Word Portraits of Famous Writers. VariousЧитать онлайн книгу.
speaking of his own deficiency in conversation, used to say of himself that, with respect to intellectual wealth, ‘he could draw bills for a thousand pounds though he had not a guinea in his pocket.’ … ‘Addison’s conversation,’ says Pope, ‘had something in it more charming than I have found in any other man. But this was only when familiar; before strangers, or, perhaps, a single stranger, he preserved his dignity by a stiff silence.’ ”
HARRISON AINSWORTH
1805–1882
S. C. Hall’s
Retrospect of a Long Life.
“I saw little of him in later days, but when I saw him in 1826, not long after he married the daughter of Ebers of New Bond Street, and ‘condescended’ for a brief time to be a publisher, he was a remarkably handsome young man—tall, graceful in deportment, and in all ways a pleasant person to look upon and talk to. He was, perhaps, as thorough a gentleman as his native city of Manchester ever sent forth.”
A personal
friend.
“Harrison Ainsworth was certainly a handsome man, but it was very much of the barber’s-block type of beauty, with wavy scented hair, smiling lips, and pink and white complexion. As a young man he was gorgeous in the outré dress of the dandy of ’36, and, in common with those other famous dandies, d’Orsay, young Benjamin Disraeli, and Tom Duncombe, wore multitudinous waistcoats, over which dangled a long gold chain, numberless rings, and a black satin stock. In old age he was very patriarchal-looking. His gray hair was swept up and back from a peculiarly high broad forehead; his moustache, beard, and whiskers were short, straight, and silky, and the mouth was entirely hidden. His eyes were large and oval, and rather flat in form—less expressive altogether than one would have expected in the head of so graphic a writer. The eyebrows were somewhat overhanging, and the nose was straight and flexible. Up to the day of his death he was always a well-dressed man, but in a far more sober fashion than in his youth.”
Ainsworth’s
Rookwood.
“What have we to add to what we have here ventured to record, which the engraving which accompanies this memoir will not more happily embody? (This refers to a portrait by Maclise which appeared in The Mirror.) Should that fail to do justice to his face—to its regularity and delicacy of feature, its manly glow of health, and the cordial nature which lightens it up—we must refer the dissatisfied beholder to Mr. Pickersgill’s masterly full-length portrait exhibited last year, in which the author of The Miser’s Daughter may be seen, not as some pale, worn, pining scholar—some fagging, half-exhausted, periodical romancer—but, as an English gentleman of goodly stature and well-set limb, with a fine head on his shoulders, and a heart to match. If to this we add a word, it must be to observe, that, though the temper of our popular author may be marked by impatience on some occasions, it has never been upon any occasion marked by a want of generosity, whether in conferring benefits or atoning for errors. His friends regard him as a man with as few failings, blended with fine qualities, as most people, and his enemies know nothing at all about him.”
JANE AUSTEN
1775–1817
Tytler’s Jane Austen and her Works. *
“In person Jane Austen seems to have borne considerable resemblance to her two favourite heroines, Elizabeth Bennet and Emma Woodhouse. Jane, too, was tall and slender, a brunette, with a rich colour—altogether ‘the picture of health’ which Emma Woodhouse was said to be. In minor points, Jane Austen had a well-formed though somewhat small nose and mouth, round as well as rosy cheeks, bright hazel eyes, and brown hair falling in natural curls about her face.”
Leigh’s Memoir of Jane Austen. *
“As my memoir has now reached the period when I saw a great deal of my aunt, and was old enough to understand something of her value, I will here attempt a description of her person, mind, and habits. In person she was very attractive; her figure was rather tall and slender, her step light and firm, and her whole appearance expressive of health and animation. In complexion she was a clear brunette, with a rich colour; she had full round cheeks, with mouth and nose small and well-formed, bright hazel eyes, and brown hair forming natural curls close round her face. If not so regularly handsome as her sister, yet her countenance had a peculiar charm of its own to the eyes of most beholders. At the time of which I am now writing, she never was seen, either morning or evening, without a cap; I believe that she and her sister were generally thought to have taken to the garb of middle age earlier than their years or their looks required; and that, though remarkably neat in their dress, as in all their ways, they were scarcely sufficiently regardful of the fashionable, or the becoming.”—1809.
Austen’s Sense and Sensibility.
“Of personal attractions she possessed a considerable share; her stature rather exceeded the middle height; her carriage and deportment were quiet, but graceful; her features were separately good; their assemblage produced an unrivalled expression of that cheerfulness, sensibility, and benevolence which were her real characteristics; her complexion was of the finest texture—it might with truth be said that her eloquent blood spoke through her modest cheek; her voice was sweet; she delivered herself with fluency and precision; indeed, she was formed for elegant and rational society, excelling in conversation as much as in composition. … The affectation of candour is not uncommon, but she had no affectation. … She never uttered either a hasty, a silly, or a severe expression. In short, her temper was as polished as her wit; and no one could be often in her company without feeling a strong desire of obtaining her friendship, and cherishing a desire of having obtained it.”
FRANCIS, LORD BACON
1560–1-1626
Montague’s
Life of Bacon. *
Evelyn
on Medals.
“He was of a middle stature, and well proportioned; his features were handsome and expressive, and his countenance, until it was injured by politics and worldly warfare, singularly placid. There is a portrait of him when he was only eighteen now extant, on which the artist has recorded his despair of doing justice to his subject, by the inscription—‘Si tabula daretur digna, animum mallem.’ His portraits differ beyond what may be considered a fair allowance for the varying skill of the artist, or the natural changes which time wrought upon his person; but none of them contradict the description given by one who knew him well, ‘That he had a spacious forehead and piercing eye, looking upward as a soul in sublime contemplation, a countenance worthy of one who was to set free captive philosophy.’ ”
Aubrey’s
Lives of Eminent Persons. *
Campbell’s
Lives of the Lord Chancellors. *
“He had a delicate, lively hazel eie; Dr. Harvey told me it was like the eie of a viper.”
“All accounts represent him as a delightful companion, adapting himself to company of every degree, calling, and humour—not engrossing the conversation—trying to get all to talk in turn on the subject they best understood, and not disdaining to light his own candle at the lamp of any other. … Little remains except to give some account of his person. He was of a middling stature; his limbs well-formed though not robust; his forehead high, spacious and open; his eye lively and penetrating; there were deep lines