Myths and Legends of Ancient Egypt. Lewis SpenceЧитать онлайн книгу.
Afra (or Ra-Osiris) changes the direction of his journey from north to south to a line due east toward the mountains of sunrise. The fusion of the two myths is quite a logical one, as the moon during the night travels in the same direction as the sun has taken during the day—that is, from east to west.
It will readily be seen how Osiris came to be regarded not only as god and judge of the dead, but also as symbolical of the resurrection of the body of man. Sir James Frazer lays great stress upon a picture of Osiris in which his body is shown covered with sprouting shoots of corn, and he seems to be of opinion that this is positive evidence that Osiris was a corn-god. In our view the picture is simply symbolical of resurrection. The circumstance that Osiris is represented in the picture as in the recumbent position of the dead lends added weight to this supposition. The corn-shoot is a world-wide symbol of resurrection. In the Eleusinian mysteries a shoot of corn was shown to the neophytes as typical of physical rebirth, and a North American Indian is quoted by Loskiel, one of the Moravian Brethren, as having spoken: "We Indians shall not for ever die. Even the grains of corn we put under the earth grow up and become living things." Among the Maya of Central America, as well as among the Mexicans, the maize-goddess has a son, the young, green, tender shoot of the maize plant, who is strongly reminiscent of Horus, the son of Osiris, and who may be taken as typical of bodily resurrection. Later the vegetation myth clustering round Osiris was metamorphosed into a theological tenet regarding human resurrection, and Osiris was believed to have been once a human being who had died and had been dismembered. His body, however, was made whole again by Isis, Anubis and Horus acting upon the instructions of Thoth. A good deal of magical ceremony appears to have been mingled with the process, and this in turn was utilized in the case of every dead Egyptian by the priests in connexion with the embalmment and burial of the dead in the hope of resurrection. Osiris, however, was regarded as the principal cause of human resurrection, and he was capable of giving life after death because he had attained to it. He was entitled 'Eternity and Everlastingness,' and he it was who made men and women to be born again. This conception of resurrection appears to have been in vogue in Egypt from very early times. The great authority upon Osiris is the Book of the Dead, which might well be called the 'Book of Osiris,' and in which are recounted his daily doings and his nightly journeyings in his kingdom of the underworld.
Isis
Isis, or Ast, must be regarded as one of the earliest and most important conceptions of female godhead in ancient Egypt. In the dynastic period she was regarded as the feminine counterpart of Osiris, and we may take it that before the dawn of Egyptian history she occupied a similar position. The philology of the name appears to be unfathomable. No other deity has probably been worshipped for such an extent of time, for her cult did not perish with that of most other Egyptian gods, but flourished later in Greece and Rome, and is seriously carried on in Paris to-day.
Isis was perhaps of Libyan origin, and is usually depicted in the form of a woman crowned with her name-symbol and holding in her hand a sceptre of papyrus. Her crown is surmounted by a pair of horns holding a disk, which in turn is sometimes crested by her hieroglyph, which represents a seat or throne. Sometimes also she is represented as possessing radiant and many-coloured wings, with which she stirs to life the inanimate body of Osiris.
No other goddess was on the whole so popular with the Egyptians, and the reason for this is probably to be found in the circumstances of travail and pity which run through her myth. These drew the sympathies of the people to her, but they were not the only reasons why she was beloved by the Egyptian masses, for she was the great and beneficent mother-goddess and represented the maternal spirit in its most intimate and affectionate guise. In her myth, perhaps one of the most touching and beautiful which ever sprang from the consciousness of a people, we find evolved from what may have been a mere corn-spirit a type of wifely and maternal affection mourning the death of her cherished husband, and seeking by every means in her power to restore him to life.
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