carlington Mansions rose majestic, and Michael, who had been told that they were flats and had heard people wondering at this strange new method of existence, loitered for a moment in order to watch a man in a uniform, sitting on a wooden chair and reading a pink newspaper. He also read the names of people who were either out or in, and settled, when he was older, to live in a flat in the security of many other families and a man in a green uniform. The roar of the Hammersmith Road burst upon him, and dreams were over for a while, as he hurried along past eight shops, at none of which he would dare to look since he read in a book of a boy who had been taken off to the police station on a charge of theft, though he was actually as innocent as Michael himself and was merely interested by the contents of a shop window. The next turning to Carlington Road was a queer terrace, very quiet except that it overlooked the railway, very quiet and melancholy and somehow wicked. Nothing ever turned down here except an occasional dog or cat; no servants stood gossiping by area-gates, and at the end of it loomed the tumble-down house whose garden Michael had already seen near the post office. He used to think as he left Padua Terrace behind him that one day for a great adventure he would like to walk along under its elm-trees to discover if anyone did live in those dark houses; but he never managed to be brave enough to do so. Michael now crossed the railway bridge and looked at the advertisements: then followed a dull line of iron railings with rusty pineapples on top of each of them. These were bounded at each end by gates that were marked 'Private. No Thoroughfare,' and after the second gate came the first crossing. Michael had been told to be very careful of crossings, and he used to poise himself on the kerb for a moment to see if any carts were near. If none were even in sight, he used to run across as quickly as he could. There were three other crossings before Earl's Court Road was reached, and one of them was so wide that he was very glad indeed when it was put behind him. All the way, terrace after terrace of grim houses, set back from the high road behind shrubberies, had to be passed, and all the way Michael used to hum to himself for company and diversion and encouragement. The only interesting event was a pavement-artist, and he was very often not there. It was an exasperating and monotonous walk, and he hated it for the gloom it shed upon all his afternoons.
Sometimes Michael would arrive home before Nanny, and then he would have to endure a long cross-examination upon his route. The walk was not sufficiently interesting to invent tales about, and he resented Nurse's incredulous attitude and wrinkled obstinate face. Indeed, Michael began to resent Nurse altogether, and so far as he was able he avoided her. His scheme of things was logical: he had already a philosophy, and his conception of the wonder inherent in everything was evidently not unique, because the pictures in Don Quixote proved conclusively that what Michael thought, other people besides himself thought. He might be old-fashioned, as Nurse assured him he was; but if to be old-fashioned was to live in