Chronicles of Barsetshire: Book 1-6. Anthony TrollopeЧитать онлайн книгу.
throw out her own views before the troubled mind of her father. To have shaken what remained of his Church of England faith would have gratified her much, but the idea of his abandoning his preferment in the church had never once presented itself to her mind. How could he indeed, when he had no income from any other source?
But the two most prominent members of the family still remain to be described. The second child had been christened Madeline and had been a great beauty. We need not say had been, for she was never more beautiful than at the time of which we write, though her person for many years had been disfigured by an accident. It is unnecessary that we should give in detail the early history of Madeline Stanhope. She had gone to Italy when about seventeen years of age, and had been allowed to make the most of her surpassing beauty in the salons of Milan and among the crowded villas along the shores of the Lake of Como. She had become famous for adventures in which her character was just not lost, and had destroyed the hearts of a dozen cavaliers without once being touched in her own. Blood had flowed in quarrels about her charms, and she had heard of these encounters with pleasurable excitement. It had been told of her that on one occasion she had stood by in the disguise of a page and had seen her lover fall.
As is so often the case, she had married the very worst of those who sought her hand. Why she had chosen Paulo Neroni, a man of no birth and no property, a mere captain in the Pope's guard, one who had come up to Milan either simply as an adventurer or else as a spy, a man of harsh temper and oily manners, mean in figure, swarthy in face, and so false in words as to be hourly detected, need not now be told. When the moment for doing so came, she had probably no alternative. He, at any rate, had become her husband, and after a prolonged honeymoon among the lakes, they had gone together to Rome, the papal captain having vainly endeavoured to induce his wife to remain behind him.
Six months afterwards she arrived at her father's house a cripple, and a mother. She had arrived without even notice, with hardly clothes to cover her, and without one of those many ornaments which had graced her bridal trousseau. Her baby was in the arms of a poor girl from Milan, whom she had taken in exchange for the Roman maid who had accompanied her thus far, and who had then, as her mistress said, become homesick and had returned. It was clear that the lady had determined that there should be no witness to tell stories of her life in Rome.
She had fallen, she said, in ascending a ruin, and had fatally injured the sinews of her knee; so fatally that when she stood, she lost eight inches of her accustomed height; so fatally that when she essayed to move, she could only drag herself painfully along, with protruded hip and extended foot, in a manner less graceful than that of a hunchback. She had consequently made up her mind, once and forever, that she would never stand and never attempt to move herself.
Stories were not slow to follow her, averring that she had been cruelly ill-used by Neroni, and that to his violence had she owed her accident. Be that as it may, little had been said about her husband, but that little had made it clearly intelligible to the family that Signor Neroni was to be seen and heard of no more. There was no question as to readmitting the poor, ill-used beauty to her old family rights, no question as to adopting her infant daughter beneath the Stanhope roof-tree. Though heartless, the Stanhopes were not selfish. The two were taken in, petted, made much of, for a time all but adored, and then felt by the two parents to be great nuisances in the house. But in the house the lady was, and there she remained, having her own way, though that way was not very conformable with the customary usages of an English clergyman.
Madame Neroni, though forced to give up all motion in the world, had no intention whatever of giving up the world itself. The beauty of her face was uninjured, and that beauty was of a peculiar kind. Her copious rich brown hair was worn in Grecian bandeaux round her head, displaying as much as possible of her forehead and cheeks. Her forehead, though rather low, was very beautiful from its perfect contour and pearly whiteness. Her eyes were long and large, and marvellously bright; might I venture to say bright as Lucifer's, I should perhaps best express the depth of their brilliancy. They were dreadful eyes to look at, such as would absolutely deter any man of quiet mind and easy spirit from attempting a passage of arms with such foes. There was talent in them, and the fire of passion and the play of wit, but there was no love. Cruelty was there instead, and courage, a desire of masterhood, cunning, and a wish for mischief. And yet, as eyes, they were very beautiful. The eyelashes were long and perfect, and the long, steady, unabashed gaze with which she would look into the face of her admirer fascinated while it frightened him. She was a basilisk from whom an ardent lover of beauty could make no escape. Her nose and mouth and teeth and chin and neck and bust were perfect, much more so at twenty-eight than they had been at eighteen. What wonder that with such charms still glowing in her face, and with such deformity destroying her figure, she should resolve to be seen, but only to be seen reclining on a sofa.
Her resolve had not been carried out without difficulty. She had still frequented the opera at Milan; she had still been seen occasionally in the salons of the noblesse; she had caused herself to be carried in and out from her carriage, and that in such a manner as in no wise to disturb her charms, disarrange her dress, or expose her deformities. Her sister always accompanied her and a maid, a manservant also, and on state occasions, two. It was impossible that her purpose could have been achieved with less; and yet, poor as she was, she had achieved her purpose. And then again the more dissolute Italian youths of Milan frequented the Stanhope villa and surrounded her couch, not greatly to her father's satisfaction. Sometimes his spirit would rise, a dark spot would show itself on his cheek, and he would rebel, but Charlotte would assuage him with some peculiar triumph of her culinary art and all again would be smooth for awhile.
Madeline affected all manner of rich and quaint devices in the garniture of her room, her person, and her feminine belongings. In nothing was this more apparent than in the visiting card which she had prepared for her use. For such an article one would say that she, in her present state, could have but small need, seeing how improbable it was that she should make a morning call: but not such was her own opinion. Her card was surrounded by a deep border of gilding; on this she had imprinted, in three lines
La Signora Madeline
Vesey Neroni.
—Nata Stanhope.
And over the name she had a bright gilt coronet, which certainly looked very magnificent. How she had come to concoct such a name for herself it would be difficult to explain. Her father had been christened Vesey as another man is christened Thomas, and she had no more right to assume it than would have the daughter of a Mr. Josiah Jones to call herself Mrs. Josiah Smith, on marrying a man of the latter name. The gold coronet was equally out of place, and perhaps inserted with even less excuse. Paulo Neroni had had not the faintest title to call himself a scion of even Italian nobility. Had the pair met in England Neroni would probably have been a count, but they had met in Italy, and any such pretence on his part would have been simply ridiculous. A coronet, however, was a pretty ornament, and if it could solace a poor cripple to have such on her card, who would begrudge it to her?
Of her husband, or of his individual family, she never spoke, but with her admirers she would often allude in a mysterious way to her married life and isolated state, and, pointing to her daughter, would call her the last of the blood of the emperors, thus referring Neroni's extraction to the old Roman family from which the worst of the Caesars sprang.
The "signora" was not without talent and not without a certain sort of industry; she was an indomitable letter-writer, and her letters were worth the postage: they were full of wit, mischief, satire, love, latitudinarian philosophy, free religion, and, sometimes, alas, loose ribaldry. The subject, however, depended entirely on the recipient, and she was prepared to correspond with anyone but moral young ladies or stiff old women. She wrote also a kind of poetry, generally in Italian, and short romances, generally in French. She read much of a desultory sort of literature, and as a modern linguist had really made great proficiency. Such was the lady who had now come to wound the hearts of the men of Barchester.
Ethelbert Stanhope was in some respects like his younger sister, but he was less inestimable as a man than she as a woman. His great fault was an entire absence of that principle which should have induced him, as the son of a man without fortune, to earn his own bread. Many attempts had been made to get him to do so, but these had all been frustrated, not so much by idleness on his