The Country Beyond. James Oliver CurwoodЧитать онлайн книгу.
moment, was stunned, For a while back he had humored the girl a little, to hold her in peace and without suspicion until Mooney was able to turn over her body-money. After that—after he had delivered her to the other's shack—it would all be up to Mooney, he figured. And this was what had come of his peace-loving efforts! She was taking advantage of him, defying him, spying upon him—the brat he had fed and brought up for ten years! Her beauty as she stood there did not hold him back. It was punishment she needed, a beating, a hair-pulling, until there was no breath left in her impudent body. He sprang forward, and Peter let out a wild yip as he saw Nada raise her stick. But she was a moment too slow. The man's hand caught it, and his right hand shot forward and buried itself in the thick, soft mass of her hair.
It was then that something broke loose in Peter. For this day, this hour, this minute the gods of destiny had given him birth. All things in the world were blotted out for him except one—the six inches of naked shank between the bootlegger's trouser-leg and his shoe. He dove in. His white teeth, sharp as stiletto-points, sank into it. And a wild and terrible yell came from Jed Hawkins as he loosed the girl's hair. Peter heard the yell, and his teeth sank deeper in the flesh of the first thing he had ever hated. It was the girl, more than Peter, who realized the horror of what followed. The man bent down and his powerful fingers closed round Peter's scrawny neck, and Peter felt his wind suddenly shut off, and his mouth opened. Then Jed Hawkins drew back the arm that held him, as he would have drawn it back to fling a stone.
With a scream the girl tore at him as his arm straightened out, and Peter went hurtling through the air. Her stick struck him fiercely across the face, and in that same moment there was a sickening, crushing thud as Peter's loosely-jointed little body struck against the face of the great rock. When Nada turned Peter was groveling in the sand, his hips and back broken down, but his bright eyes were on her, and without a whimper or a whine he was struggling to drag himself toward her. Only Jolly Roger could tell the story of how Peter's mother had died for a woman, and in this moment it must have been that her spirit entered into Peter's soul, for the pain of his terrible hurt was forgotten in his desire to drag himself back to the feet of the girl, and die facing her enemy—the man. He did not know that he was dragging his broken body only an inch at a time through the sand. But the girl saw the terrible truth, and with a cry of agony which all of Hawkin's torture could not have wrung from her she ran to him, and fell upon her knees, and gathered him tenderly in her arms. Then, in a flash, she was on her feet, facing Jed Hawkins like a little demon.
"For that—I'll kill you!" she panted. "I will. I'll kill you!"
The blow of her stick had half blinded the bootlegger's one eye, but he was coming toward her. Swift as a bird Nada turned and ran, and as the man's footsteps crunched in the gravel and rock behind her a wild fear possessed her—fear for Peter, and not for herself. Very soon Hawkins was left behind, cursing at the futility of the pursuit, and at the fate that had robbed him of an eye.
Down the coulee and out into the green meadowland of the plain ran Nada, her hair streaming brightly in the sun, her arms clutching Peter to her breast. Peter was whimpering now, crying softly and piteously, just as once upon a time she had heard a baby cry—a little baby that was dying. And her soul cried out in agony, for she knew that Peter, too, was dying. And as she stumbled onward—on toward the black forest, she put her face down to Peter and sobbed over and over again his name.
"Peter—Peter—Peter—"
And Peter, joyous and grateful for her love and the sound of her voice even in these moments, thrust out his tongue and caressed her cheek, and the girl's breath came in a great sob as she staggered on.
"It's all right now, Peter," she crooned. "It's all right, baby. He won't hurt you any more, an' we're goin' across the creek to Mister Roger's cabin, an' you'll be happy there. You'll be happy—"
Her voice choked full, and her mother-heart seemed to break inside her, just as life had gone out of that other mother's heart when the baby died. For their grief, in God's reckoning of things, was the same; and little Peter, sensing the greatness of this thing that had made them one in flesh and blood, snuggled his wiry face closer in her neck, crying softly to her, and content to die there close to the warmth of the creature he loved.
"Don't cry, baby," she soothed. "Don't cry, Peter, dear. It'll soon be all right—all right—" And the sob came again into her throat, and clung there like a choking fist, until they came to the edge of the big forest.
She looked down, and saw that Peter's eyes were closed; and not until then did the miracle of understanding come upon her fully that there was no difference at all between the dying baby's face and dying Peter's, except that one had been white and soft, and Peter's was different—and covered with hair.
"God'll take care o' you, Peter," she whispered. "He will—God, 'n' me, and Mister Roger—"
She knew there was untruth in what she was saying for no one, not even God, would ever take care of Peter again—in life. His still little face and the terrible grief in her own heart told her that. For Peter's back was broken, and he was going—going even now—as she ran moaningly with him through the deep aisles of the forest. But before he died, before his heart stopped beating in her arms, she wanted to reach Jolly Roger's friendly cabin, in the big swamp beyond the creek. It was not that he could save Peter, but something told her that Jolly Roger's presence would make Peter's dying easier, both for Peter and for her, for in this first glad spring of her existence the stranger in the forest shack had brought sunshine and hope and new dreams into her life; and they had set him up, she and Peter, as they would have set up a god on a shrine.
So she ran for the fording place on Sucker Creek, which was a good half mile above the shack in which the stranger was living. She was staggering, and short of wind, when she came to the ford, and when she saw the whirl and rush of water ahead of her she remembered what Jolly Roger had said about the flooding of the creek, and her eyes widened. Then she looked down at Peter, piteously limp and still in her arms, and she drew a quick breath and made up her mind. She knew that at this shallow place the water could not be more than up to her waist, even at the flood-tide. But it was running like a mill-race.
She put her lips down to Peter's fuzzy little face, and held them there for a moment, and kissed him.
"We'll make it, Peter," she whispered. "We ain't afraid, are we, baby? We'll make it—sure—sure—we'll make it—"
She set out bravely, and the current swished about her ankles, to her knees, to her hips. And then, suddenly, unseen hands under the water seemed to rouse themselves, and she felt them pulling and tugging at her as the water deepened to her waist. In another moment she was fighting, fighting to hold her feet, struggling to keep the forces from driving her downstream. And then came the supreme moment, close to the shore for which she was striving. She felt herself giving away, and she cried out brokenly for Peter not to be afraid. And then something drove pitilessly against her body, and she flung out one arm, holding Peter close with the other—and caught hold of a bit of stub that protruded like a handle from the black and slippery log the flood-water had brought down upon her.
"We're all right, Peter," she cried, even in that moment when she knew she had lost. "We're all ri—"
And then suddenly the bright glory of her head went down, and with her went Peter, still held to her breast under the sweeping rush of the flood.
Even then it was thought of Peter that filled her brain. Somehow she was not afraid. She was not terrified, as she had often been of the flood-rush of waters that smashed down the creeks in springtime. An inundating roar was over her, under her, and all about her; it beat in a hissing thunder against the drums of her ears, yet it did not frighten her as she had sometimes been frightened. Even in that black chaos which was swiftly suffocating the life from her, unspoken words of cheer for Peter formed in her heart, and she struggled to hold him to her, while with her other hand she fought to raise herself by the stub of the log to which she clung. For she was not thinking of him as Peter, the dog, but as something greater—something that had fought for her that day, and because of her had died.
Suddenly she felt a force pulling her from above. It was the big log, turning again to that point of equilibrium