The Tempting of Tavernake. E. Phillips OppenheimЧитать онлайн книгу.
whose interest in the passing throngs was entirely superficial, found himself for some reason curiously attracted by this glimpse into a world of luxury of which he knew nothing; attracted, too, by the woman's delicate face with its uncommon type of beauty. Their eyes met as he stood there, stolid and motionless, framed in the doorway. Tavernake continued to stare, unmindful, perhaps unconscious, of the rudeness of his action. The woman, after a moment, glanced away at the shopwindow. A sudden thought seemed to strike her. She spoke through the tube at her side and turned to her companion. Meanwhile, the footman, leaning from his place, held out his arm in warning and the car was slowly backed to the side of the pavement. The lady felt for a moment in a bag of white satin which lay upon the round table in front of her, and handed a slip of paper through the open window to the servant who had already descended and was standing waiting. He came at once towards the shop, passing Tavernake, who remained in the door-way.
“Will you make this up at once, please?” he directed, handing the paper across to the chemist.
The chemist took it in his hand and turned away mechanically toward the dispensing room. Suddenly he paused, and, looking back, shook his head.
“For whom is this prescription required?” he asked.
“For my mistress,” the man answered. “Her name is there.”
“Where is she?”
“Outside; she is waiting for it.”
“If she really wants this made up to-night,” the chemist declared, “she must come in and sign the book.”
The footman looked across the counter, for a moment, a little blankly.
“Am I to tell her that?” he inquired. “It's only a sleeping draught. Her regular chemist makes it up all right.”
“That may be,” the man behind the counter replied, “but, you see, I am not her regular chemist. You had better go and tell her so.”
The footman departed upon his errand without a glance at the girl who was sitting within a few feet of him.
“I am very sorry, madam,” he announced to his mistress, “that the chemist declines to make up the prescription unless you sign the book.”
“Very well, then, I will come,” she declared.
The woman, handed from the automobile by her servant, lifted her white satin skirts in both hands and stepped lightly across the pavement. Tavernake stood on one side to let her pass. She seemed to him to be, indeed, a creature of that other world of which he knew nothing. Her slow, graceful movements, the shimmer of her skirt, her silk stockings, the flashing of the diamond buckles upon her shoes, the faint perfume from her clothes, the soft touch of her ermine as she swept by—all these things were indeed strange to him. His eyes followed her with rapt interest as she approached the counter.
“You wish me to sign for my prescription?” she asked the chemist. “I will do so, with pleasure, if it is necessary, only you must not keep me waiting long.”
Her voice was very low and very musical; the slight smile which had parted her tired lips, was almost pathetic. Even the chemist felt himself to be a human being. He turned at once to his shelves and began to prepare the drug.
“I am sorry, madam, that it should have been necessary to fetch you in,” he said, apologetically. “My assistant will give you the book if you will kindly sign it.”
The assistant dived beneath the counter, reappearing almost immediately with a black volume and a pen and ink. The chemist was engrossed upon his task; Tavernake's eyes were still riveted upon this woman, who seemed to him the most beautiful thing he had ever seen in life. No one was watching the girl. The chemist was the first to see her face, and that only in a looking glass. He stopped in the act of mixing his drug and turned slowly round. His expression was such that they all followed his eyes. The girl was sitting up in her chair, with a sudden spot of color burning in her cheeks, her fingers gripping the counter as though for support, her eyes dilated, unnatural, burning in their white setting with an unholy fire. The lady was the last to turn her head, and the bottle of eau-de-cologne which she had taken up from the counter, slipped with a crash to the floor. All expression seemed to pass from her face; the very life seemed drawn from it. Those who were watching her saw suddenly an old woman looking at something of which she was afraid.
The girl seemed to find an unnatural strength. She dragged herself up and turned wildly to Tavernake.
“Take me away,” she cried, in a low voice. “Take me away at once.”
The woman at the counter did not speak. Tavernake stepped quickly forward and then hesitated. The girl was on her feet now and she clutched at his arms. Her eyes besought him.
“You must take me away, please,” she begged, hoarsely. “I am well now—quite well. I can walk.”
Tavernake's lack of imagination stood him in good stead then. He simply did what he was told, did it in perfectly mechanical fashion, without asking any questions. With the girl leaning heavily upon his arm, he stepped into the street and almost immediately into a passing taxicab which he had hailed from the threshold of the shop. As he closed the door, he glanced behind him. The woman was standing there, half turned towards him, still with that strange, stony look upon her lifeless face. The chemist was bending across the counter towards her, wondering, perhaps, if another incident were to be drawn into his night's work. The eau-de-cologne was running in a little stream across the floor.
“Where to, sir?” the taxicab driver asked Tavernake.
“Where to?” Tavernake repeated.
The girl was clinging to his arm.
“Tell him to drive away from here,” she whispered, “to drive anywhere, but away from here.”
“Drive straight on,” Tavernake directed, “along Fleet Street and up Holborn. I will give you the address later on.”
The man changed his speed and their pace increased. Tavernake sat quite still, dumfounded by these amazing happenings. The girl by his side was clutching his arm, sobbing a little hysterically, holding him all the time as though in terror.
CHAPTER IV. BREAKFAST WITH BEATRICE
The girl, awakened, perhaps, by the passing of some heavy cart along the street below, or by the touch of the sunbeam which lay across her pillow, first opened her eyes and then, after a preliminary stare around, sat up in bed. The events of the previous night slowly shaped themselves in her mind. She remembered everything up to the commencement of that drive in the taxicab. Sometime after that she must have fainted. And now—what had become of her? Where was she?
She looked around her in ever-increasing surprise. Certainly it was the strangest room she had ever been in. The floor was dusty and innocent of any carpet; the window was bare and uncurtained. The walls were unpapered but covered here and there with strange-looking plans, one of them taking up nearly the whole side of the room—a very rough piece of work with little dabs of blue paint here and there, and shadings and diagrams which were absolutely unintelligible. She herself was lying upon a battered iron bedstead, and she was wearing a very coarse nightdress. Her own clothes were folded up and lay upon a piece of brown paper on the floor by the side of the bed. To all appearance, the room was entirely unfurnished, except that in the middle of it was a hideous papier mache screen.
After her first bewildered inspection of her surroundings, it was upon this screen that her attention was naturally directed. Obviously it must be there to conceal something. Very carefully she leaned out of bed until she was able to see around the corner of it. Then her heart gave a little jump and she was only just able to stifle an exclamation of fear. Some one was sitting there—a man—sitting on a battered cane chair, bending over a roll of papers which were stretched