The Essential Writings of Jean-Jacques Rousseau. Jean-Jacques RousseauЧитать онлайн книгу.
artists, not artisans, who labour only for the rich and idle, put a fancy price on their trifles; and as the real value of this vain labour is purely imaginary, the price itself adds to their market value, and they are valued according to their costliness. The rich think so much of these things, not because they are useful, but because they are beyond the reach of the poor. Nolo habere bona, nisi quibus populus inviderit.
What will become of your pupils if you let them acquire this foolish prejudice, if you share it yourself? If, for instance, they see you show more politeness in a jeweller's shop than in a locksmith's. What idea will they form of the true worth of the arts and the real value of things when they see, on the one hand, a fancy price and, on the other, the price of real utility, and that the more a thing costs the less it is worth? As soon as you let them get hold of these ideas, you may give up all attempt at further education; in spite of you they will be like all the other scholars—you have wasted fourteen years.
Emile, bent on furnishing his island, will look at things from another point of view. Robinson would have thought more of a toolmaker's shop than all Saide's trifles put together. He would have reckoned the toolmaker a very worthy man, and Saide little more than a charlatan.
"My son will have to take the world as he finds it, he will not live among the wise but among fools; he must therefore be acquainted with their follies, since they must be led by this means. A real knowledge of things may be a good thing in itself, but the knowledge of men and their opinions is better, for in human society man is the chief tool of man, and the wisest man is he who best knows the use of this tool. What is the good of teaching children an imaginary system, just the opposite of the established order of things, among which they will have to live? First teach them wisdom, then show them the follies of mankind."
These are the specious maxims by which fathers, who mistake them for prudence, strive to make their children the slaves of the prejudices in which they are educated, and the puppets of the senseless crowd, which they hope to make subservient to their passions. How much must be known before we attain to a knowledge of man. This is the final study of the philosopher, and you expect to make it the first lesson of the child! Before teaching him our sentiments, first teach him to judge of their worth. Do you perceive folly when you mistake it for wisdom? To be wise we must discern between good and evil. How can your child know men, when he can neither judge of their judgments nor unravel their mistakes? It is a misfortune to know what they think, without knowing whether their thoughts are true or false. First teach him things as they really are, afterwards you will teach him how they appear to us. He will then be able to make a comparison between popular ideas and truth, and be able to rise above the vulgar crowd; for you are unaware of the prejudices you adopt, and you do not lead a nation when you are like it. But if you begin to teach the opinions of other people before you teach how to judge of their worth, of one thing you may be sure, your pupil will adopt those opinions whatever you may do, and you will not succeed in uprooting them. I am therefore convinced that to make a young man judge rightly, you must form his judgment rather than teach him your own.
So far you see I have not spoken to my pupil about men; he would have too much sense to listen to me. His relations to other people are as yet not sufficiently apparent to him to enable him to judge others by himself. The only person he knows is himself, and his knowledge of himself is very imperfect. But if he forms few opinions about others, those opinions are correct. He knows nothing of another's place, but he knows his own and keeps to it. I have bound him with the strong cord of necessity, instead of social laws, which are beyond his knowledge. He is still little more than a body; let us treat him as such.
Every substance in nature and every work of man must be judged in relation to his own use, his own safety, his own preservation, his own comfort. Thus he should value iron far more than gold, and glass than diamonds; in the same way he has far more respect for a shoemaker or a mason than for a Lempereur, a Le Blanc, or all the jewellers in Europe. In his eyes a confectioner is a really great man, and he would give the whole academy of sciences for the smallest pastrycook in Lombard Street. Goldsmiths, engravers, gilders, and embroiderers, he considers lazy people, who play at quite useless games. He does not even think much of a clockmaker. The happy child enjoys Time without being a slave to it; he uses it, but he does not know its value. The freedom from passion which makes every day alike to him, makes any means of measuring time unnecessary. When I assumed that Emile had a watch,46 just as I assumed that he cried, it was a commonplace Emile that I chose to serve my purpose and make myself understood. The real Emile, a child so different from the rest, would not serve as an illustration for anything.
There is an order no less natural and even more accurate, by which the arts are valued according to bonds of necessity which connect them; the highest class consists of the most independent, the lowest of those most dependent on others. This classification, which suggests important considerations on the order of society in general, is like the preceding one in that it is subject to the same inversion in popular estimation, so that the use of raw material is the work of the lowest and worst paid trades, while the oftener the material changes hands, the more the work rises in price and in honour. I do not ask whether industry is really greater and more deserving of reward when engaged in the delicate arts which give the final shape to these materials, than in the labour which first gave them to man's use; but this I say, that in everything the art which is most generally useful and necessary, is undoubtedly that which most deserves esteem, and that art which requires the least help from others, is more worthy of honour than those which are dependent on other arts, since it is freer and more nearly independent. These are the true laws of value in the arts; all others are arbitrary and dependent on popular prejudice.
Agriculture is the earliest and most honourable of arts; metal work I put next, then carpentry, and so on. This is the order in which the child will put them, if he has not been spoilt by vulgar prejudices. What valuable considerations Emile will derive from his Robinson in such matters. What will he think when he sees the arts only brought to perfection by sub-division, by the infinite multiplication of tools. He will say, "All those people are as silly as they are ingenious; one would think they were afraid to use their eyes and their hands, they invent so many tools instead. To carry on one trade they become the slaves of many others; every single workman needs a whole town. My friend and I try to gain skill; we only make tools we can take about with us; these people, who are so proud of their talents in Paris, would be no use at all on our island; they would have to become apprentices."
Reader, do not stay to watch the bodily exercises and manual skill of our pupil, but consider the bent we are giving to his childish curiosity; consider his common-sense, his inventive spirit, his foresight; consider what a head he will have on his shoulders. He will want to know all about everything he sees or does, to learn the why and the wherefore of it; from tool to tool he will go back to the first beginning, taking nothing for granted; he will decline to learn anything that requires previous knowledge which he has not acquired. If he sees a spring made he will want to know how they got the steel from the mine; if he sees the pieces of a chest put together, he will want to know how the tree was out down; when at work he will say of each tool, "If I had not got this, how could I make one like it, or how could I get along without it?"
It is, however, difficult to avoid another error. When the master is very fond of certain occupations, he is apt to assume that the child shares his tastes; beware lest you are carried away by the interest of your work, while the child is bored by it, but is afraid to show it. The child must come first, and you must devote yourself entirely to him. Watch him, study him constantly, without his knowing it; consider his feelings beforehand, and provide against those which are undesirable, keep him occupied in such a way that he not only feels the usefulness of the thing, but takes a pleasure in understanding the purpose which his work will serve.
The solidarity of the arts consists in the exchange of industry, that of commerce in the exchange of commodities, that of banks in the exchange of money or securities. All these ideas hang together, and their foundation has already been laid in early childhood with the help of Robert the gardener. All we have now to do is to substitute general ideas for particular, and to enlarge these ideas by means of numerous examples, so as to make the child understand the game of business itself, brought home to him by means of particular instances of natural history