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      He gave a brief laugh.

      “Well,” he said, “get that French and we'll do some—some Verlaine.”

      “Yes,” she said in a deep tone, almost of resignation. And she rose and got the books. And her rather red, nervous hands looked so pitiful, he was mad to comfort her and kiss her. But then be dared not—or could not. There was something prevented him. His kisses were wrong for her. They continued the reading till ten o'clock, when they went into the kitchen, and Paul was natural and jolly again with the father and mother. His eyes were dark and shining; there was a kind of fascination about him.

      When he went into the barn for his bicycle he found the front wheel punctured.

      “Fetch me a drop of water in a bowl,” he said to her. “I shall be late, and then I s'll catch it.”

      He lighted the hurricane lamp, took off his coat, turned up the bicycle, and set speedily to work. Miriam came with the bowl of water and stood close to him, watching. She loved to see his hands doing things. He was slim and vigorous, with a kind of easiness even in his most hasty movements. And busy at his work he seemed to forget her. She loved him absorbedly. She wanted to run her hands down his sides. She always wanted to embrace him, so long as he did not want her.

      “There!” he said, rising suddenly. “Now, could you have done it quicker?”

      “No!” she laughed.

      He straightened himself. His back was towards her. She put her two hands on his sides, and ran them quickly down.

      “You are so FINE!” she said.

      He laughed, hating her voice, but his blood roused to a wave of flame by her hands. She did not seem to realise HIM in all this. He might have been an object. She never realised the male he was.

      He lighted his bicycle-lamp, bounced the machine on the barn floor to see that the tyres were sound, and buttoned his coat.

      “That's all right!” he said.

      She was trying the brakes, that she knew were broken.

      “Did you have them mended?” she asked.

      “No!”

      “But why didn't you?”

      “The back one goes on a bit.”

      “But it's not safe.”

      “I can use my toe.”

      “I wish you'd had them mended,” she murmured.

      “Don't worry—come to tea tomorrow, with Edgar.”

      “Shall we?”

      “Do—about four. I'll come to meet you.”

      “Very well.”

      She was pleased. They went across the dark yard to the gate. Looking across, he saw through the uncurtained window of the kitchen the heads of Mr. and Mrs. Leivers in the warm glow. It looked very cosy. The road, with pine trees, was quite black in front.

      “Till tomorrow,” he said, jumping on his bicycle.

      “You'll take care, won't you?” she pleaded.

      “Yes.”

      His voice already came out of the darkness. She stood a moment watching the light from his lamp race into obscurity along the ground. She turned very slowly indoors. Orion was wheeling up over the wood, his dog twinkling after him, half smothered. For the rest the world was full of darkness, and silent, save for the breathing of cattle in their stalls. She prayed earnestly for his safety that night. When he left her, she often lay in anxiety, wondering if he had got home safely.

      He dropped down the hills on his bicycle. The roads were greasy, so he had to let it go. He felt a pleasure as the machine plunged over the second, steeper drop in the hill. “Here goes!” he said. It was risky, because of the curve in the darkness at the bottom, and because of the brewers' waggons with drunken waggoners asleep. His bicycle seemed to fall beneath him, and he loved it. Recklessness is almost a man's revenge on his woman. He feels he is not valued, so he will risk destroying himself to deprive her altogether.

      The stars on the lake seemed to leap like grasshoppers, silver upon the blackness, as he spun past. Then there was the long climb home.

      “See, mother!” he said, as he threw her the berries and leaves on to the table.

      “H'm!” she said, glancing at them, then away again. She sat reading, alone, as she always did.

      “Aren't they pretty?”

      “Yes.”

      He knew she was cross with him. After a few minutes he said:

      “Edgar and Miriam are coming to tea tomorrow.”

      She did not answer.

      “You don't mind?”

      Still she did not answer.

      “Do you?” he asked.

      “You know whether I mind or not.”

      “I don't see why you should. I have plenty of meals there.”

      “You do.”

      “Then why do you begrudge them tea?”

      “I begrudge whom tea?”

      “What are you so horrid for?”

      “Oh, say no more! You've asked her to tea, it's quite sufficient. She'll come.”

      He was very angry with his mother. He knew it was merely Miriam she objected to. He flung off his boots and went to bed.

      Paul went to meet his friends the next afternoon. He was glad to see them coming. They arrived home at about four o'clock. Everywhere was clean and still for Sunday afternoon. Mrs. Morel sat in her black dress and black apron. She rose to meet the visitors. With Edgar she was cordial, but with Miriam cold and rather grudging. Yet Paul thought the girl looked so nice in her brown cashmere frock.

      He helped his mother to get the tea ready. Miriam would have gladly proffered, but was afraid. He was rather proud of his home. There was about it now, he thought, a certain distinction. The chairs were only wooden, and the sofa was old. But the hearthrug and cushions were cosy; the pictures were prints in good taste; there was a simplicity in everything, and plenty of books. He was never ashamed in the least of his home, nor was Miriam of hers, because both were what they should be, and warm. And then he was proud of the table; the china was pretty, the cloth was fine. It did not matter that the spoons were not silver nor the knives ivory-handled; everything looked nice. Mrs. Morel had managed wonderfully while her children were growing up, so that nothing was out of place.

      Miriam talked books a little. That was her unfailing topic. But Mrs. Morel was not cordial, and turned soon to Edgar.

      At first Edgar and Miriam used to go into Mrs. Morel's pew. Morel never went to chapel, preferring the public-house. Mrs. Morel, like a little champion, sat at the head of her pew, Paul at the other end; and at first Miriam sat next to him. Then the chapel was like home. It was a pretty place, with dark pews and slim, elegant pillars, and flowers. And the same people had sat in the same places ever since he was a boy. It was wonderfully sweet and soothing to sit there for an hour and a half, next to Miriam, and near to his mother, uniting his two loves under the spell of the place of worship. Then he felt warm and happy and religious at once. And after chapel he walked home with Miriam, whilst Mrs. Morel spent the rest of the evening with her old friend, Mrs. Burns. He was keenly alive on his walks on Sunday nights with Edgar and Miriam. He never went past the pits at night, by the lighted lamp-house, the tall black headstocks and lines of trucks, past the fans spinning slowly like shadows, without the feeling of Miriam returning to him, keen and almost unbearable.

      She did not very long occupy the Morels' pew. Her father took one for themselves once more. It was under the little gallery, opposite the Morels'. When Paul and his mother came in the chapel the Leivers's pew was always empty. He was


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