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dry stones. As I drew near I could hear the scrape and rattle of stones, and the vigorous grunting of Sam as he laboured among them. He was hidden by a great bush of sallow catkins, all yellow, and murmuring with bees, warm with spice. When he came in view I laughed to see him lugging and grunting among the great pile of stones that had fallen in a mass from the quarry-side; a pile of stones and earth and crushed vegetation. There was a great bare gap in the quarry wall. Somehow, the lad’s labouring earnestness made me anxious, and I hurried up.
He heard me, and glancing round, his face red with exertion, eyes big with terror, he called, commanding me:
“Pull ’em off ’im-pull ’em off!”
Suddenly my heart beating in my throat nearly suffocated me. I saw the hand of the keeper lying among the stones. I set to tearing away the stones, and we worked for some time without a word. Then I seized the arm of the keeper and tried to drag him out. But I could not.
“Pull it off ’im!” whined the lad, working in a frenzy.
When we got him out I saw at once he was dead, and I sat down trembling with exertion. There was a great smashed wound on the side of the head. Sam put his face against his father’s and snuffed round him like a dog, to feel the life in him. The child looked at me:
“He won’t get up,” he said, and his little voice was hoarse with fear and anxiety.
I shook my head. Then the boy began to whimper. He tried to close the lips which were drawn with pain and death, leaving the teeth bare; then his fingers hovered round the eyes, which were wide open, glazed, and I could see he was trembling to touch them into life.
“He’s not asleep,” he said, “because his eyes is open — look!” I could not bear the child’s questioning terror. I took him up to carry him away, but he struggled and fought to be free. “Ma’e ’im get up — ma’e ’im get up,” he cried in a frenzy, and I had to let the boy go.
He ran to the dead man, calling, “Feyther! Feyther!” and pulling his shoulder; then he sat down, fascinated by the sight of the wound; he put out his finger to touch it, and shivered.
“Come away,” said I.
“Is it that?” he asked, pointing to the wound. I covered the face with a big silk handkerchief.
“Now,” said I, “he’ll go to sleep if you don’t touch him — so sit still while I go and fetch somebody. Will you run to the Hall?”
He shook his head. I knew he would not. So I told him again not to touch his father, but to let him lie still till I came back. He watched me go, but did not move from his seat on the stones beside the dead man, though I know he was full of terror at being left alone.
I ran to the Hall — I dared not go to the Kennels. In a short time I was back with the squire and three men. As I led the way, I saw the child lifting a corner of the handkerchief to peep and see if the eyes were closed in sleep. Then he heard us, and started violently. When we removed the covering, and he saw the face unchanged in its horror, he looked at me with a look I have never forgotten.
“A bad business — an awful business!” repeated the squire. “A bad business. I said to him from the first that the stones might come down when he was going up, and he said he had taken care to fix them. But you can’t be sure, you can’t be certain. And he’d be about half-way up — ay — and the whole wall would come down on him. An awful business, it is really; a terrible piece of work!”
They decided at the inquest that the death came by misadventure. But there were vague rumours in the village that this was revenge which had overtaken the keeper.
They decided to bury him in our churchyard at Greymede under the beeches; the widow would have it so, and nothing might be denied her in her state.
It was a magnificent morning in early spring when I watched among the trees to see the procession come down the hill-side. The upper air was woven with the music of the larks, and my whole world thrilled with the conception of summer. The young pale wind-flowers had arisen by the wood-gale, and under the hazels, when perchance the hot sun pushed his way, new little suns dawned, and blazed with real light. There was a certain thrill and quickening everywhere, as a woman must feel when she has conceived. A sallow tree in a favoured spot looked like a pale gold cloud of summer dawn; nearer it had poised a golden, fairy busby on every twig, and was voiced with a hum of bees, like any sacred golden bush, uttering its gladness in the thrilling murmur of bees, and in warm scent. Birds called and flashed on every hand; they made off exultant with streaming strands of grass, or wisps of fleece, plunging into the dark spaces of the wood, and out again into the blue.
A lad moved across the field from the farm below with a dog trotting behind him — a dog, no, a fussy, black-legged lamb trotting along on its toes, with its tail swinging behind. They were going to the mothers on the common, who moved like little grey clouds among the dark gorse.
I cannot help forgetting, and sharing the spink’s triumph, when he flashes past with a fleece from a bramble bush. It will cover the bedded moss, it will weave among the soft red cow-hair beautifully. It is a prize, it is an ecstasy to have captured it at the right moment, and the nest is nearly ready.
Ah, but the thrush is scornful, ringing out his voice from the hedge! He sets his breast against the mud, and models it warm for the turquoise eggs — blue, blue, bluest of eggs, which cluster so close and round against the breast, which round up beneath the breast, nestling content. You should see the bright ecstasy in the eyes of a nesting thrush, because of the rounded caress of the eggs against her breast!
What a hurry the jenny wren makes — hoping I shall not see her dart into the low bush. I have a delight in watching them against their shy little wills. But they have all risen with a rush of wings, and are gone, the birds. The air is brushed with agitation. There is no lark in the sky, not one; the heaven is clear of wings or twinkling dot —.
Till the heralds come — till the heralds wave like shadows in the bright air, crying, lamenting, fretting for ever. Rising and falling and circling round and round, the slow-waving peewits cry and complain, and lift their broad wings in sorrow. They stoop suddenly to the ground, the lapwings, then in another throb of anguish and protest, they swing up again, offering a glistening white breast to the sunlight, to deny it in black shadow, then a glisten of green, and all the time crying and crying in despair.
The pheasants are frightened into cover, they run and dart through the hedge. The cold cock must fly in his haste, spread himself on his streaming plumes, and sail into the wood’s security.
There is a cry in answer to the peewits, echoing louder and stronger the lamentation of the lapwings, a wail which hushes the birds. The men come over the brow of the hill, slowly, with the old squire walking tall and straight in front; six bowed men bearing the coffin on their shoulders, treading heavily and cautiously, under the great weight of the glistening white coffin; six men following behind, ill at ease, waiting their turn for the burden. You can see the red handkerchiefs knotted round their throats, and their shirt-fronts blue and white between the open waistcoats. The coffin is of new unpolished wood, gleaming and glistening in the sunlight; the men who carry it remember all their lives after the smell of new, warm elm-wood.
Again a loud cry from the hill-top. The woman has followed thus far, the big, shapeless woman, and she cries with loud cries after the white coffin as it descends the hill, and the children that cling to her skirts weep aloud, and are not to be hushed by the other woman, who bends over them, but does not form one of the group. How the crying frightens the birds, and the rabbits; and the lambs away there run to their mothers. But the peewits are not frightened, they add their notes to the sorrow; they circle after the white, retreating coffin, they circle round the woman; it is they who for ever “keen” the sorrows of this world. They are like priests in their robes, more black than white, more grief than hope, driving endlessly round and round, turning, lifting, falling and crying always in mournful desolation, repeating their last syllables like the broken accents of despair.
The bearers have at last sunk between the high banks, and turned out of sight. The big woman cannot see them, and yet she stands to