It Can't Happen Here. Sinclair LewisЧитать онлайн книгу.
him in Savile Row riding-clothes on Long Island and in overalls and a khaki shirt in the Ozarks—this Buzz Windrip was almost a dwarf, yet with an enormous head, a bloodhound head, of huge ears, pendulous cheeks, mournful eyes. He had a luminous, ungrudging smile which (declared the Washington correspondents) he turned on and off deliberately, like an electric light, but which could make his ugliness more attractive than the simpers of any pretty man.
His hair was so coarse and black and straight, and worn so long in the back, that it hinted of Indian blood. In the Senate he preferred clothes that suggested the competent insurance salesman, but when farmer constituents were in Washington he appeared in an historic ten-gallon hat with a mussy gray "cutaway" which somehow you erroneously remembered as a black "Prince Albert."
In that costume, he looked like a sawed-off museum model of a medicine-show "doctor," and indeed it was rumored that during one law-school vacation Buzz Windrip had played the banjo and done card tricks and handed down medicine bottles and managed the shell game for no less scientific an expedition than Old Dr. Alagash's Traveling Laboratory, which specialized in the Choctaw Cancer Cure, the Chinook Consumption Soother, and the Oriental Remedy for Piles and Rheumatism Prepared from a World-old Secret Formula by the Gipsy Princess, Queen Peshawara. The company, ardently assisted by Buzz, killed off quite a number of persons who, but for their confidence in Dr. Alagash's bottles of water, coloring matter, tobacco juice, and raw corn whisky, might have gone early enough to doctors. But since then, Windrip had redeemed himself, no doubt, by ascending from the vulgar fraud of selling bogus medicine, standing in front of a megaphone, to the dignity of selling bogus economics, standing on an indoor platform under mercury-vapor lights in front of a microphone.
He was in stature but a small man, yet remember that so were Napoleon, Lord Beaverbrook, Stephen A. Douglas, Frederick the Great, and the Dr. Goebbels who is privily known throughout Germany as "Wotan's Mickey Mouse."
Doremus Jessup, so inconspicuous an observer, watching Senator Windrip from so humble a Boeotia, could not explain his power of bewitching large audiences. The Senator was vulgar, almost illiterate, a public liar easily detected, and in his "ideas" almost idiotic, while his celebrated piety was that of a traveling salesman for church furniture, and his yet more celebrated humor the sly cynicism of a country store.
Certainly there was nothing exhilarating in the actual words of his speeches, nor anything convincing in his philosophy. His political platforms were only wings of a windmill. Seven years before his present credo—derived from Lee Sarason, Hitler, Gottfried Feder, Rocco, and probably the revue Of Thee I Sing—little Buzz, back home, had advocated nothing more revolutionary than better beef stew in the county poor-farms, and plenty of graft for loyal machine politicians, with jobs for their brothers-in-law, nephews, law partners, and creditors.
Doremus had never heard Windrip during one of his orgasms of oratory, but he had been told by political reporters that under the spell you thought Windrip was Plato, but that on the way home you could not remember anything he had said.
There were two things, they told Doremus, that distinguished this prairie Demosthenes. He was an actor of genius. There was no more overwhelming actor on the stage, in the motion pictures, nor even in the pulpit. He would whirl arms, bang tables, glare from mad eyes, vomit Biblical wrath from a gaping mouth; but he would also coo like a nursing mother, beseech like an aching lover, and in between tricks would coldly and almost contemptuously jab his crowds with figures and facts—figures and facts that were inescapable even when, as often happened, they were entirely incorrect.
But below this surface stagecraft was his uncommon natural ability to be authentically excited by and with his audience, and they by and with him. He could dramatize his assertion that he was neither a Nazi nor a Fascist but a Democrat—a homespun Jeffersonian-Lincolnian-Clevelandian-Wilsonian Democrat—and (sans scenery and costume) make you see him veritably defending the Capitol against barbarian hordes, the while he innocently presented as his own warm-hearted Democratic inventions, every anti-libertarian, anti-Semitic madness of Europe.
Aside from his dramatic glory, Buzz Windrip was a Professional Common Man.
Oh, he was common enough. He had every prejudice and aspiration of every American Common Man. He believed in the desirability and therefore the sanctity of thick buckwheat cakes with adulterated maple syrup, in rubber trays for the ice cubes in his electric refrigerator, in the especial nobility of dogs, all dogs, in the oracles of S. Parkes Cadman, in being chummy with all waitresses at all junction lunch rooms, and in Henry Ford (when he became President, he exulted, maybe he could get Mr. Ford to come to supper at the White House), and the superiority of anyone who possessed a million dollars. He regarded spats, walking sticks, caviar, titles, tea-drinking, poetry not daily syndicated in newspapers and all foreigners, possibly excepting the British, as degenerate.
But he was the Common Man twenty-times-magnified by his oratory, so that while the other Commoners could understand his every purpose, which was exactly the same as their own, they saw him towering among them, and they raised hands to him in worship.
In the greatest of all native American arts (next to the talkies, and those Spirituals in which Negroes express their desire to go to heaven, to St. Louis, or almost any place distant from the romantic old plantations), namely, in the art of Publicity, Lee Sarason was in no way inferior even to such acknowledged masters as Edward Bernays, the late Theodore Roosevelt, Jack Dempsey, and Upton Sinclair.
Sarason had, as it was scientifically called, been "building up" Senator Windrip for seven years before his nomination as President. Where other Senators were encouraged by their secretaries and wives (no potential dictator ought ever to have a visible wife, and none ever has had, except Napoleon) to expand from village back-slapping to noble, rotund, Ciceronian gestures, Sarason had encouraged Windrip to keep up in the Great World all of the clownishness which (along with considerable legal shrewdness and the endurance to make ten speeches a day) had endeared him to his simple-hearted constituents in his native state.
Windrip danced a hornpipe before an alarmed academic audience when he got his first honorary degree; he kissed Miss Flandreau at the South Dakota beauty contest; he entertained the Senate, or at least the Senate galleries, with detailed accounts of how to catch catfish—from the bait-digging to the ultimate effects of the jug of corn whisky; he challenged the venerable Chief Justice of the Supreme Court to a duel with sling-shots.
Though she was not visible, Windrip did have a wife—Sarason had none, nor was likely to; and Walt Trowbridge was a widower. Buzz's lady stayed back home, raising spinach and chickens and telling the neighbors that she expected to go to Washington next year, the while Windrip was informing the press that his "Frau" was so edifyingly devoted to their two small children and to Bible study that she simply could not be coaxed to come East.
But when it came to assembling a political machine, Windrip had no need of counsel from Lee Sarason.
Where Buzz was, there were the vultures also. His hotel suite, in the capital city of his home state, in Washington, in New York, or in Kansas City, was like—well, Frank Sullivan once suggested that it resembled the office of a tabloid newspaper upon the impossible occasion of Bishop Cannon's setting fire to St. Patrick's Cathedral, kidnaping the Dionne quintuplets, and eloping with Greta Garbo in a stolen tank.
In the "parlor" of any of these suites, Buzz Windrip sat in the middle of the room, a telephone on the floor beside him, and for hours he shrieked at the instrument, "Hello—yuh—speaking," or at the door, "Come in—come in!" and "Sit down 'n' take a load off your feet!" All day, all night till dawn, he would be bellowing, "Tell him he can take his bill and go climb a tree," or "Why certainly, old man—tickled to death to support it—utility corporations cer'nly been getting a raw deal," and "You tell the Governor I want Kippy elected sheriff and I want the indictment against him quashed and I want it damn quick!" Usually, squatted there cross-legged, he would be wearing a smart belted camel's-hair coat with an atrocious checked cap.
In a fury, as he was at least every quarter hour, he would leap up, peel off the overcoat (showing either a white boiled shirt and clerical black bow, or a canary-yellow silk shirt with a scarlet tie), fling it on the floor, and put it on again with slow dignity, while he bellowed his anger like Jeremiah